Amos Gaynes takes us through the new features
On January 19, 2015 Moog Music Inc. announced their plans to recommence a limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.
To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances on the new Moog modular systems by Holy Ghost! (DFA Records), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Opal Tapes/ Spectral Sound), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw/Leaving). Each artist played a patch on one or more of the new Moog modular synthesizers recorded in one take with no overdubs.
Moog Modular Synthesizers: http://www.moogmusic.com/content/moog…
January 19, 2014 Asheville, NC: 50 years ago the Moog modular synthesizer represented as radical a transition as Kandinski’s abstracts or Kodak’s cameras – offering both a break from yesterday and a startling glimpse of tomorrow. And, as with all cultural explosions, the impact of Dr. Moog’s invention was impossible to evaluate from the epicentre. It’s only now, 50 years down the line that we can get some measure of the importance, and the sheer untapped potentiality of the Moog Modular Synthesizer.
Today, it is with great excitement that we announce our plans to recommence a limited run manufacturing of three of our most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.
To commemorate the announcement, we shot a short film at our factory about the deeply inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances by contemporary modular artists like Holy Ghost! (DFA), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Spectral Sound/Opal Tapes), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw). Each artist played a patch live, in one take, with no overdubs on one or more of the new Moog Modular systems.
The System 55 is available for purchase for 35,000 USD; System 35 is $22,000 USD, and the Model 15 costs $10,000 USD.
In this video, electronic music and sound design pioneer Suzanne Ciani explores the Moog modular System 55 for the first time in decades. Ciani came to the Moog factory in Asheville, NC to play the first System 55 newly handcrafted by Moog in over thirty years. The patch, created and performed live, was shot in one take and features a sequence designed on the 960 Sequential Controller that’s driving three 921B oscillators into a 904B High Pass filter whose cutoff is being modulated by a 921 oscillator. A second set of 921B oscillators is also being played manually into a 904A Low Pass filter whose cutoff knob is also being modulated by the 921 oscillator. The resulting sound of each is then sent through its own dedicated MF-104M analog delay for ambience. The audio has been captured directly with no eq, compression, or editing applied.
All sounds are from the Moog Minitaur, the repeating sequence is a single track of the Minitaur through an analog delay, and it’s sounds are altered manually in real time. The bass, drones and fx were overdubbed. An Eventide Space pedal and an old version of Lexicon’s Pantheon plugin were used for the reverb.
Background video description:
This video is for David but everyone else is welcome to watch as well. This is one of the 4 memorymoogs from Alan Gary Campbell’s collection that I restored back to fully working order, it was a parts unit originally that I ended up turning back into a very good unit. I upgraded many things in this unit including the autotune circuit which helps with accuracy.
I hope you enjoy it David and congratulations on your purchase.
Thereminist Lydia Kavina, first taught by Léon Theremin himself, gives us great tips and tricks for playing the wonderful new Moog Theremini. If you’re just getting started with the Theremini, make sure to check it out! Want more info? See below!
The Moog Theremini is an affordable modern re-imagination of the classic Theremin, which anyone can learn to play – it has:
• User friendly pitch assist correction with selectable scales and root note, so you can’t play a wrong note! You can also turn this off for classical theremin glissando sounds, or just dial it back for partial correction as you improve your technique.
• 32 different sounds on-board, covering a range of basses, lead sounds, classical theremin tones and much more.
• Adjustable stereo ping-pong delay built right in, for wonderful ethereal sounds right out of the box!
• Built in tuner gives live visual feedback of currently playing note, showing how close you are to hitting the note to help learn pitch and scales.
• Built in speaker for instant playback anywhere.
• Headphone output (which mutes the speaker) for practising!
• Stereo 1/4″ audio outputs to connect Theremini to audio interfaces, looping pedals, stereo systems, multitrack recorders or anything you like!
• Single Pitch CV output w/ selectable range, so you can connect it to analogue synthesizers and use the Theremini as a wild CV modulation source.
• 21 user selectable scales and user-adjustable root note selection (including chromatic)
• User selectable note range: choose the highest note and lowest note (stored per preset), so it can be set up as you prefer
• Removable pitch antenna – built in storage compartment on bottom-side for easy storage and transportation (carry bag sold separately)
• Built in 3/8” Mic stand and Camera stand adaptor.
• High quality rubberised feet so it can be placed on a table.
All audio and video content c.2014 G-Storm Electro
All original patches. Mostly bass, arpeggio and some sound FX stuff. The only sound is the Sub37 and sometimes the Volca Beats (off camera) mixed on an Alesis Multimix8. No effects added to the synth recording.
Learn more here: http://bit.ly/Sub37MoogMusicInc
This is the power of modularity with the immediacy of a self contained instrument. Detailing the underlying philosophies and design goals that culminated in the realization of the Sub 37 Bob Moog Tribute Edition paraphonic analog synthesizer, this video explores the vast modulation possibilities and sequencing options available via the front panel.
This video contains complex harmonic content that may be difficult for your computer speakers or phone to reproduce.
We recommend using a high quality set of headphones for the proper listening experience.
Moog’s new affordable mono seems to be the bee’s knees. We take a look at the SUB 37 Tribute edition.
For review notes: http://www.sonicstate.com/news/2014/1…
“The Sub 37 feels like a properly grown up synthesizer,” notes Batt, “with really musical parameter scaling – and is well worth the asking price.”
The Sub 37 Tribute Edition is a limited edition (2-note) paraphonic analog synthesizer. It’s built on the Sub Phatty sound engine, but its panel features 40 knobs, 74 switches and has a dedicated LCD display.