In this video Arjen Schat demonstrates how to create flute sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a flute sound as he goes.
In this video Arjen Schatt demonstrates how to create bass sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a bass sound as I go.
In this video Arjen Schat demonstrates how to create lead sounds with the Moog Little Phatty. Arjen starts from the calibration patch (CA CALIBRATION) again and create a lead sound as he goes. Quick note: He syncs the oscillators to get a sharper sound. For a wider sound you can leave the oscillators un-synced.
In this video Arjen Schat demonstrates how to create kick drums with the Moog Little Phatty. He start from the calibration patch (CA CALIBRATION) and create a filter kick drum and an oscillator kick drum.
BRUNO ENDER LEE – “Spaceship” – performed live, March 3. 2012
MacBeth M5N, Doepfer MAQ-sequencer, ARP Odyssey, Synthesizers.com Studio-88, MiniMoog Voyager OS, Moog Little Phatty, Analogue Solutions Vostok, Roland Juno-60, Korg Delta, Korg Polysix, Korg MS 2000
(through 5 different stereo-panning-delays, 4 Behringer DD600 & 1 Boss ME-50)
composed, arranged & produced by Bruno Ender Lee; 2012 Velvet Voyage Productions
Little Phatty running through Corpus effect:
“I randomly play around with Corpus settings. The Little Phatty “patch” is unchanged throughout. It’s simple on “Calibration” with the filter wide open and just a single saw oscillator enabled. Towards the end of the video I get close to a “talking bass” kind of patch (hence the “pseudo”.”
Moog Little Phatty Stage 2
VELVET VOYAGE – “Astral Landscape” – performed live by Bruno Ender Lee; December 27. 2011
Synthesizers.com Studio-88, MiniMoog Voyager (OS), Moog Little Phatty Stage II, MacBeth M5N (& Doepfer MAQ-sequencer), ARP Odyssey, Analogue Solutions Vostok, Roland Juno-60, Korg Delta, Korg Polysix, Korg MS2000, Korg DS-8 & MoonSonoSx (VST)
…please take a look at the video-response “Surreal Landscape” by JampyKeys
Here’s what they have to say about it:
Both the Moog Little Phatty keyboard and the Slim Phatty module are monophonic instruments, but chain them together with MIDI and you can create a polyphonic Moog system! I wish we had more Slim Phatties lying around but at time of writing are currently sold out :’~|
That’s a good thing though, right? If you have one of these synths (or a Voyager which can also be chained), and know someone else who does too, get over there and try this out!
Anyhow. This vid is unfortunately in mono (onboard camera sound too), and most certainly not a musical statement, as we had just received the Slim Phatty and I was just testing that the setup works! I had individual synths to individual speakers and in stereo, in person, it sounded AMAZING. You’ll have to forgive my complete inability to play a keyboard. God bless MIDI. And Dr Bob Moog.
Xhun Audio is proud to present LittleOne, a faithful emulation of a new classic: the Moog Little Phatty analog synthesizer. To produce a rich and warm sound, LittleOne emulates the analog signal path of the Little Phatty and every single component of it (oscillators, filter, envelopes, LFO …), have the original frequency responses and frequency ranges. The result is an analog-sounding instrument – all in the digital domain.
Improved Oscillators algorithm
The new bandlimited oscillators produce waveforms with a strong brilliance (improving frequencies response, specially in the 4kHz-20kHz range). This allows a better simulation of a real analogue oscillator, without digital artifacts (aliasing).
Analogue Components Emulation
One of the main (and more exciting) features of version 2.0 is the emulation of the analogue components inside the synth. Oscillators, Filters, Lfos (,…) simulates the micro-instability and imperfections of the analogue technology. This feature brings richness, genuineness and depth to the sound.
New Sound Banks
Together with an improved factory sound bank, LittleOne comes with additional presets (300+ in total) covering all styles, from classic analog to FM, to contemporary cutting-edge dance. All the patches of the original Moog Little Phatty (Tribute Edition and Stage Edition) are included.
Improved GUI and minor bug fixes
The Graphical User Interface is improved, as well as some bugs of version 1.x are fixed.
LittleOne version 2.0 full features:
# The Moog Little Phatty Physical Modeling emulation
# Analogue Components Emulation
# Two aliasing-free analog modeled oscillators with continuous selection mode ( like the original ) between Triangle, Saw, Square, Pulse
# A 4-Pole resonant Low Pass filter modeled on the classic Moog Ladder, featuring the original frequency responses, self-oscillation and overload control
# Two 4-Stage ( ADSR ) envelope generators
# Modulation LFO with the original waveforms and frequency ranges ( 0.2~500 Hz )
# Monophonic/polyphonic mode , pitch bend ranges and more – all accessible from LittleOne LED display
# 300+ ready-to-use presets from classic analog to contemporary cutting-edge dance to psychoacoustic sounds and SFX. Original Little Phatty Stage Edition and Tribute Edition patches are included.
# XSQ16M, a build-in 16-step MIDI sequencer
# GATED!, a build-in 16-step trancegate effect
# Two master effects slots with the possibility to choose between delay, reverb, tube distortion, flanger, chorus
# Full MIDI CC#s mapping (according to the original Little Phatty CC#s specs)