After 8 years Kraftwerk returns to Walt Disney

November 27, 2013 · Posted in Uncategorized · Comment 

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German electronic music pioneers Kraftwerk will play eight 3-D concerts at Walt Disney Concert Hall, March 18-21, 2014 to launch the LA Phil’s Minimalist Jukebox Festival. These will be their first L.A. dates since 2005.

They will perform eight of their albums, spread across eight performances.

KRAFTWERK – THE CATALOGUE 1 2 3 4 5 6 7 8 is a chronological exploration of their work. Starting with Autobahn, each performance will cover one of Kraftwerk’s studio albums in full and in order of their release:

  • Autobahn (1974), Tuesday, March 18, 7:30 PM
  • Radio-Activity (1975), Tuesday, March 18, 10:30 PM
  • Trans Europe Express (1977), Wednesday, March 19, at 7:30 PM
  • The Man-Machine (1978), Wednesday, March 19, at 10:30 PM
  • Computer World (1981), Thursday, March 20, at 7:30 PM
  • Techno Pop (1986), Thursday, March 20, 10:30 PM
  • The Mix (1991), Friday, March 21, 7:30 PM
  • Tour de France (2003), March 21, 10:30 PM

More info here >>

Contemporary music ensemble Icebreaker will recreate crucial phase in electronic music history – Kraftwerk

November 22, 2013 · Posted in Uncategorized · Comment 

Kraftwerk-stageshow-630-80

Popular demand for all things Kraftwerk will continue in the new year, as contemporary music ensemble Icebreaker embark on a live show that aims to recreate the electronic band’s experimental early period. The tour kicks off at the London Science Museum on 24 January and is titled Kraftwerk Uncovered – A Future Past.

Announcing the concept, German composer, producer and sound-scapist J. Peter Schwalm said: “Our focus is on Kraftwerk’s early, semi-improvised music that combined acoustic and electronic instruments, [and that period's] relationship to their career-defining albums from Trans Europa Express to Computer World.

“Where Kraftwerk’s aesthetic moved ever closer to the ‘man machine’ we aim to adopt a more ‘retro-futurist’ approach to find the ‘human’ inside the machine, beginning with Ralf Hütter and Florian Schneider’s own early albums”.

The tour dates are:

  • Fri 24th Jan – London, The IMAX Cinema at The Science Museum
  • Thurs 6th Feb – Manchester, Royal Northern College of Music
  • Fri 8th Feb – Birmingham, Town Hall
  • Weds 12th Feb – Nottingham, Lakeside Arts Centre

For more info, visit Icebreaker.

Kraftwerk – The Model Deconstructed (Ableton Live 9 Tutorial)

October 31, 2013 · Posted in Uncategorized · Comment 

Ski Oakenfull breaks down one of the best known tracks from electronic music pioneers Kraftwerk. This deconstruction took place at Ableton’s artists meet and greet at Sync Studios, Barcelona.

Buy the digitally remastered version of The Model from Beatport here: http://ow.ly/mqPYh
OR ITunes: http://ow.ly/mqPSe

LIVE REPORT: Kraftwerk

October 30, 2013 · Posted in Uncategorized · Comment 

The Quietus has a nice live report on their site featuring a recent gig by Kraftwerk, the first part can be found below, if you get inspired head over to the main article

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In opener ‘Spacelab’ an image of the Evoluon flies over the heads of the audience. To be honest, the UFO shaped building in the Dutch city of Eindhoven is appropriate for visuals that attempt to express the ultimate challenge of space: being infinite and yet ready to be explored. Incorporating the venue in the opening visuals of the show could easily be mistaken for something that is merely a nice touch; a credit to the remarkable place where the group are playing. Truth is, the Evoluon is the only place where Kraftwerk’s music really makes sense.

Let’s go back to the 50s, the decade of the Marshall Plan, which guaranteed the reconstruction of Europe. In 1952 The European Coal and Steel Community was created, the first step to the federation of Europe that was established after the Treaty of Rome in 1957. The Second World War seemed far away and despite the the Iron Curtain splitting Europe in half, the future looked bright. The optimism cumulated in the World Fair in 1958 (called Expo 58) in Brussels, the new capital of Europe. One of the most, perhaps the most, astonishing contribution was the Philips Pavilion, designed by Le Corbusier. The idea for the building came from Iannis Xenakis, specifically his composition ‘Metastaseis’.

The pavilion turned out to be one of the first real multimedia installations. Within the building, which consists of nine hyperbolic paraboloids, Edgar Varèse’s ‘Poème Électronique’ could be heard through speakers set into the walls. Rapidly changes images of technologic progress and the horrors of mankind were projected on the walls, creating a rich spectacle that the Canadian media theorist Marshall McLuhan would describe as an acoustic space: time and space disappearing in a non-linear story. At the entrance and exit Xenakis’ ‘Concret PH’ was heard.

One of the 41 million visitors of the expo was Ralf Hütter, one of the founding members of Kraftwerk. The Philips Pavilion made quite an impression on the young Hütter, who was twelve at the time. It is not that difficult to the the connection between the naive belief in the future at the end of the 50s and the work of Kraftwerk MK II and MK III – the Kraftwerk of Autobahn, Radio-Aktivität, Trans Europa Express and the Kraftwerk of Die Mensch-Machine and Computerwelt. Although the music sounded astonishingly new and fresh, Kraftwerk was in fact trying to regenerate the future, thus the 50s.

Read the full article here >>

Experimental: Car composes Kraftwerkian music

September 22, 2013 · Posted in Uncategorized · Comment 

http://youtu.be/dj-LJQyGjls

Tom Zimmerman created Project: Autobahn, a generative music system that creates music based on an automobile’s control sensors.

Background video info below:

Tom Zimmerman is one of my favorite hacker/inventors. With over 40 patents awarded, Tom’s the creator of the legendary virtual reality navigation device, the Data Glove, and has written a number of fun DIY projects for MAKE magazine. We invited Tom to participate in the Boing Boing Ingenuity: Data Driven hack day on August 17, 2013, and his creation, called Project: Autobahn, was awarded our coveted “Weirdest Hack” prize. He took home a gift basket from our friends at SpikenzieLabs, and a pair of Audeze audiophile headphones.

Project: Autobahn uses OpenXC data as MIDI data to compose and play Kraftwerkian music that matches the driver’s behavior. As Tom says in the video, the style of music the car generates could be used to provide feedback to the driver on how safely and efficiently she or he is operating the vehicle.

Kraftwerk Pocket Calculator – CUCKOO Stylophone S2 + OP1

August 24, 2013 · Posted in Uncategorized · Comment 

Background video description of this very cuckoo Krfatwerk edition:

Here’s an old favourite played solely on the new Stylophone S2, recorded on the OP1. The video shots are the actual performances.. no fake dubbing. (I had some trouble with the sync though. I’m hoping it’s ok.)

Kraftwerk – Kakteen, Wüste, Sonne 1971

August 21, 2013 · Posted in Uncategorized · Comment 

Not really as we are used to see them :-)

Kraftwerk – Kakteen, Wüste, Sonne 1971

(Instrumental)

(Cactus, desert, sun)

KORG Volca keys – performing Kraftwerk’s “The Robots”

August 16, 2013 · Posted in Uncategorized · Comment 

Nice work on the Volca Keys

volca keys Kraftwerk robots

July 30, 2013 · Posted in Uncategorized · Comment 

volca keysを「音源モジュール」として使ってみました。曲はKraftwerk(クラフ

­トワーク)の The Robots(ロボット)です。
せっかくなのでボコーダーを使って歌ってみましたよ〜
記事URL:http://info.shimamura.co.jp/digital/s…

Digiland
島村楽器株式会社のデジタルガジェット情報配信サイト
http://info.shimamura.co.jp/digital/

Rough Googlish translation below:

I tried to use it as a “sound module” the volca keys. Song Kraftwerk (Clough

The Robots of the network) is a (robot).
The ~ I tried to sing with a vocoder so much trouble

Kraftwerk on Mitternacht 1975 (Full Ver)

July 28, 2013 · Posted in Uncategorized · Comment 

Concert Live 1975.09.21 Croydon, UK
1- Kling klang
2- Tongebirge
3- Tanzmusik
4- Ruckzuck
5- Kometenmelodie 1
6- Die Sonne, Der Mond, Die Sterne
7- Kometenmelodie 2
8- Mitternacht
9- Autobahn

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