Generative arts in music
Demo of dj64, a DJ environment for the Monome interface written in Max/MSP.
This patch is still under development, but will be available from monome.org soon.
“When one thinks about it, music and the visual arts are really languages that have their own grammars. We find that certain types of sequences and juxtapostions of components create effective communications. The message is whatever the artist creates or programmer allows in the system. There are certain types of systems that use a small set of rules with various permutations. Other systems use a loose set of rules with a large vocabulary. In some cases, there are many algorithms that have little or no permutation within, but the communication is made by the permutations of sequencing and juxtaposition of the algorithms into a grammar and a language.
In some cases, a formal scientific approach is taken, and the images reflect this in their pure mathematical rigor. The reliance on the formula may limit the range of expression. In other cases, a free-form artistic approach is taken, and the ad-hoc, organic nature and human hand is revealed., and the idiosyncrasies of the person come through. A close friend of mine would say that the scientific approach is the result of a fear of intimacy. Perhaps the free-form approach has its own fear of responsibility.
It’s interesting that generative art is related to grammar, the vehicle of meaning. Are we looking for meaning in art without injecting it with ourselves? Have we lost the connection with our own meaning or purpose? Is generative art the reliance on computers and technology for the solutions to our problems, even in the search for beauty or meaning?”
Dj emulation for the 40h / 64. Using 64 buttons, the user controls 2 decks, a virtual mixer, and several effects.
Created by Bitbasic