Piano ambience
recorded a couple notes on my piano and added them to Absynth.In sample mode I had the 3 OSC all play the samples back at different times
Cuckoo tries his new Monomachine
I recently got the Monomachine, and thought I’d share my first sound experiments. I love it! The only sounds that are based on custom waves are the ones used in the last tune (Metroid 8-bit). I snagged them from Chipsounds for some Nintendo love 😉
I’ll do some proper videos later, but I thought I’d just share what I have so far. Also I bought a new pair of speakers/ monitors – so hopefully there will be no more mud in my mixes. Already I think it sounds much better than what I’ve been doing earlier.
Pete Brown – Sidewalk (ambient BoC style)
Percussion: Akai Rhythm Wolf
Main four bar riff: Dreadbox erebus
Lead : Roland SH-101
Intro: SH-101 with the Rhythm Wolf synth under it.
Deep bass in second half: Roland JD-800
80bpm using the internal clock in Rhythm Wolf.
Sugarbytes Effectrix shown by Jordan Rudess
Ryouichi Harada: floating sequenced Yamaha CS10
Great Schulze-style impro!
Oberheim OB-X tour de force
Fireheart is an uptempo track using the Oberheim OB-X vintage Synthesizer from 1979, Yamaha CP-80 and some drumsamples. Composed and produced by www.firechild.se
Tribute to Edgar Froese and Tangerine Dream by Seb (MOS-LAB)
Steve Reich “Music for 18 musicians” on Absynth
NI Absynth version of Steve Reich’s Music for 18 musicians to Hollis Frampton’s 1968 film SURFACE TENSION.
How to widen a mix using Mid/Side processing
M/S processing is a hugely powerful yet often misunderstood mixing technique. We show you how to harness its potential… For loads more on M/S mixing pick up Future Music issue 288: http://bit.ly/FMU288
Sound design tutorial – Duran Duran “Rio” arpeggio on Roland Jupiter-4
DATAMASKIN
