Stunning analog drum machine with parameter locks, two kicks and 2 Step Sequencer Tracks.
Programming a Pattern on the MFB TANZBÄR. I could be easier, honestly. Since ethere is no display you must observe and read the red, yellow and green states of the LED carefully!!!
Synthesis and Samples are used in this demo. Wanted to focus on the Performance Mode during this composition. This mode allows you to assign parameters from any tracks to the pads and manipulate them with pressure!
Elektron has released full specs on the new Analog Rytm, its new drum machine.
Eight analog drum voices take advantage of several dedicated analog circuit designs, each of them tuned for generating a distinct class of analog drum sounds. For percussive flexibility, every voice can also be ‘spiced up’ with customizable samples.
- 8 drum voices, each with: Specialized analog percussion sound generator. Sample playback. Analog multimode filter. Analog overdrive.
- 12 velocity & pressure sensitive pads
- Analog master compressor & distortion
- Reverb & Delay send FX
- World class Elektron step sequencer
- Chromatic, Performance, and Scene modes
- Performance oriented beat control
- Individual voice outputs
Analog Rytm, the analog drum machine from Elektron, is just around the corner. Now the full specifications- and the first proper audio demos – have been published online. Elektron describes Analog Rytm as an 8 voice analog drum machine with sample support. The analog circuits and the sample engine are ingeniously handled by clever software. Drum pads and an Elektron sequencer provide maximized playability. Here’s some details in Elektron’s own words…
A more powerful drum machine
The Analog Rytm pushes the limit of what is possible to achieve with a single machine. The eight analog drum voices take advantage of several dedicated analog circuit designs, each of them fine-tuned for generating a distinct class of analog drum sounds. For ultimate percussive flexibility, every voice can also be spiced up with customizable samples. The perfect unity of analog drum sounds and samples simply goes beyond.
Beats with character
Plenty of tools are available for shaping the vibe of the beats. Affect every voice with its own analog multimode filter and analog overdrive circuit. To add shimmer and polish to the rhythms, the reverb and delay send FX will prove invaluable. And before the beats hit the sound system, the analog compressor and analog distortion of the master channel will ensure proper pump and grit. The sound of the Analog Rytm has no match.
The twelve back-lit, velocity and pressure sensitive drum pads offer beat smiths a quick and spontaneous way of creating rhythms. At the same time, the critically acclaimed Elektron step sequencer offers features like manipulating sounds on a per sequencer step basis. The combination of drum pads and step sequencing gives both instant results and the opportunity of detailed editing. The ultimate beat is just around the corner.
Pricing: $1549 / 1489 Euro /£1249
It is not possible to order the Analog Rytm just yet, but you may sign-up to the waiting list to be notified the second it becomes available.
Britson is designed to emulate both the workflow and sonic character of analog mixing consoles. While inspired by a classic British 8014 console, Britson has a personality all of its own and was modelled to impart that classic warm, open, three-dimensional sound. Details below:
One of the most difficult tasks, in my humble opinion, is to recreate the saturation characteristic of analog equipment.
Copying the harmonic content of a particular piece of equipment is not enough to generate a nice, convincing, analog-like saturation. Many other factors have a far more influential impact on the final sound.
We at Sonimus believe that the key is to analyze – analyzea thousand times – the behavior of the equipment to be modeled (for harmonic contentat different levels; transfer function and dc offset, depending on amplitude and frequency; dynamic content; etc.). Finally, much listening is required — which is definitely the most important factor.
Britson, besides being a subtle saturator, can be very aggressive if volume is increased from the input. Just like with a real unit, THD (total harmonic distortion) is low at normal levels, but can easily reach the clipping point without loss of dynamics at normal levels.Britson’s sound can be very aggressive without the need for a specific switch dedicated to that purpose.
We truly believe we have accomplished our goal of creating a product that will not only improve the sound of your mixes, but will also optimize and expedite your workflow, thanks to the “suitable” volume-leveling of your tracks possible throughBritson.
For this purpose, Britsonfeatures a carefully modeled VU Meter which behaves like a real VU Meter (It is fairly well known that VU Metering is much more useful than Peak Metering for the mixing process, since VU Meters behave in a fashion more similar to human hearing).
- Flexibility to be used subtly or aggressively (to overdrive virtual or real instruments, for example)
- Two Saturation Modes: Normal (subtle distortion, high dynamic range) and Fat (hotter signal, lower dynamic range)
- Optional Stereo Crosstalk which lends a sense of depth and three-dimensionality to your mixes
- Filters (both low and high pass). Britson’s filters are tuned to sound sweet and pleasant to the ear
- Saturation which can be disabled (when using Britson for trim and metering purposes exclusively)
- Three EQ Color Mode options(on Britson Buss instance) for use on your master track: Default (no color), Master Loudness, and Master Bright
- Zero latency and no group delay
- Carefully optimized algorithm for low CPU consumption. Britson allows for a remarkably high number of instances per session.
- Internal 64-bit floating point double-precision
- Hassle-free installation. No activation or serial. Each buyer receives a personalized copy for use in the studio, on the laptop, etc.
Pricing and Availability:
Twolegs Toneworks has released Analogue Explorations, a collection of 64 carefully programmed analogue type sounds for Applied Acoustics Systems Ultra Analog VA-2 synth.
The soundset is not aimed at any particular style or genre, but provides a sound-palette easily adapted in any type of electronic music – spanning the spectre from deep dub-techno, D’n’B, IDM, chip to funky house.
This pack contains a broad variety of analogue type sounds programmed with small amounts of drift and plenty of analog grit – of which this synth has plenty. You’ll find basses ranging from funky synth basses to bombastic sub-basses – and pads ranging from soft baby tissue to sweeping textured wonders. There’s also a range of lead-synths well suited for the odd melody-line or a full solo-riff. Ultra Analog VA-2 doesn’t allow too much action to be applied through the mod-wheel, but there’s added vibrato for most sounds.
The true bonus in this soundset is the percussive sounds and the instant atmosphere creating sound effects, which in some cases can make up the basis of an entire dub techno track.
Te soundset is available to purchase for the introductory price of $9.95 USD until March 31st, 2014 (regular $14.95 USD).
Twolegs Toneworks is also offering a 50% discount on its other soundsets in its Spring Sale, which lasts until March 31st, 2014.
SECRETS provides a clear, no-nonsense guide to making any sound on any synthesizer. Starting with the fundamentals of sound creation, it progresses through such advanced topics as programming FM synths like the DX-7. Valuable insights are offered into stage and studio performance techniques which are applied to a variety of makes and models so that you will derive benefit from this video no matter what kind of equipment you have. A 130-page manual is included, making this a complete course on electronic keyboards.
Steve DiFuria is the narrator and featured performer on this video. He is a highly respected consultant in synthesizer design and a Keyboard columnist who has programmed for Frank Zappa, Stevie Wonder, and Lee Ritenour.
DCI Music Video, Inc. 1985.
FAIR USE NOTICE: This Video may contain copyrighted (©) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes.
BeatStep co-creator Glen Darcey chats to Source about the inspiration behind the design, his first experiences with synthesizers and also how he’ll be using BeatStep in his own analogue-heavy synth studio.
BeatStep is also a 16-step analog sequencer for creating all kinds of musical phrases to be sent to analog synthesizers, MIDI drum machines, MIDI keyboard devices, or computer programs. Its connectivity options let you interface BeatStep with a computer or iPAD using USB, a drum module using MIDI or an analog synthesizer equipped with CV/GATE.
It’s priced at US $129 / EURO 99, and is expected to be available in March.
Trent from Moog Music walks us through the 500 Series Analog Delay with full MIDI plug-in control for integrating with your digital audio workstation.
Elektron’s in-house product expert Cenk aka Mr. Dataline gives us the rundown on the new Analog Rytm analog drum machine.
See and hear Elektron’s brand new Analog Rytm hybrid analogue and digital drum machine in this exclusive demo at NAMM 2014
Elektron Analog RYTM Drum Machine Analog drum synth with sample layer