Binary Music has announced that they are now supporting Reason’s NN-XT with some Refills for Reason -ARP Odyssey, Valve 4 Op and Crosswave.
- The ARP Odyssey Refill contains 101 NN-XT patches made from over 1,400 samples.
- Valve 4 Op is a collection of samples from a Yamaha TX81Z – 65 patches for NN-XT and 47 Combinator patches.
- The Crosswave Refill contains 133 NN-XT patches of an Ensoniq SQ80.
Pricing and Availability:
Pricing is £11 – €13 – $15 for the first week, thereafter £17 – €20 – $23, including VAT in EU.
This is what happens when you put a Buchla modular and an Arp 2600 together. At the Modular Synth Meet at Robotspeak in San Francisco.
The beauty of analog synthesizers.
This is a short demo of the ARP Odyssey’s sound and synthesis capabilities. This Odyssey is a late mk1 model. It has a gritty and present sound.
While the Minimoog proved to be a runaway success as the first compact studio synthesizer, ARP responded with a compact and user-friendly studio synthesizer of their own with the Odyssey in 1972. An almost equally legendary machine itself, the Odyssey was ARP’s highest selling synth back then, and still is to this day in the second-hand market.
The Odyssey essentially gives you a simplified hard-wired ARP 2600 in a much smaller and affordable package. The Odyssey is a 2-oscillator analog synth (with duo-phonic capability) and it sounds really nice; the Minimoog has three oscillators and is capable of thicker sounds. The Odyssey comes well equipped with all the tweakable features and analog goodness you’d expect: a resonant low pass filter, ADSR envelopes, sine or square wave LFO, and a sample-and-hold function.
First came the Odyssey Mk I (Model 2800) produced between 1972-75. These used a smooth but tinny sounding 2-pole voltage-controlled filter design (model 4023) similar to those used in the Oberheim SEM modules. From 1972 to 74 the Odyssey was produced with a white-faced front panel with black lettering. During 1974 to 75 they switched to a redesigned black front panel with gold lettering. However, all Mk I’s can be identified by the rotary knob they use for pitch bending. None had any interface jacks, but a factory modification was available to add interface jacks as well as a PPC pitch bender in place of the rotary knob.
This is a demo of the Boomstar 4075 (ARP 2600 filter) being sequenced by a Doepfer Dark Time. Because of the nature of the demonstration, it could get a little boring during some sections. Pay attention to the subtle changes and you will be impressed. Stay tuned through the whole video to see how much range the Boomstars can cover. This is only a short segment as well, these synths are capable of much more. This is a Perfect Circuit Audio favorite of 2013!
Look out for another Boomstar demo coming soon, this time played by a MIDI controller.
Vintage synthesizer demo track by RetroSound
“Back In 1972″
all synthesizer sounds: ARP Odyssey Mk3 analog synthesizer
recording: multi-tracking without midi
fx: a bit reverb and delay
He used the internal LFO with the sample/hold modul for triggering the sequence. for the sounds: FM, Osc-Sync and Ringmodulator.
ARP Instruments, Inc. was an American manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. Best known for its line of synthesizers that emerged in the early 1970s, ARP closed its doors in 1981 due to financial difficulties. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.
The Axxe is basically a budget-proof version of the popular Odyssey. With just one oscillator (compared with two in the Odyssey), the Axxe certainly has a thinner sound but it is still that uniquely angular and powerful analog ARP sound. It’s not too exciting, but it is simple and straight forward. A perfect first vintage analog for any musician that will still find plenty of use among more seasoned synth players for quick analog bass lines, lead sounds and synth FX. It has no form of memory storage and external control comes via CV/Gate only. It came with a 155 page text book, overlay sheets, interface charts and a book of 50 patches.
The magic of the ARP Quartet lies in layering its four sounds (Brass, Organ, Piano, and Strings) together in interesting ways to create some huge analog sounds. Here are a couple short demos of the huge analog walls of sound that can be created by combining Brass & Strings, and Strings & Organ together.
More on the ARP:
The ARP Quartet is identical to the Italian made Siel Orchestra. In fact, it is the Orchestra! ARP bought, relabeled and sold it as the Quartet without changing it much. It’s a 4-part orchestral synthesizer with 4 sections: Brass, Strings, Organ and Piano. These 4 tone color families can be played individually or two can be simultaneously played. They are also individually tweakable. Selected presets will light up LEDs to show you which sliders and buttons can be used to modify the current section. The synth itself is very limited however, and there’s no external control, no pitch/mod wheel and few edit parameters. But it sounds very good and it is, after all, a classic analog synth.
The Brass section creates Trumpet and Trombone sounds with independent attack and sustain controls. The String section creates Cello and Violin sounds with independent attack and sustain controls. The Organ section is 2-voice and has a Celeste sound available as well. The Piano section offers two types, traditional or Honky Tonk.
Composed, arranged & performed by Bruno Ender Lee, studio-recording July 19. 2013 (no video, just pictures & sound)
every sound was made with the ARP Odyssey, recorded on 4 stereo-tracks (plus: Doepfer MAQ 16/3-sequencer, stereo-panning delays & chorus)
2013 Velvet Voyage Productions / all rights reserved
drum pattern on the ARP 2500.
“Had Stephan in yesterday working on a new Natural Habitats track. We set up the ARP2500 and made some drum sounds. It really is an amazing instrument the 2500. Here is a live tweak I did a bit later messing with a snare drum type sound. There is absolutely no reverb added to this, it is all done with the envelope generator and various filters and white noise. The rest of the loop is done with cross-mod vcos and the sequencers. Listen on headphones”
see http://myblogitsfullofstars.blogspot…. for more