A voyage into the heart of the ARP Odyssey from the year 1972.
Exploration by Marko Ettlich
2 Osc per Voice I Saw, Pulse; PWM, FM, Sync, Noise
Filter – 24dB lowpass
static highpass filter
It has been used by Ultravox, Gary Numan, John Foxx, Vangelis, Elton John, Jethro Tull, Tangerine Dream, ABBA, Herbie Hancock and many more.
The Odyssey essentially gives you a simplified hard-wired ARP 2600 in a much smaller and affordable package. The Odyssey is a 2-oscillator analog synth (with duo-phonic capability) and it sounds really nice; the Minimoog has three oscillators and is capable of thicker sounds. The Odyssey comes well equipped with all the tweakable features and analog goodness you’d expect: a resonant low pass filter, ADSR envelopes, sine or square wave LFO, and a sample-and-hold function.
The Odyssey also added a few new features such as a high pass filter that could be used in series with the low pass, oscillator-sync capability, and pulse-width modulation. It is a very professional and expressive machine that can create nice analog basses, interesting leads, great effects and sweeping sounds straight out of a Tangerine Dream album!
There were many versions of the Odyssey over the years, each a little different. They can be broken down into 8 models spanning 3 Mark “Mk” versions