PIXITRACKER App – iPhone / iPad ChipTune Maker! – First Look
Chip Music Maker is a “Power Up” for your iPhone or iPad! Fun, Easy to Use, and authentic 8 / 16 bit sounds
No time to delve into the big and serious music apps?
PixiTracker is what you need! It is a simple and fun tool to quickly create musical sketches or chip tunes. Without requiring a lot of musical knowledge!
Features:
* high quality 16bit sampler and pattern based sequencer (tracker);
* unlimited number of patterns;
* several packs with unique sounds;
* MIDI keyboard support;
* mic/line-in recording;
* Wi-Fi export/import;
* export to WAV;
* audio copy/paste;
* iTunes File Sharing;
* true warm pixel interface!
DSI Poly Evolver Keyboard Demo
Background information:
Only using a single PEK voice. Oscillators turned on/off for variation parts, using Output Pan for stereo affects. Sequenced/recorded live, from the PEK. Tiny amount of compressions and EQ (bass rolloff). No external effects – delay is from the PEK. All drums from Jomox 888 / 999.
The Poly Evolver Keyboard is DSI’s flagship synthesizer, a nearly-knob-per-function knockout that sounds unlike any other synth out there—except another Evolver, of course! Don’t like a high-end hardware synth that requires wading through endless menus to program? Not an issue with the Poly Evolver’s 78 knobs—60 of them potentiometers—and 58 buttons, incuding a keypad for direct access of programs.
An analog/digital hybrid, the four-voice Poly Evolver features four oscillators per voice—two analog and two digital—in a unique stereo voice architecture with a real Curtis analog low-pass filter per channel. The digital processing does not simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics for tuned feedback, distortion, bit crushing, and synced delays. It can also process external audio and has separate stereo outputs for each voice.
The Poly Evolver is capable of producing sounds ranging from classic analog to more brash and edgy digital sounds. It is also multitimbral, with the ability to play up to four parts simultaneously through separate stereo outputs. And it can process external audio.
The Poly Evolver is not a generic “slab” workstation. If you’re looking for realistic pianos and strings, keep looking. But if you want a truly unique, inspirational, real instrument, look no further.
- Each voice is a complete Evolver with four oscillators per voice, two analog and two digital.
- True stereo signal path with separate Curtis analog low-pass filters in each channel for each voice. Each voice has its own independent effects (feedback, delay, distortion, high-pass filter, etc.).
- Highly accessible sound control for easy, intuitive operation: 78 knobs and 58 switches.
- Clocked, pulsing blue LEDs and hardwood end-panels.
- Each voice has an independent 16 x 4 step sequencer. Everything (sequencer, LFOs, and delay) syncs perfectly to MIDI.
- In Program mode, all four voices play the same sound. In Combo mode, voices can be allocated however desired: stack all 4 for a huge unison sound, split or layer the keyboard in any configuration, and/or play one or all sequences at the same time. Each voice can respond to a different MIDI channel.
- Each voice has its own stereo output in addition to the mix and headphones outputs.
- Stereo audio input that can be routed to any or all of the voices, enabling parallel audio processing of external stereo or mono signals. The output of one voice can be routed to the input of another for interesting double-processing effects.
Review of Wave Alchemy Pro II Synth – Extended Video
Russ takes a look at the Wave Alchemy Pro II synth.
Inject your mix with a comprehensive collection of fully editable and beautiful sounding analogue synth sounds…
Driven by a custom scripted Kontakt 4 engine, intuitive graphical interface and over 6500 carefully recorded samples, Pro II is a limitless source of screaming bass lines, lush synth tones and powerful sequences.
Inspired by one of the most popular synths of its time, Pro II combines classic sounds with modern sound shaping tools to achieve a versatile and fully programmable hybrid synthesizer!
Pro II ships with a 3.9GB core sound library and includes 195 expertly programmed presets, all of which are editable via our extensively scripted instrument panel and stunning GUI controls.
Tech Vocals – new sample library in the Grid Machine Slice series for Kontakt
Channel Robot has released Tech Vocals, a sample library is the Grid Machine Slice series for Kontakt.
Here are Volumes 2 and 3 of the best selling Minimal Tech Vox – a fantastic collection of snipped, glitched, processed and tweaked minimal vocal samples, produced specifically for the dance music producer.
Whether you are making Tech, Electro, Deep or Mainroom Dance Music – these samples recorded by pro session singers have been mangled, chopped and edited to provide you with the building blocks for some awesome grooves.
Featuring a killer selection of one word single shot samples, glitched vox sounds, vox stabs, Fx Processed Loops, vocal hooks and re-sequenced parts which together form a formidable collection of samples for any producer looking to introduce the human element to loops and sections of their productions, and now you can further process cut, mix, slice and glitch to produce completely unique content in Grid Machine Slice.
The sound library is available to purchase from Loopmasters for £29.95 GBP.
I Dream of Wires 3: Orphx & Modulars – The Physical Element
Canadian duo Orphx have been releasing electronic music since 1993, and while they were best known in experimental/industrial music circles for many years, today they are regarded as pioneers in the fusion of techno and industrial music. Orphx’s recent output on Sonic Groove has met with critical acclaim from many of techno’s leading DJs. Having performed live with laptops for several years, Orphx’s Christina Sealey made the decision to delve in modular synthesizers, hoping it would bring some spontaneity and excitement to Orphx’s music, both on stage and in the studio.
Orphx’s Christina Sealey will be performing live, as part of Sealey/Greenspan/Lanza, at I Dream Of Wires’ 2012 MUTEK showcase.
For more info on Orphx: orphx.com
I DREAM OF WIRES is a forthcoming documentary film about the history and resurgence of modular synthesizers. The film is currently in production. This is the 6th in a series of extended interviews, which will be produced and released in various formats throughout the production, and following the release, of the film. I DREAM OF WIRES extended interview segments are sponsored by MATRIXSYNTH (m.matrixsynth.com).
Catch I DREAM OF WIRES’ showcase at Mutek Montreal 2012: Saturday June 2 @ Satosphere, with live performances, all incorporating modular synthesizers, by Sealey/Greenspan/Lanza (Orphx/Junior Boys), Keith Fullerton Whitman (Kranky/Editions Mego), Solvent (Ghostly International/Suction Records), Clark (Warp Records), and Container (Spectrum Spools).
For info on the film: facebook.com/idreamofwiresdocumentary
More on the new MacBeth Micromac – three shadows
Here’s what they have to say about it:
As we hit production of the micromac- her’s one of the last videos from the prototype units- this video features the desktop version doing baqss lines and the 3U format version doing some strange glide stuff! It’s been an interesting experiment- the keyboard controllers are 2 x Korg Prophecies doing the arpegiation thing at different timings! Apart from my own designs featured here- I’d highly recommend 2 x Prophecies as keyboard controllers! I guess all this sound coming from such small units….starts to erase the need for the massive modular…especially if you after this kind of sound! All played live….and yes, the video needs a touch of brightening slash contrast!
All new – SLVR Spreader
SLVR Spreader is a state-of-the-art stereo widener suitable for mixing and mastering. It combines different stereo imaging technologies, letting you apply ample amounts of widening without weakening the overall sound. Use it on individual tracks like vocals, on group tracks like drums, and all the way to the final master.
Widening without Weakening
Most stereo wideners work by increasing the level of the side signal against the mid or center signal (often referred to as mid-side imaging). This results in a wider sound but it also weakens everything in the center section (e.g. Bass, Kick, Vocals, Snare). The problem is that you can’t just bring up the center level, as that will simply cancel out the widening, which brings you back to square one.
With SLVR Spreader, you can apply as much widening as you want, as it lets you bring back important center signals lost in the widening. It does this by carefully screening out which parts of the center are being widened and protecting those signals. It also splits the center into 3 bands so that you can restore only the affected frequencies.
Three Powerful Modes
Wide mode uses a mid-side algorithm for widening the signal. This is suitable for stereo recordings, group tracks, and mastering.
Delay mode spreads the signal’s frequencies across the stereo image and applies minute amounts of delay to emphasize the stereo effect. This can be used to fatten ambient sounds like vocals and pads.
Shuffle mode interleaves the signal’s frequencies and spreads them across the stereo image. While the stereo effect is less pronounced in this mode, it can help the signal cut-through a busy mix without introducing artifacts or phase issues.
3 Channel Meters
SLVR Spreader has separate meters for Left, Center, and Right channels, allowing you to apply just the right amount of widening to the signal. For best results, increase the Spread fader until the Center peak is at the same level as or just above the Left and Right peaks.
Genome Sequencer MASSIVE MIDI Jam!
Background data:
Finally getting my brain in to the GENOME Midi Sequencer, by White Noise Audio. It is VERY COOL!
Using network MIDI, I’ve connected the iPad2 (running Genome/Arctic Keys/BS-16i/NLog Pro), to an iPhone 4 (running Sunrizer) and an iPod Touch (running Arctic Keys).
Also, via an iRig MIDI connector on the iPad, am sending a MIDI signal to a Moog Little Phatty as well. Can you believe this all works! I have a pretty strong WiFi signal, so the iPhone/iPod Touch work well and there isn’t any discernible latency.
Presumably I could run my other iPod touch as well, with a compatible virtual MIDI app. I also have a MIDI splitter box, so the idea of sending to more MIDI hardware is also a idea (or by chaining with MIDI THRU).
The possibilities are great with Genome!
MIDI Mandala – a wireless Midi controller for iOS
Intelligent Gadgets has released MIDI Mandala– a wireless Midi controller for iPod/Touch, iPhone, and iPad
Previously, Intelligent Gadget’s Mandala Music app first introduced the idea of using a circular arrangement of control pads to generate music. The user selects a musical scale that is mapped to the mandala. The lowest note is in the center, followed in increasing pitch from the top, alternating back and forth, down to the bottom. Compared to a square grouping of control pads, or even a keyboard on smaller devices like an iPhone or iPod, the circular arrangement is much easier to play. In fact by mapping a scale to the control pads there are, in effect, no wrong notes.
Where Mandala Music uses an internal FM synthesizer to generate sound, Midi Mandala lets you play networked Midi synths wirelessly using the same circular control concept.
Run multiple versions at the same on different Midi channels and control different synth sounds simultaneously.
After touch controls let you change the pitch and loudness of a sound, providing subtle nuances of expression. 16 presets allow you to save your own custom settings..
From The Vaults : Depeche Mode: A Conversation with Mr. Gambaccini from 1993
Radio DJ Paul Gambaccini interviews the members of Depeche Mode at home and in the studio in this exclusive documentary footage from 1993 for From The Vaults on The Warner Sound.
From The Vaults is the weekly unveiling of the documentaries, interviews, and performances unearthed from the Warner library.
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