Time machine: Korg DW-8000 from 1985
Time again for another trip with the time machine, this time back to 1985 tocheck out the KORG DW-8000:
A voyage into the heart of the Korg DW-8000 from the year 1985.
Exploration by Marko Ettlich
DWGS (Digital Waveform Generator System) Synthesizer with 16 digital waveforms
analog filter and amp
arpeggiator
digital delay
It has been used by Depeche Mode, Dream Theater, Joe Zawinul, Keith Emerson and many more.
Take Korg’s first digitally controlled analog synth hybrid (DW-6000) two steps higher and you get the more popular DW-8000. Sound is digitally generated from the DWGS (Digital Waveform Generator System) and has been doubled from 8 sampled digital waveforms to 16 simple analog to complex digital waveforms. The DW-8000 has 8 voice polyphony in two modes, or one monophonic mode with all eight voices stacked. The analog VCF resonant filter and VCA both have independent ADBSSR envelopes. Parameters can be altered in real time via a single programmable slider. There are 64 presets that can be reprogrammed by the user.
When the DW-8000 succeeded the DW-6000, it expanded it to 8 notes polyphony, 16 sampled waveforms, a velocity sensitive keyboard with programmable aftertouch, auto-bend, a simple arpeggiator and a digital delay unit. The Digital Delay was an astonishing goody for the time, offering up to 512ms delay, phasing, flanging, chorusing and other time effects. Both the Arpeggiator, Auto-Bend and Digital Delay make this synth an inspiring and great sounding machine to use for great 303 basslines, techno and house bass and synth sounds and more! The EX-8000 (pictured above) is a rackmount version of the DW-8000. Several 3rd-party developers offered expansion boards for the DW-8000 providing up to 1024 presets, layered sounds, keyboard splits and Sample+Hold for the LFO.


