http://www.t-racks.com for more information
The Bus Compressor is based on the mix bus VCA compressor of a worldwide known and acknowledged British mixing console from the 80′s. This legendary processor has been painstakingly analyzed and measured down to the very single active and passive component to obtain a dead on behavior that will impart that famous “glue” effect on mix tracks without any compromise.
In this tutorial we look at several applications of the plug-in: The subtle yet effective “glue effect”, compressing a drum bus from subtle to slamming or squashed, and all of the components of this plug-in including the great GRIT switch. Learn about the dual functionality of the RESET button, sidechain hi pass, and mid-side processing.
“Bus Compressor is one of the 20 professional mixing and mastering processors available in the T-RackS Custom Shop. Download the free T-RackS Custom Shop software, which comes with the Classic T-RackS Equalizer and a full metering suite, and you’ll have access to the Custom Shop, where you can try our processors before you buy.”
The first fully functional audio mastering application for iPad. For everyone who wants to make own music tracks excellent quality. Based on the same algorithms which used in professional plug-ins this application turns your iPad into a real mastering studio.
This all-in-one tool lets you process sound, convert audio formats, change sample rate, convert bit depth, cut part of track for preview and make fade-in and fade-out.
With very easy and clear interface you can tweak all controls in real time and listening to the final result right away.
Audio processing features:
- Linear phase 10-bands graphic Equalizer based on phase shifting.
- Three bands Stereo Imaging with common Stereo Width level.
- Harmonic Saturator with three sets of harmonics.
- Loudness Maximizer with adjustable response speed and ceiling.
- Sample rate converter from 96, 88.2, 48 to 44.1 kHz.
- Bit depth converter supported 16, 24, 32 bits.
- Dithering with noise shaping.
- Supports .wav, .aif, .mp3 audio file formats.
- Predefined preset hotkeys, ability to create own presets.
- All processing settings are stored for each file.
- Processing group of selected files.
- Exchange files thru internal Web service.
- Compatible with AudioCopy / AudioPaste.
- Supports iTunes file share.
iPad 2 and higher is recommended. Generally this application can be run with iPad 1 but there is possibility of dropping the signal out when playback, especially at frequencies above 44.1 kHz. Offline processing can be done with any iPads quite well.
Please note: This application is audio processing tool only. It does not have audio editor functions.
The app is priced at $9.99.
The Fruity Loops has been busy lately…
Version 2 of the DJ mixing application works either as a standalone program or as a VSTi inside your favourite host. Deckadance can also host any VST compliant softsynth or effect.
Control Deckadance using MIDI controllers, timecoded vinyl and CD systems..
Choose 2 OR 4 decks. Smart knobs link many interface targets to one knob. GrossBeat automated glitch, stutter & scratch functions. Isolator FX chain up to three FX per deck and apply to Low/Mid/High or all bands. Customizable interface and Smart panels select Cue, Grid, DVS, Key, Smart Knob and Tempo controls.
A tutorial showing how to mix a track in Cubasis and Audiobus..also adding some instruments and work inside Audiobus with Guitarism.
Two Minute Ableton Live Tip – The Fastest Way to Clean Up Your Mixes is to cut unnecessary frequencies. Each track in a song takes up a certain amount of “frequency real estate.” Often you’ll have tracks that don’t need much information in the upper frequencies (think bass drums) or in the lowest frequencies (think cymbals or vocals). You can quickly clean up your mixes by cutting any unnecessary frequencies out.
Visit AfroDJMac’s site for more stuff like this, including Live Instrument downloads, tutorials and music! http://www.afrodjmac.com
There are subtle plug-ins you put on the two-buss to give a nice gentle vibe to a track. Bitcom is not one of those. There is no “analog modeling” in this effect. There is no warmth or tube saturation. It is utterly devoid of anything to which the word “vintage” can be applied. Bitcom is a modern bit-shredding digital banshee that beggars description and lives on the edge of instability.
In a nutshell, a step sequencer drives a custom-designed bitcrusher, with a synth sidechain. But that sentence doesn’t begin to describe the abuse that Bitcom is capable of. We pulled out every trick in the book to build a modern electronic music effect that can turn even the most sedate input in to a swinging, screaming pain-monkey, wreaking havoc on lesser sounds.
Bitcom requires OS X Intel 10.6.0 or later, or Windows XP SP 2 or later; the installers include both 32- and 64-bit versions.
Bit Banging: Bitcom’s bit engine is unique; each step has eight switches that (to simplify matters greatly) turn individual bits on and off. So all 8 switches on, and the output is pretty much like the input. Start turning them off and Strange Things Happen.
Synth Signal: Bitcom includes a simple monophonic synth that can either be always on, envelope driven, or controlled via MIDI. This is mixed with the input signal to create strange new sounds. Alternatively, Bitcom can be used without any input at all, as a moderately capable synth.
Sidechain: When using the VST3 version, the sidechain input can replace the synth section. This has the net effect of putting two input signals in to a meat grinder. Strange Things Ensue. Don’t say we didn’t warn you.
Sequencer: Bitcom’s step sequencer syncs to the host DAW. The sequence can be of arbitrary length from 1 to 16 steps, and the sequencer has internal swing.
SuperPan is part of Musicrow Golden Ensembles 3: Premium ensembles for NI Reaktor
Place your sound out of the speakers, create extreme stereo and 3D effects, explore distorted and unnatural spaces, and choose from many surprising ‘spacey’ presets. Superpan is the perfect panning tool for extremists!
• Pan out of the speakers
• Create super wide stereo mixes
• Extreme 3D effects
• Add unusual motion
• Modulators: Two Sequencers and an LFO
• Many surprising ‘spacey’ presets
SuperPan is available as part of Golden Ensembles 3 that now contains 45 ensembles, synthesizers and effects for NI Reaktor 5. The update is available for free for Golden Ensembles 3 users.
Musicrow also offers Golden Ensembles 3 for a special Xmas price of 99EURO (Instead of 169Euro) until 31 Dec, 2012.
Cubase was on show at the Music Production Show at London’s Emirate Stadium this week.
“We grabbed product specialist Andy to show us more about the new Mixer Window”
Russ takes a look at the new iZotope Trash 2 plug-in and finds out that it offers far more than one would first think.
Trash 2 takes the best of Trash and makes it even better. With an entirely new sonic architecture, brand new features, optimized performance, better sound quality, and support for modern hosts and formats, Trash 2 is primed for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue.
- Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard.
- Design your own unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper.
- Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave.
- Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more.
- Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear.
New iPad audio chopper app. See http://www.touchsynth.com for more information.
iterator is an inspiring sample based musical instrument with a stylistic interface. The premise is simple: The x-axis controls the sample playback position. The y-axis controls the repeat speed. The result is surprisingly musical.
Create your own soundscapes using any of the built-in 75+ samples from over 25 artists, including Richard Devine, Parallel Worlds, Toppobrillo, Atomic Shadow, and many more. Or, supply your own .mp3s through iTunes.