Britson is designed to emulate both the workflow and sonic character of analog mixing consoles. While inspired by a classic British 8014 console, Britson has a personality all of its own and was modelled to impart that classic warm, open, three-dimensional sound. Details below:
One of the most difficult tasks, in my humble opinion, is to recreate the saturation characteristic of analog equipment.
Copying the harmonic content of a particular piece of equipment is not enough to generate a nice, convincing, analog-like saturation. Many other factors have a far more influential impact on the final sound.
We at Sonimus believe that the key is to analyze – analyzea thousand times – the behavior of the equipment to be modeled (for harmonic contentat different levels; transfer function and dc offset, depending on amplitude and frequency; dynamic content; etc.). Finally, much listening is required — which is definitely the most important factor.
Britson, besides being a subtle saturator, can be very aggressive if volume is increased from the input. Just like with a real unit, THD (total harmonic distortion) is low at normal levels, but can easily reach the clipping point without loss of dynamics at normal levels.Britson’s sound can be very aggressive without the need for a specific switch dedicated to that purpose.
We truly believe we have accomplished our goal of creating a product that will not only improve the sound of your mixes, but will also optimize and expedite your workflow, thanks to the “suitable” volume-leveling of your tracks possible throughBritson.
For this purpose, Britsonfeatures a carefully modeled VU Meter which behaves like a real VU Meter (It is fairly well known that VU Metering is much more useful than Peak Metering for the mixing process, since VU Meters behave in a fashion more similar to human hearing).
- Flexibility to be used subtly or aggressively (to overdrive virtual or real instruments, for example)
- Two Saturation Modes: Normal (subtle distortion, high dynamic range) and Fat (hotter signal, lower dynamic range)
- Optional Stereo Crosstalk which lends a sense of depth and three-dimensionality to your mixes
- Filters (both low and high pass). Britson’s filters are tuned to sound sweet and pleasant to the ear
- Saturation which can be disabled (when using Britson for trim and metering purposes exclusively)
- Three EQ Color Mode options(on Britson Buss instance) for use on your master track: Default (no color), Master Loudness, and Master Bright
- Zero latency and no group delay
- Carefully optimized algorithm for low CPU consumption. Britson allows for a remarkably high number of instances per session.
- Internal 64-bit floating point double-precision
- Hassle-free installation. No activation or serial. Each buyer receives a personalized copy for use in the studio, on the laptop, etc.
Pricing and Availability:
Twolegs Toneworks has released Analogue Explorations, a collection of 64 carefully programmed analogue type sounds for Applied Acoustics Systems Ultra Analog VA-2 synth.
The soundset is not aimed at any particular style or genre, but provides a sound-palette easily adapted in any type of electronic music – spanning the spectre from deep dub-techno, D’n’B, IDM, chip to funky house.
This pack contains a broad variety of analogue type sounds programmed with small amounts of drift and plenty of analog grit – of which this synth has plenty. You’ll find basses ranging from funky synth basses to bombastic sub-basses – and pads ranging from soft baby tissue to sweeping textured wonders. There’s also a range of lead-synths well suited for the odd melody-line or a full solo-riff. Ultra Analog VA-2 doesn’t allow too much action to be applied through the mod-wheel, but there’s added vibrato for most sounds.
The true bonus in this soundset is the percussive sounds and the instant atmosphere creating sound effects, which in some cases can make up the basis of an entire dub techno track.
Te soundset is available to purchase for the introductory price of $9.95 USD until March 31st, 2014 (regular $14.95 USD).
Twolegs Toneworks is also offering a 50% discount on its other soundsets in its Spring Sale, which lasts until March 31st, 2014.
Minimojo is an emulation of an old synthesizer built in Reaktor, available for all registered product owners in the NI Reaktor User Library.
The Juice 3 is not in any way a copy of MONARK. The builder did not have access to or ever used MONARK during the making of Juice 3. Instead, the old ensemble Minimood made by NI in 1999, which has then been modified by several users, has been used as the starting point. I think that the basic structure will be recognizable from that early ensemble.
As the Model D is the most emulated synthesizer the world probably don’t need yet another one. Juice 3 should be seen as a proof of concept; how to emulate the should of vintage synthesizers using the Reaktor environment.
The technology developed for this is called Analog Legacy. Analog Legacy is the theory of modulating all functions in a synthesizer at all frequencies. The key is to find the right balance of the modulation depth for each frequency. Juice 3 is the first attempt to use this theory in practice.
SECRETS provides a clear, no-nonsense guide to making any sound on any synthesizer. Starting with the fundamentals of sound creation, it progresses through such advanced topics as programming FM synths like the DX-7. Valuable insights are offered into stage and studio performance techniques which are applied to a variety of makes and models so that you will derive benefit from this video no matter what kind of equipment you have. A 130-page manual is included, making this a complete course on electronic keyboards.
Steve DiFuria is the narrator and featured performer on this video. He is a highly respected consultant in synthesizer design and a Keyboard columnist who has programmed for Frank Zappa, Stevie Wonder, and Lee Ritenour.
DCI Music Video, Inc. 1985.
FAIR USE NOTICE: This Video may contain copyrighted (©) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes.
BeatStep co-creator Glen Darcey chats to Source about the inspiration behind the design, his first experiences with synthesizers and also how he’ll be using BeatStep in his own analogue-heavy synth studio.
BeatStep is also a 16-step analog sequencer for creating all kinds of musical phrases to be sent to analog synthesizers, MIDI drum machines, MIDI keyboard devices, or computer programs. Its connectivity options let you interface BeatStep with a computer or iPAD using USB, a drum module using MIDI or an analog synthesizer equipped with CV/GATE.
It’s priced at US $129 / EURO 99, and is expected to be available in March.
Trent from Moog Music walks us through the 500 Series Analog Delay with full MIDI plug-in control for integrating with your digital audio workstation.
Elektron’s in-house product expert Cenk aka Mr. Dataline gives us the rundown on the new Analog Rytm analog drum machine.
See and hear Elektron’s brand new Analog Rytm hybrid analogue and digital drum machine in this exclusive demo at NAMM 2014
Elektron Analog RYTM Drum Machine Analog drum synth with sample layer
First look at the new drum machine from Elektron. It is an eight voice analog drum machine with sample support. Distinguished by the power of analog drum sounds fused with samples. Perfected by the immediacy of drum pads coupled with Elektron sequencing.
- 8-voice analog drum machine with sample support
- Analog filter & distortion per voice
- 12 velocity- and pressure-sensitive pads
- Reverb & delay send effects
- “World-class” Elektron step sequencer
- Performance-oriented beat control
More info soon on http://www.elektron.se
Discuss at http://www.elektronauts.com
Dancers from performance Me – every body, volume 2:
The Elgam Match 7c is a non programmable analog rhythm box from Italy – the first from Elgam. It came out 1972. The 7 rhythms are mixable and very basic. It has a characteristic sound!
He plays the Elgam with delay and reverb effects (Lexicon MPX-500 and Roland DEP-5).