This is a demo of the Boomstar 4075 (ARP 2600 filter) being sequenced by a Doepfer Dark Time. Because of the nature of the demonstration, it could get a little boring during some sections. Pay attention to the subtle changes and you will be impressed. Stay tuned through the whole video to see how much range the Boomstars can cover. This is only a short segment as well, these synths are capable of much more. This is a Perfect Circuit Audio favorite of 2013!
Look out for another Boomstar demo coming soon, this time played by a MIDI controller.
Vintage synthesizer demo track by RetroSound
“Back In 1972″
all synthesizer sounds: ARP Odyssey Mk3 analog synthesizer
recording: multi-tracking without midi
fx: a bit reverb and delay
He used the internal LFO with the sample/hold modul for triggering the sequence. for the sounds: FM, Osc-Sync and Ringmodulator.
ARP Instruments, Inc. was an American manufacturer of electronic musical instruments, founded by Alan Robert Pearlman in 1969. Best known for its line of synthesizers that emerged in the early 1970s, ARP closed its doors in 1981 due to financial difficulties. The company earned a reputation for producing excellent sounding, innovative instruments and was granted several patents for the technology it developed.
The Axxe is basically a budget-proof version of the popular Odyssey. With just one oscillator (compared with two in the Odyssey), the Axxe certainly has a thinner sound but it is still that uniquely angular and powerful analog ARP sound. It’s not too exciting, but it is simple and straight forward. A perfect first vintage analog for any musician that will still find plenty of use among more seasoned synth players for quick analog bass lines, lead sounds and synth FX. It has no form of memory storage and external control comes via CV/Gate only. It came with a 155 page text book, overlay sheets, interface charts and a book of 50 patches.
The magic of the ARP Quartet lies in layering its four sounds (Brass, Organ, Piano, and Strings) together in interesting ways to create some huge analog sounds. Here are a couple short demos of the huge analog walls of sound that can be created by combining Brass & Strings, and Strings & Organ together.
More on the ARP:
The ARP Quartet is identical to the Italian made Siel Orchestra. In fact, it is the Orchestra! ARP bought, relabeled and sold it as the Quartet without changing it much. It’s a 4-part orchestral synthesizer with 4 sections: Brass, Strings, Organ and Piano. These 4 tone color families can be played individually or two can be simultaneously played. They are also individually tweakable. Selected presets will light up LEDs to show you which sliders and buttons can be used to modify the current section. The synth itself is very limited however, and there’s no external control, no pitch/mod wheel and few edit parameters. But it sounds very good and it is, after all, a classic analog synth.
The Brass section creates Trumpet and Trombone sounds with independent attack and sustain controls. The String section creates Cello and Violin sounds with independent attack and sustain controls. The Organ section is 2-voice and has a Celeste sound available as well. The Piano section offers two types, traditional or Honky Tonk.
Composed, arranged & performed by Bruno Ender Lee, studio-recording July 19. 2013 (no video, just pictures & sound)
every sound was made with the ARP Odyssey, recorded on 4 stereo-tracks (plus: Doepfer MAQ 16/3-sequencer, stereo-panning delays & chorus)
2013 Velvet Voyage Productions / all rights reserved
drum pattern on the ARP 2500.
“Had Stephan in yesterday working on a new Natural Habitats track. We set up the ARP2500 and made some drum sounds. It really is an amazing instrument the 2500. Here is a live tweak I did a bit later messing with a snare drum type sound. There is absolutely no reverb added to this, it is all done with the envelope generator and various filters and white noise. The rest of the loop is done with cross-mod vcos and the sequencers. Listen on headphones”
see http://myblogitsfullofstars.blogspot…. for more
BRUNO ENDER LEE – “Galaxies (part 2)” – studio recording May 19. 2013
-stereo-track 1: Absynth 4 – (drone)
-stereo-track 2: Korg Mono/Poly VST (arpeggio)
-stereo-track 3: MiniMoog Voyager OS (bass)
-stereo-track 4: MiniMoog Voyager OS (leads)
-stereo-track 5: Synthesizers.com Studio-88 (effects)
-stereo-track 6: ARP Odyssey (leads & effects)
composed, arranged & produced by Bruno Ender Lee
2013 Velvet Voyage Productions
Vintage synthesizer demo track by RetroSound
bass and sequencer sounds: ARP Odyssey Mk III Analog Synthesizer from the year 1980, sequenced by the SCI Pro-One internal step sequencer
all other sounds: Oberheim OB-Xa Analog Synthesizer from the year 1981
drums: Roland TR-707
recording: multi-track without midi
fx: a little bit delay and reverb
more info: http://www.retrosound.de
BRUNO ENDER LEE – “ARP Odyssey – spiral sequence” – November 2. 2012
Every sound was created with ARP Odyssey MK III, recorded on 4 stereo-tracks (sequence with Doepfer MAQ 16/3, bass, effects & leads) with stereo-panning-delay. Filmed during recording of the bass
composed, arranged & produced by Bruno Ender Lee; 2012 Velvet Voyage Productions
BRUNO ENDER LEE – “Return to the Pleiades” – performed live, October 14. 2012
MacBeth M5N & Doepfer MAQ-sequencer, Synthesizers.com Studio-88, ARP Odyssey, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Korg Polysix, Korg DS-8, Korg MS2000, Roland Juno-60
2012 Velvet Voyage Productions, all rights reserved