On January 19, 2015 Moog Music Inc. announced their plans to recommence a limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.
To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances on the new Moog modular systems by Holy Ghost! (DFA Records), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Opal Tapes/ Spectral Sound), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw/Leaving). Each artist played a patch on one or more of the new Moog modular synthesizers recorded in one take with no overdubs.
Moog Modular Synthesizers: http://www.moogmusic.com/content/moog…
January 19, 2014 Asheville, NC: 50 years ago the Moog modular synthesizer represented as radical a transition as Kandinski’s abstracts or Kodak’s cameras – offering both a break from yesterday and a startling glimpse of tomorrow. And, as with all cultural explosions, the impact of Dr. Moog’s invention was impossible to evaluate from the epicentre. It’s only now, 50 years down the line that we can get some measure of the importance, and the sheer untapped potentiality of the Moog Modular Synthesizer.
Today, it is with great excitement that we announce our plans to recommence a limited run manufacturing of three of our most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.
To commemorate the announcement, we shot a short film at our factory about the deeply inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances by contemporary modular artists like Holy Ghost! (DFA), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Spectral Sound/Opal Tapes), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw). Each artist played a patch live, in one take, with no overdubs on one or more of the new Moog Modular systems.
The System 55 is available for purchase for 35,000 USD; System 35 is $22,000 USD, and the Model 15 costs $10,000 USD.
In this video, electronic music and sound design pioneer Suzanne Ciani explores the Moog modular System 55 for the first time in decades. Ciani came to the Moog factory in Asheville, NC to play the first System 55 newly handcrafted by Moog in over thirty years. The patch, created and performed live, was shot in one take and features a sequence designed on the 960 Sequential Controller that’s driving three 921B oscillators into a 904B High Pass filter whose cutoff is being modulated by a 921 oscillator. A second set of 921B oscillators is also being played manually into a 904A Low Pass filter whose cutoff knob is also being modulated by the 921 oscillator. The resulting sound of each is then sent through its own dedicated MF-104M analog delay for ambience. The audio has been captured directly with no eq, compression, or editing applied.
Playing with a modular synthesizer.
Pittsburg VCOs and filter triggered by a Moog 960 sequencer and two quantizers (Intellijel and Sonic Potions). Solo voice using Marienberg VCO and VCF. Drums: Sonic Potions LXR drum machine.
Each track was created on one modular synthesiser system*. Two additional techniques were used during the recording process: sound on sound multi-tracking and digital delay** (with no feedback) of the left hand channel to provide a stereo image
* The various modular systems were (in alphabetical order***):
** The digital delay unit used was a Bel BD-80S, set to a delay time of approximately 400ms
*** This is not the order in which the tracks appear
All tracks (c) 2014 B.D.Edwards
Recorded at Memetune Studios, England
The DS-M (Drum Synth Module) is a complex, modifiable, 100% analog drum synth loosely based on the Coron DS-8 and neatly packaged into an 8hp module.
Changes to the original DS-8 include:
VCA-like trigger input (more voltage = louder output)
LED trigger indicator
1v/o tracking (C0-C4)
Triangle core oscillator
Additional noise color switch setting (3 settings instead of 2)
More distinct noise timbres
Louder, improved noise circuit
Really LOW bass frequencies
Total range ~4Hz to 2.6kHz
Background video description:
Modular Synth built to my friend Denis Lee.
It has a main case, with the basic functions.
A second case with the drum machine session
A third case with the sequencer and some effects.
This DIY uses MFOS, YUSYNTH, HEXINVERTER, MUSIC THING and RECO-SYNTH
Background video description:
My first try on my Modular Synth 😀
Some retro electronic sounds created with a mix of modern Buchla 200e modules,DIY “retro 100” modules.. and a Tape Delay.
Ambient piece from his forthcoming album on Bandcamp.
October 12, 2014 marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society’s (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a completely new type of instrument that would go on to change the course of music history and influence decades of future instrument design. Told by a Moog engineer, Moog Historian, and Bob Moog himself, this mini-documentary explores Moog Music’s quest to resurrect the original methods, materials and designs used in the foundational modular synths. Through recreating Keith Emerson’s modular system, Moog Music rediscovers the power, elegance, and enduring legacy of its first instruments.
Find out more at www.moogmusic.com