HiNRG: The Analog Session – Ascension

July 15, 2012 · Posted in Uncategorized 

YouTube Published on Jul 14, 2012 by mauriziodami

“‘Ascension’ is the first of 4 video-clips resulting from a session held at Alexander Robotnick’s studio in April 2012.
A couple of cuts were made to bring the original 20 minute session down to a 10 minute video. No adjustment to the music was made in post-production. The parts played by Alexander Robotnick and Ludus Pinsky are totally improvised, with the exception of the central break and the theme of ascending notes that gives the title to the track. These two were previously agreed upon by the two musicians. The rhythmic part and the bass line were written on the sequencer in the modular synth operated by Ludus Pinsky. Some other sequencer lines derive from the main bass line.
The computer appearing in the video was used to record the performance on 24 tracks.
The video was shot by three standing cameras. The shots made by the mobile camera were mainly used to fill in the cuts.
“Ascension” is part of The Analog Session’s forth-coming album featuring Alexander Robotnick and Ludus Pinsky that will be released in November 2012 by Hot Elephant Music.
More info at www.robotnick.it
More videos by The Analog Session at my channel: www.youtube.con/mauriziodami
Hot Elephant Music: www.hot-elephant.com”

Lead on EDP Wasp:

Wikipedia: The Wasp was undoubtedly EDP’s most famous product, distinctive for its black/yellow colour scheme and brittle, cheap construction. It was notorious for its lack of a mechanical keyboard; instead, it used flat conductive copper plates, hidden under a silk-screened vinyl sticker. This was claimed to be unreliable, unintuitive, and devoid of much of the expression present with a real keyboard. Despite these flaws, the Wasp was fairly advanced technologically. It was one of the first commercially available synthesisers to adopt digital technology, which at the time was just beginning to become a standard. It also utilised a proprietary system for connecting several Wasp synthesisers together, predating the invention and standardisation of MIDI by several years. The digital interface should not, however, be confused with MIDI, even though similar DIN plugs are utilised (7-pin DIN instead of the 5-pin DIN which MIDI standardized to.

Architecturally, the wasp is dual DCO (not VCO) synth, with dual envelopes, and single, switchable (low/band/highpass) CMOS-based filter.

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