KORG PROPHECY- Favorite Patches / Walkthrough

October 22, 2014 · Posted in Uncategorized · Comments Off on KORG PROPHECY- Favorite Patches / Walkthrough 

KORG PROPHECY Synth Demo, Part 2 of a 2 Part video series on my favorite patches, and a ‘walkthrough.’ of programming changes. Be sure to watch for a Part 2 of a deeper video series on programming soon to follow.

————————————————————
I will provide a download link, upon request, to the Korg Prophecy Parameter Guide & The MOSS-TRI User’s Guide, which is the manual for the Prophecy board for the Korg Trinity “Plus”…not the V3 Z1 MOSS-TRI Board (they are different synths):

The KORG PROPHECY was among the first “Virtual Analog” synthesizers from the mid to late 90s, and is one of my favorite synths due to it’s truly extensive architecture. It remains one of the more complex and unique sounding “Physical Modeling” Synthesizers ever made.

KORG PROPHECY – Overview / Programming / Demo

August 28, 2014 · Posted in Uncategorized · Comments Off on KORG PROPHECY – Overview / Programming / Demo 

This is a Demonstration and Overview of the “Great” Korg Prophecy. The Korg Prophecy is a fantastic sounding synthesizer with great potential. All you need is a good sound that you know well, and familiarity with this synthesizer’s parameters.

Digital does analog! The Prophecy was among one of the first synthesizers to lead a revolution started in the mid-nineties by synthesizer makers to satisfy a growing segment of the market that was lusting after old-school vintage equipment in the pursuit of making electronica-style music, by providing a state-of-the-art retro synthesizer that could sound like a classic analog.

The Prophecy Solo Synthesizer was unveiled in 1995, and was a purely monophonic solo/lead synthesizer. It employed DSP synthesis first developed for the Korg OASYS synthesizer, with algorithms for producing realistic analog timbres, VPM (Variable Phase Modulation) tones similar to FM synthesis, and physically modeled brass, reed, and plucked string instruments. At your finger tips were tons of real-time control over traditional analog editing parameters like filter cutoff and resonance, envelopes and the arpeggiator. It had a pitch wheel, a mod wheel, an expressive dual action ribbon wheel, six effects processors and more!

  • THE CAVE : Playlist

  • INSTAGRAM – ANALOG INDUSTRIAL ARTS

    No images found!
    Try some other hashtag or username
Get Adobe Flash player