Back in 2011 Mutemath stepped into the Moog factory to record a Moog Sound Lab Session, here they transform “Blood Pressure” from their 2011 LP “Odd Soul”.
For those of you curious about the instrumentation:
“Blood Pressure” fades in with Darren playing pulsing bass lines in the verse and higher etherial notes on Animoog, being controlled by a Minimoog Voyager.
Paul sings and plays a Little Phatty Stage II, holding out elongated single lines while opening and closing the Filter Cutoff knob with the Resonance set high.
Roy uses his Minimoog Voyager Select Series for low rumbling bass to hold the foundation.
Darren plays the Trap-Kat, triggering 3 Minimoog Voyager Rack Mounts through an MF-104Z Analog Delay for rhythmic echo.
See more of the Moog Sound Lab series at: http://www.moogmusic.com/sight-and-so…
and be sure to check out more of Mutemath at: http://mutemath.com/
Collective work of improvisation for Minibrute, Little Phatty, Roland V Synth XT and Playel piano. All instruments by Marc-Henri Arfeux, Noé Charmet, Quentin Grini, Nathan Nadal. Voice by Heidi Berthier. Recorded live friday 19th of march 2013.
Improvisation in one go by REWO on the Moog Minimoog Voyager supported with a 3-line sequence by the DSI Mopho, Moog Little Phatty and the Arturia MiniBrute. The bass-strings come from the Korg Wavestation EX.
REWO = René van der Wouden = www.renevanderwouden.net
Background description by Hans Skoulaman:
Still a week to go for my concert with AKS. I found this beauty setting of the Waldorf Q. Its a nice sample of a full resonant opened filter’(notch). It is controlled by the Moog Little Phatty (by the arpeggiator and the modulation wheel) and the funny thing is that although the Moog isn’t velocity sensitive the keys are and it works perfect for other velocity sensitive MIDI instruments. Its sends also polyfonic. I tweaked some Juno 106 noise together with the Moog sequence.
The solo pieces are from the Concertmate MG-1 and the DS8. The pads came from my favorit DS-8 and a low string sound from the Korg 05r/w. In opposite is the string and e-piano sound from the Lamda. All processed with Lexicon, Yamaha, Ibanez, Alesis and Electrix effects. It is best listened with good audio gear then you here the rich harmonics of the Waldorf, I filmed and recorded everything live without overdubs (I mostly don’t use that).
BRUNO ENDER LEE – “Return to the Pleiades” – performed live, October 14. 2012
MacBeth M5N & Doepfer MAQ-sequencer, Synthesizers.com Studio-88, ARP Odyssey, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Korg Polysix, Korg DS-8, Korg MS2000, Roland Juno-60
2012 Velvet Voyage Productions, all rights reserved
In this video Arjen Schat demonstrates how to create flute sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a flute sound as he goes.
In this video Arjen Schatt demonstrates how to create bass sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a bass sound as I go.
In this video Arjen Schat demonstrates how to create lead sounds with the Moog Little Phatty. Arjen starts from the calibration patch (CA CALIBRATION) again and create a lead sound as he goes. Quick note: He syncs the oscillators to get a sharper sound. For a wider sound you can leave the oscillators un-synced.
In this video Arjen Schat demonstrates how to create kick drums with the Moog Little Phatty. He start from the calibration patch (CA CALIBRATION) and create a filter kick drum and an oscillator kick drum.
BRUNO ENDER LEE – “Spaceship” – performed live, March 3. 2012
MacBeth M5N, Doepfer MAQ-sequencer, ARP Odyssey, Synthesizers.com Studio-88, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Roland Juno-60, Korg Delta, Korg Polysix, Korg MS 2000
(through 5 different stereo-panning-delays, 4 Behringer DD600 & 1 Boss ME-50)
composed, arranged & produced by Bruno Ender Lee; 2012 Velvet Voyage Productions