Dave Smith & Analog four “Analog Home”
Just a programmed sequence with the Tempest master (home)CLOCK. The Poly Evolver, Mopho X4 are following. Slim Phatty doing some ambient leads.
Enjoy and dutch Grtz from the Netherlands !
The Little Phatty was released in 2006 as a tribute to the life and legacy of Moog Music founder and synthesizer pioneer, Bob Moog. Following the passing of Dr. Moog, The Little Phatty was the first Moog synthesizer designed by Moog Music’s Chief Engineer, Cyril Lance.
Over the course of its seven year production run, the Little Phatty has gone through three incantations including The Tribute, Stage I, and Stage II editions. During that time, the Little Phatty has become one of the best selling professional analog synthesizers in history. Its sonic impact on modern music can be heard on thousands of records, and its signature swooped-back silhouette can be seen in top recording facilities around the world as well as on the stages of internationally touring musical acts such as Rush, Jack White, Queens of The Stone Age, No Doubt, Bernie Worrell and the hit shows American Idol, Nashville and Portlandia
This modification comes with a Little Phatty gig bag and full tune up to bring your Little Phatty back to original factory specification.
The Little Phatty CV Out modification unlocks a host of modular control features and flexibility tucked away in your Little Phatty.
It allows you to connect to Moogerfoogers, synthesizers and other analog gear to create sounds in new ways not possible with MIDI.
You also gain access to the Little Phatty’s analog noise source for creating powerful analog snare drums and percussion effects.
Mod Bus Output- Provides access to any selected modulation source. Send an LFO to your Moogerfooger, or select noise as a source and patch it to the Phatty’s audio input for hard-hitting snare drums and percussion effects.
Pitch Output- As the pitch of your synthesizer increases, so does the control voltage.When this output is connected to any control input on a Moogerfooger or analog synthesizer, that control inputs value will increase as higher notes are played and decrease as lower notes are played.
Gate Output- Each time a note is pressed, a gate signal is sent and when that note is released, the signal ends. This output can be used creatively with the Phatty’s built in arpeggiator to create rhythmic, drone, percussive effects in analog synthesizers and Moogerfoogers.
Volume Envelope Output- The shape of your Volume Envelope is outputted as a control voltage. When connected to other analog devices, an envelope yields dynamic and evolving control information that can be used in a variety musical ways.
Filter Envelope Output- The shape of your Filter Envelope is outputted as a control voltage. When connected to other analog devices, an envelope yields dynamic and evolving control information that can be used in a variety musical ways.
A live “dreamy” improvisation on Minimoog, Memorymoog, and LinnDrum.
Minimoog: synth bass
LinnDrum: drum machine
“Another, more “hypnotic” and laidback live jam on Minimoog, Memorymoog and Linndrum. My silly camera decided to stop recording the video after 10 seconds, so I placed a photo of the gear. Listen to this one in low lights ;-)”
Amelia and Nick of Sylvan Esso came into the Moog Sound Lab armed with only a Laptop and a voice. They surrounded themselves with an array of Moog synthesizers and Moogerfoogers to rework their debut single “Hey Mami”.
How’d they get that sound?
· Amelia is singing through an MF-104M Analog Delay and live looping her voice to create all of the harmonies.
· Kick drum was created using the filter resonance and overload on a Slim Phatty
· High Hat is a Voyager Rack Mount and Nick is tweaking the Filter Cutoff to change the pitch of the high hat
· Snare Drum is created with a Voyager Rack Mount- a combination of noise with the input being driven and processed through a 500 Series Analog Delay
· Nick is using Ableton Live to record and trigger all of the live samples. The entire MIDI sequencing of all the Moog gear is coming from Ableton, but all of the automation is being done manually by Sanborn
· The harmonic bell-like sounds are from a Sub Phatty
· Bass lines are a Minitaur bass synthesizer. An MF-104M Analog Delay is turned on and off as he adjusts the pitch on the fly throughout the song.
Check out more Moog Sound Lab videos at: www.moogsoundlab.com
Quick soundcheck of the Sub Phatty from Moog. No EQ, compression or external FX.
“This thing is pretty freaky ;)”
John Foxx mangling around with the moog modular filter. see http://myblogitsfullofstars.blogspot…. for more
A demonstration of some basic modules of the Moog modular synthesizer in the Classic Laboratory for Analog Sound Synthesis (“CLASSic” synthesizer studio) at UC Irvine.
BRUNO ENDER LEE – “Galactic Moog 2″ – performed live August 24. 2013
MiniMoog Voyager Old School (bass), Moog Little Phatty Stage II (arpeggios), Moog Etherwave Theremin, Arturia MoogModular V (fx-sequence)
composed, arranged & produced by Bruno Ender Lee; 2013 Velvet Voyage Productions
Albert Glinsky, author of Theremin: Ether Music and Espionage sat down with us to give a brief history of the Theremin covering everything from it’s orignal inception in a Russian chemistry lab to it’s developement as a musical instrument. In addition to outlining its rich history Glinsky gives a basic tutorial in playing the Theremin and points out some of the refinements that Bob Moog made to Leon Theremin’s original design.
Soundcrafts is a new video series from Moog Music Inc. that explores the importance of creating new sounds through insight from renowned artists, producers, and engineers from around the globe.
The first episode features Bryan Michael-Cox, a Grammy winning songwriter and producer who has worked with Mariah Carey, Usher, Destiny’s Child, and countless others during his extensive career. In this session Cox delves into the importance of creating and exploring new sounds, and its relationship to making lasting impressions on listeners.