Flexible and Creative Music Mixing Interface – implementing stage metaphor on the iPad, details below:
This video shows the newest version where we explore how different challenges can be re-solved when trying to implement the stage metaphor for controlling many audio channels. Challenges include: providing effects controls, avoiding clutter, enhancing creative exploration, etc…
See more here:
Version 2 of the DJ mixing application works either as a standalone program or as a VSTi inside your favourite host. Deckadance can also host any VST compliant softsynth or effect. Control Deckadance using MIDI controllers, timecoded vinyl and CD systems. Choose 2 OR 4 decks. Smart knobs link many interface targets to one knob. GrossBeat automated glitch, stutter & scratch functions. Isolator FX chain up to three FX per deck and apply to Low/Mid/High or all bands. Customizable interface and Smart panels select Cue, Grid, DVS, Key, Smart Knob and Tempo controls.
Deck A1: Toby Emerson – http://www.image-line.com/documents/p…
Deck B: Christoph Maitland, Toby Emerson Feat: Veela – http://www.image-line.com/documents/p…
Deck A2: Seamless – http://www.youtube.com/user/SeamlessR
In this Logic Pro X video tutorial, Bill Lee explores Logic’s new Track Stacks function for mixing a song.
In this video we will explore the use of Track Stacks in the Logic X mixing workflow. Mixing a song with many instruments can get complicated and sometimes hard to manage. Track Stacks can help simplify the mix process by grouping, submixing and simplifying the visual representation of your musical parts. This is especially useful when you have many tracks of a similar type, like percussion and background vocals. This is also useful on software instrument tracks as you can see in Matt Shadetek’s latest video tutorial, Using Track Stacks for Big Layered Synths. Once you have combined multiple tracks into a Track Stack, you can then process or automate the Stack as a submix. This feature is one for every Logic user to be familiar with. Check it out! – Bill Lee
Mark Mosher looks at the Mixtape Alpha – here’s what he has to say about it:
The goal of this jam for me was to experiment with using the Octatrack to 1) act as a mixer and process output from a variety of Rick’s collection of of noise and music making gadgets 2) To sample Rick’s performance on the fly into multiple tracks on the Ocatatrack then contribute to the jam by playing, effecting and doing live sequencing using only these samples are audio sources. I really love the Octatrack for this sort of thing, as it allows me to organically jam using the palette made from the jam itself.
While this video shows the Octatrack with the Mixtape Alpha, we used a lot of other fun stuff throughout the jam like Korg Monotrons, Korg Monotribe, Beep-It and more. You can see some of the gadgets in a bin at the 0:17 mark.
http://www.t-racks.com for more information
The Bus Compressor is based on the mix bus VCA compressor of a worldwide known and acknowledged British mixing console from the 80′s. This legendary processor has been painstakingly analyzed and measured down to the very single active and passive component to obtain a dead on behavior that will impart that famous “glue” effect on mix tracks without any compromise.
In this tutorial we look at several applications of the plug-in: The subtle yet effective “glue effect”, compressing a drum bus from subtle to slamming or squashed, and all of the components of this plug-in including the great GRIT switch. Learn about the dual functionality of the RESET button, sidechain hi pass, and mid-side processing.
“Bus Compressor is one of the 20 professional mixing and mastering processors available in the T-RackS Custom Shop. Download the free T-RackS Custom Shop software, which comes with the Classic T-RackS Equalizer and a full metering suite, and you’ll have access to the Custom Shop, where you can try our processors before you buy.”
The first fully functional audio mastering application for iPad. For everyone who wants to make own music tracks excellent quality. Based on the same algorithms which used in professional plug-ins this application turns your iPad into a real mastering studio.
This all-in-one tool lets you process sound, convert audio formats, change sample rate, convert bit depth, cut part of track for preview and make fade-in and fade-out.
With very easy and clear interface you can tweak all controls in real time and listening to the final result right away.
Audio processing features:
- Linear phase 10-bands graphic Equalizer based on phase shifting.
- Three bands Stereo Imaging with common Stereo Width level.
- Harmonic Saturator with three sets of harmonics.
- Loudness Maximizer with adjustable response speed and ceiling.
- Sample rate converter from 96, 88.2, 48 to 44.1 kHz.
- Bit depth converter supported 16, 24, 32 bits.
- Dithering with noise shaping.
- Supports .wav, .aif, .mp3 audio file formats.
- Predefined preset hotkeys, ability to create own presets.
- All processing settings are stored for each file.
- Processing group of selected files.
- Exchange files thru internal Web service.
- Compatible with AudioCopy / AudioPaste.
- Supports iTunes file share.
iPad 2 and higher is recommended. Generally this application can be run with iPad 1 but there is possibility of dropping the signal out when playback, especially at frequencies above 44.1 kHz. Offline processing can be done with any iPads quite well.
Please note: This application is audio processing tool only. It does not have audio editor functions.
The app is priced at $9.99.
The Fruity Loops has been busy lately…
Version 2 of the DJ mixing application works either as a standalone program or as a VSTi inside your favourite host. Deckadance can also host any VST compliant softsynth or effect.
Control Deckadance using MIDI controllers, timecoded vinyl and CD systems..
Choose 2 OR 4 decks. Smart knobs link many interface targets to one knob. GrossBeat automated glitch, stutter & scratch functions. Isolator FX chain up to three FX per deck and apply to Low/Mid/High or all bands. Customizable interface and Smart panels select Cue, Grid, DVS, Key, Smart Knob and Tempo controls.
A tutorial showing how to mix a track in Cubasis and Audiobus..also adding some instruments and work inside Audiobus with Guitarism.
Two Minute Ableton Live Tip – The Fastest Way to Clean Up Your Mixes is to cut unnecessary frequencies. Each track in a song takes up a certain amount of “frequency real estate.” Often you’ll have tracks that don’t need much information in the upper frequencies (think bass drums) or in the lowest frequencies (think cymbals or vocals). You can quickly clean up your mixes by cutting any unnecessary frequencies out.
Visit AfroDJMac’s site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com
There are subtle plug-ins you put on the two-buss to give a nice gentle vibe to a track. Bitcom is not one of those. There is no “analog modeling” in this effect. There is no warmth or tube saturation. It is utterly devoid of anything to which the word “vintage” can be applied. Bitcom is a modern bit-shredding digital banshee that beggars description and lives on the edge of instability.
In a nutshell, a step sequencer drives a custom-designed bitcrusher, with a synth sidechain. But that sentence doesn’t begin to describe the abuse that Bitcom is capable of. We pulled out every trick in the book to build a modern electronic music effect that can turn even the most sedate input in to a swinging, screaming pain-monkey, wreaking havoc on lesser sounds.
Bitcom requires OS X Intel 10.6.0 or later, or Windows XP SP 2 or later; the installers include both 32- and 64-bit versions.
Bit Banging: Bitcom’s bit engine is unique; each step has eight switches that (to simplify matters greatly) turn individual bits on and off. So all 8 switches on, and the output is pretty much like the input. Start turning them off and Strange Things Happen.
Synth Signal: Bitcom includes a simple monophonic synth that can either be always on, envelope driven, or controlled via MIDI. This is mixed with the input signal to create strange new sounds. Alternatively, Bitcom can be used without any input at all, as a moderately capable synth.
Sidechain: When using the VST3 version, the sidechain input can replace the synth section. This has the net effect of putting two input signals in to a meat grinder. Strange Things Ensue. Don’t say we didn’t warn you.
Sequencer: Bitcom’s step sequencer syncs to the host DAW. The sequence can be of arbitrary length from 1 to 16 steps, and the sequencer has internal swing.