It’s a Bigger Badder Mopho!
Mopho SE is the newest addition to DSI’s revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho SE boasts huge sound in an ideally sized, portable, and elegantly designed package. Use it to create huge basses, creamy leads, and maniacal sequences.
The Mopho Sings!
The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!
FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Process external audio through the Mopho’s voice and add some analog warmth to any source. Mopho SE’s 100% analog signal path is powerful, monstrous, and sonically dynamic!
Rhythmic Robot has released SH Poly, a classic analogue subtractive synth for Native Instruments Kontakt, sampled from Roland’s 70′s flagship synthesizer, the SH7.
It features two main oscillators accessing six different waveforms between them, plus a white / pink noise generator, dual LFOs with sine, ramp or randomised output, and a host of modulation possibilities.
The two main oscillators can be thickened further using the Multi-Osc feature, which adds multiple extra detonable oscillators – up to a maximum of ten, for an intense, stacked, “supersaw” style sound. SH Poly also features a selection of 70s-inspired effects and Rhythmic Robot’s trademark Glitch button, which randomises the instrument in a musically-aware fashion, making generating your own patches extremely simple. The user interface is closely modelled on the classic Roland signature graphics and colour palette.
The original SH7 was a powerhouse monosynth that crowned Roland’s lineup in the late 70s. SH Poly takes that amazing sound and crams it into a poly machine: rich, lush pads and thick basses can be dialled up with ease; bubbling leads and squelchy riffs are right there too. The sound is characteristically dense, warm and rich, especially with the Over Load control turned up and a little dose of Multi-Osc.
SH Poly features
- Classic twin-oscillator subtractive synthesis in a Roland-inspired framework.
- Multiple samples of authentic SH7 oscillators.
- 58 factory patches to start you off.
- “Multi-Osc” allows extra oscillators to be switched in for a hugely rich, intense sound.
- “Glitch” button for instant, musically-randomised inspiration.
The Poly SH for Kontakt is available to purchase for the introductory price of £13.45 GBP (regular £14.95 GBP).
Of course our personal favorite is the last one featuring Matsutake from Logic System
Arturia’s new baby – is 100% analogue with a lot of features for the money – see what we make of it.
+ a little Japanese bonus:
“Mogul, pine Takeshi analog synth love playing down analog synths Arturia, the MiniBrute.
I would connect you to their own “closet” to the (Moog Modular).” Googlish
TA Programming has released a new free subtractive software synthesizer, SubSonic.
- 3 Oscillators (Sine, Sawtooth, Triangle, Square, Noise) with detune
- Graphical ADSR Envelope
- Multiple filter selection: Low Pass, High Pass, Band Pass, Band Reject, and Peaking.
- Fully customisable reverb module
- Delay Module for standard Echo delay effects.
- Stereo Chorus
- The Flanger module is versatile and powerful, combining overall sound of the 3 oscillators and using a sine wave to phase invert the sounds before adding feedback. This can give ‘unearthly sci-fi like textures’.
- The Warper: This module is an envelope modulator. Aviss notes that some ‘wacky timbres can’ be made using this.
Subtractor, the original Reason synth, still packs a punch! In this tutorial we’ll learn the basics of this virtual analog classic by creating a synth bass from scratch. Regardless if you own Reason, Reason Essentials or if you’re just trying out the demo, this should get you started creating your own sounds with Subtractor!
More info here – http://bit.ly/XFjhIO
8 years in the making, Secrets of Subtractive Synthesis is a 200+ page book, which is accompanied by four DVDs with over 10 hours of content. Written by Rob Papen, the book gives an in-depth insight into his approach of working with subtractive synthesis — the most commonly used method of synthesis.
Rob Papen is a globally renowned sound designer whose sounds and virtual synthesizers, including Predator, Blue and Blade, to name just a few, are used and loved by many synthesizer players and music producers.
Rob Papen has announced The secrets of subtractive synthesis “The 4 Element Synth”, a sound design book and DVD set.
Rob Papen is a globally renowned sound designer whose sounds and virtual synthesizers are used and loved by many synthesizer players and music producers.
This 200+ page book, which is accompanied by four DVDs with over 10 hours of content, gives an in-depth insight into his approach of working with subtractive synthesis.
In 2001, Rob Papen began giving exclusive masterclasses teaching ‘synthesizer sound design” in his studio. For these training sessions, Rob developed his own method to explain the secrets of subtractive synthesis, called “The 4 Element Synth”. This masterclass training is now transformed into a combined book and DVD package that also delivers numerous ‘tips and tricks’ which will help you to design and tweak your own sounds. Throughout the masterclass, a variety of hardware and software synthesizers are explored.
We are sure this synthesizer sound design training is an eye-opener for every synthesizer player, from novice to pro. A must have for everyone who takes his sounds seriously!
The secrets of subtractive synthesis is expected tho ship in November/Early December, 2012, priced at 74 EUR/$89 USD (excl. shipping).
In this video Arjen Schat demonstrates how to create flute sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a flute sound as he goes.
In this video Arjen Schatt demonstrates how to create bass sounds with the Moog Little Phatty. He starts from the calibration patch (CA CALIBRATION) as usual and create a bass sound as I go.
In this video Arjen Schat demonstrates how to create lead sounds with the Moog Little Phatty. Arjen starts from the calibration patch (CA CALIBRATION) again and create a lead sound as he goes. Quick note: He syncs the oscillators to get a sharper sound. For a wider sound you can leave the oscillators un-synced.