Binary Music has released LA-50, a new virtual instrument based on the classic Roland D-50 keyboard.
The upper and lower tones of each patch were sampled separately and their levels, pans and modulation can be adjusted independently. In total there are 100 instruments made from 2,486 samples – 2GB uncompressed.
The samples were recorded dry, then carefully matched reverb impulses were created using a Roland SRV3030. All samples were recorded in 24 bit at 44.1 kHz.
Released in 1987, the D50 was Roland’s answer to the Yamaha DX7. Although much easier to program, many of the presets found their way unedited straight onto hits during the late ’80s and early ’90s. Sounds such as Digital Native Dance, Soundtrack, Pizzagogo, Staccato Heaven and Fantasia, (all included in LA-50) became staples of many producers. The D50 features on albums by artists as diverse asMichael Jackson, Seal, 808 State, Duran Duran, Foreigner, Enya and Vangelis.
The D50 used a combination of PCM samples and a form of synthesis called Linear Arithmetic, which was actually quite analogue sounding. It was also the first synth to include an onboard digital reverb. On the D50 the reverb had to be switched off on a per patch basis, but on the rack mount D550 it could be switched off globally. By recording the tones dry, it’s possible to use a third party reverb instead of the included impulses.
Psicada has launched Earhoof, a virtual instrument for iPad.
A sophisticated instrument creation tool, it allows you to layer multiple audio files and combine them with high quality digital signal processing. By continuously changing the sound parameters along the length of your device, Earhoof allows you to create highly expressive playable surfaces.
Its innovative internal rhythm engine allows you to easily play this surface, switching seamlessly between complex rhythms while remaining in complete control of the generated sounds. The result is a playing experience unlike any other, blurring the line between sequencer and instrument.
- Includes over 80 carefully crafted presets, each one a unique multi-sample instrument.
- Intuitively draw curves to modulate DSP parameters for Gain, Pitch, Pan, Filters, Delay and more.
- Easily import your own WAV and AIFF files with iTunes File Sharing.
- Record or manually create your own rhythms.
- Audiobus and Inter-App Audio support allows Earhoof to interact with other music apps.
- Record your performances as audio files without ever leaving the app.
- In-app help manual will help you quickly learn the ins and outs of the program.
The app is available from the iTunes App Store for $4.99 USD.
The original VCS3 is a very rare monophonic synthesizer, introduced in 1969. It offers a 3 VCO/VCF/VCA/ subtractive synth architecture, and includes a flexible patching matrix and some interesting control options, including a joystick.
iVCS comes from Densitygs, creators of Density asynchronous granular synthesizer for Mac & Win, Pulsaret microsound granular synth for Mac & Win, and iPulsaret and iDensity for iOS.
Specifications and pricing/availability details are to be announced.
The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesiser systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972.] Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.
The VCS3′s basic design was reused by EMS in many other of their own products, most notably in the EMS Synthi 100 (1971), and the Synthi A (1971) and AKS (1972) (essentially a VCS3 housed in a plastic briefcase). The AKS also has a sequencer built into the keyboard in the lid.
Also an earlier agent of EMS in the United States, Ionic Industries in the Morristown, New Jersey, have released portable-keyboard version of VCS3 clone. The Ionic Performer in 1973 was designed based on VCS3′s circuit, replaced patch board matrix with over hundred of push-buttons, and added built-in keyboard and effects units.
Rattly and Raw has announced the release of The CaSYNTHerette, a virtual instrument library for Native Instruments Kontakt.
TWO synths, one using waveforms from classic synthesisers sampled from a very rare, stable, full range cassette recorder with loads of character and the other using waveforms sampled using the dirty, noisy Cassamplerette recording mechanism.
Whilst the Cassamplerette was looped and single shot recordings of real instruments, the CasSYNTHerette is a fully functional synthesis instrument using waveforms from some classic synth oscillators recorded and looped onto different cassette tape systems.
The CaSYNTHerette features
- FOUR cassette tape-based waveform oscillator faders: Square, Triangle, PWM and Soft (a combination wave from a classic synth).
- Additional SUB oscillator fader!
- Tape cassette noise fader with stereo and tone controls.
- Individual waveform tuning via tape speed controls!
- Individual waveform pans.
- HP/LP Filter + lfo + envelope.
- Amplitude envelope.
- x2 custom convolution reverbs with tone control. One very rare cranky vintage spring verb and one old spacey hardware digital verb!
- Fully controllable delay.
- Two state distortion control with ‘soften’ control.
- Saturation control.
- LoFi (Bitcrush) control.
- Chorus and Flanger controls.
- Wonkiness control – magnify the cassette tape wobbliness!
- Switchable MONO/POLY.
- Loads of PRESETS!
The library is available to purchase for £20 GBP.
Simple Sam Samples has launched Vintage Upright, a virtual piano instrument for Native Instruments Kontakt.
Vintage Upright is a beautiful “character” piano, subtly out-of-tune, bursting with realism, and filling a gap between the pristinely sampled pianos on the market and novelty “junk” pianos.
Its haunting tone shines beautifully as a solo instrument or in the mix, and lends extraordinary character to any style of music including jazz, rock, blues, pop, ragtime, and film applications.
Vintage Upright features
- More than 3000 samples in 24 Bit.
- All 88 keys individually sampled in 10 dynamic levels.
- Two microphone perspectives (Close and Room).
- Multi-velocity adjustable mechanical noises (pedal, hammer, release).
- Authentically modeled una corda (soft pedal) samples.
- Sympathetic String Resonance with real overtones.
- True repedaling and Pedal “catch”.
- User controllable microphone/recording noise.
- Adjustable stereo width and controllable reverb.
The library is available to purchase for the introductory price of $29.99 USD (regular $49.99 USD). Requires the full retail version of Kontakt 5.1 or later (Kontakt 4 version coming soon).
Luxonix has launched Cupid, a virtual analog synthesizer instrument for Native Instruments Kontakt.
Cupid is a sample library for Kontakt of a virtual analog synth. Cupid has easy to use user interface on one screen without a complex menu diving. So you can direct handling and quick sound making.
For good sound quality, we mapped perfectly looped high resolution 24-bit waves into all chromatic key map. So Cupid plays equal sound quality by each keys all octaves.
- Easy to use user interface on one screen without complex menu diving.
- Mapped high resolution 24-bit waves into all chromatic key map.
- Can mix with three waveforms level – Saw, Sub oscillator, Noise.
- Uniquely designed Sub oscillator wave.
- Very wide value and extreme pitch range Modulator.
- Switchable two low-pass filters.
- Easy to control arpeggiator, unison and effectors.
- 166 .NKI / 85 .NKM Kontakt instrument presets for Kontakt 5.
- 186 samples, 24-bit / 44.1 kHz .NCW format samples (Lossless compression).
- About 53 MB installed.
Cupid for Kontakt is available to purchase for the introductory price of $29.90 USD until December 31st, 2013 (regular $39.90 USD).
de la Mancha is continuing to put synths that were previously available for purchase online as free downloads. The latest is a monophonic synth, basic 65, inspired by the classic 80s home computer, the Commodore 64 and its legendary SID chip. Building on the waveforms and signal path of this famous chip, basic 65 adds further features and options to take things a step further. Here’s more details:
The double arpeggiator allows complex versions of that retro 8-bit game sound and the modulation options inspire experimentation via the mod envelope and 2 comprehensive LFOs. Pulse width modulation, ring modulation and oscillator detune/sync are key ingredients in the signature sound. Throw in some pitch drift, bit drift, a sprinkle of dirt and randomisation and you have a wide range of lofi, chiptune, retro-tastic sounds at your disposal.
This version is the update to the popular basic 64, redesigned from scratch, with many improvements, new features and all new presets. basic 65 was co-developed with sink, who also made the amazing presets.
- Monophonic synth in VST format for Windows based hosts
- 3 oscillators with pulse, saw, triangle and noise waveforms
- Pulse width can be modulated by envelope or both LFOs
- Each oscillator can be sync’d to another and/or ring modulated by another
- Each oscillator has its own ADSR envelope and can be routed to filter individually
- Resonant filter with low pass, high pass, band pass and notch modes
- 2 tempo-sync Arpeggiators in series for complex arp sounds
- Arp tempo, range and note length can be adjusted
- Modulation envelope can control pulse width and pitch of individual oscillators as well as filter and dirt
- 2 tempo-sync LFOs with wide range of waveforms, including random
- Both LFOs can control pulse width and pitch of individual oscillators
- One LFO also controls filter and dirt, the other can modulate the depth and speed of the first LFO
- Envelopes are non-linear and can be retriggered from zero or smoothed on each new note
- Pitch drift models instability with variable depth and frequency
- Options for 4, 6, 8, 12 or 16 bit audio with randomising feature
- Developed with SE 1.1, so no problems with multiple instances
- 128 presets by sink covering arps, leads, bass, drums and lofi sounds
Pricing and Availability:
basic65 VSTi for Windows used to be a payware plugin, but is now free to download. However, if you like and use any de la Mancha plugins, please consider donating to Cancer Research UK in order to help care for and find a cure for cancer sufferers.
Just going through some of the sounds in the Arp 2600 V2 Bank.
Going through yet more of the Arp 2600 V2 patches.
Analog Laboratory is an extremely powerful software synthesizer solution.
First of all, Analog Laboratory offers 4300 legendary classic synthesizer sounds from Arturia’s vintage analog recreations: Mini V, Prophet V, CS-80, Jupiter-8, ARP, Prophet VS,Moog Modular V, Wurlitzer and Oberheim SEM V.
But Analog Laboratory goes further by offering a unique interface to tweak them all as well as the ability to edit each of them in depth, in the original synthesizer*.
With the addition of 200 scenes organized by genres, including drum loops, advanced arpeggiation melodies and ways to allocate sounds to different parts of your keyboard, Analog Laboratory is likely to become your favorite synth workstation, constantly feeding your creativity with inspiring ideas.
Grab it now at http://sound-guru.com. A trailer and short demo of The Mangle, a new granular synthesizer plugin for AU on Mac and (soon) VST on Windows.
- Animated granular display - Visualize your grain stream. Individual grains move across the waveform in real time. Amplitude, pitch and envelope are also represented.
- Drag & drop modulation - Creating new modulations is easy – just drag the modulator to its target, then set the amount with in-place markers showing changes.
- Resizable vector interface - The Mangle’s interface is rendered dynamically as vectors – resize it with no loss in quality. Handy for live performance.
- Dual sequencers - The Mangle is also great for making rhythmic patterns. A pair of sequencers can be used to modulate any parameter.
- Multiband waveform display - Quickly and easily see where high, mid and low frequencies are in your audio, for clearer sound setup and tweaking.
- Multi-timbral - Each instance of the plugin has 8 full ‘slots’ each with their own audio & parameters. Map them to any MIDI range for multi-timbral patches.
Syntone has announced Metal Can Drums, a virtual instrument library for Native Instruments Kontakt.
Metal is an interesting material. On the one hand, you can hit it to create a sharp attack and barely any release. But on the other hand, you can tap it and get a long, rattly sound.
That is the concept for the Metal Can Drums library: to provide a set of metal drums that give you the best of both worlds. The library comes with 8 round robin, 7-8 velocity layers, 33 different types of hits from 4 different types of cans and custom scripting, including a custom-made arpeggiator.
Metal Can Drums features
- 8 round robin, 7-8 velocity layers.
- 33 different types of hits from 4 different types of cans.
- Custom-scripting, including an arpeggiator.
- 48kHz/24-bit quality.
- 1.35GB (572MB compressed).
- Requires Kontakt 4.2.4+ full version.
The library is available to purchase for the introductory price of $20 AUD until December 9th, 2013 (regular $40 AUD).