In this video, Rishabh Rajan shows a technique of morphing from one plugin preset to another using automation.
A short demonstration of the Synthesis Technology Morphing Terrarium E350 as an LFO.
Sound and Video by Raul Pena .©2013 Raul Pena.
Sneak peek from the studio featuring the sampling techniques from the new Csound-based iOS app by Boulanger Labs, csSpectral. Deepak Gopinath (Lead iOS Developer) is using csSpectral to play back a simple beat and transforms the rhythms into a unique percussion track that morphs beyond glitch. This aspect of the app is well-suited for many applications ranging from advanced sound design for film to a mashup of your favorite track.
sonicLAB has announced version 2.2 of Cosmosƒ, a real-time dynamic stochastic synthesis engine.
newest update: Cosmosƒ V2.2 offers a powerful and unique preset morphing mechanism. With 2D / 3D control interface + homogeneous and heterogeneous micro waveform handling, it “rethinks” for you what you know as “morphing”…
A sonic morphing process defines a metaphor of exploring the sonic shape and timbral evolution on intermediate levels. Cosmosƒ V2.2 gives the possibility to manipulate its composants responsable for its bottom-up sonic construction within necessary correspondance, precision and smoothness.
Changes in Cosmosƒ v2.2
- 2D / 3D preset morphing mechanism. Up to 4 different preset parameter space can be morphed by traveling inside a 3D sphere by adjusting the polar coordinates within a unique interface design.
- Stochastic morphing with distribution range for altering the morphing position, speed and interpolation control.
- Built-in mathematical functions to automatically and precisely move the morphing pointer in the space.
- Precise audio rate parameter update with the possibility of reaching amazing morphing speeds (44100times a second!)
- turns Cosmosƒ into a super oscillator by accumulating up to 4 different presets in heterogeneous micro event mixing mode prior to the morphing phase.
Cosmosƒ for Windows and Mac is available to purchase for 89 EUR.
In this video tutorial sound design course designer/instructor Evan Sutton, explores the sonic capabilities of “morphing waves” in Native Instruments’ Absynth software.
“Evan Sutton is one of Dubspot’s esteemed instructors by day and a sonic alchemist by night with his Astrolith (Space is the Place) music project which employs wobbling, funky bass lines under pitch-modulated vocals and synths. In this new video, Sutton shares his creative process of “adding a counterpoint” to his signature wobble using Native Instruments’ Absynth instrument. “At the core of this sound is the morphing wave. This is a really cool feature that Absynth has, and one of the only places where additive synthesis is used in Native Instruments’ Komplete (aside from Reaktor library instruments),” explains Sutton. In this tutorial he uses Logic as a DAW, but also explains that the process for using Absynth is exactly the same if you use Ableton or another DAW.”
M-RGT has announced the release of psyGEN, an experimental granular synthesizer plug-in for Windows.
Using granular synthesis as a basis it adds extensive Modulation and FX capabilities to take any type of .wav file source and turn it into a multi-layered composition of great complexity.
With the built-in 16 track sequencer, long evolving ambient/drone sounds can be created and cross-faded with other sounds to create dense tapestries of sound. Also, the sequencer allows for more rhythmic based compositions or patches as well. It is possible to create an entire composition with just one track incorporating many variations.
psyGEN can be used as a standalone synthesizer with a plug-in like SaviHost or similar program or can be installed as a VSTi with a Host DAW.
The psyGEN plug-in for Windows (VST) is available to purchase for $33.50 USD.
Sinevibes has announced the release of Circuit, its latest Audio Unit effect plugin for multiband waveshape modelling.
Circuit splits the signal into three frequency bands, and passes each band through its own processing engine which offers 12 different algorithms – from sine-based waveshape transformers and foldback distortion, to circuit-bent filters, lo-fi and ring modulation. These models can be further modulated by an input envelope follower, tempo-synchronized LFO or two-dimensional Lorenz attractor. All this is wrapped into a stylish, colour-coded interface based on Sinevibes’ innovative design language, which makes it incredibly fun to work with.
- Morph lifeless waveforms into entirely new, rich and dense sounds.
- Transform synth basses and leads into completely different, layered material.
- Re-synthesise and mangle electronic drum loops beyond recognition.
Circuit is available to purchase for $29 USD. It is also included in the Sinevibes plug-in bundle for $119 USD.
Syncersoft tells us that Analog Warp is a warp and morph effect designed to deliver the clear, penetrating sounds favoured by live musicians. They believe that it’s ideal for use in trance, dance, techno, dubstep, electronica, drum n bass, big beat, dub, reggae and all other styles. Syncersoft says that the LFO modulation section was designed specially for Dubstep genre but can be used in other styles too.
The plug-in contains:
- Main section.
- Filter section.
- LFO section.
- Morph section.
Pricing and Availability:
PSP Echo – the echo processor previously only available within Wave Machine Labs’ Auria 48-track DAW iPad app – is now available in standard plug-in form for use in your favorite DAW.
Echo’s powerful and unusual features combined with its smooth operation makes it ideal for all kinds of creative uses from simple slap back and sustain effects through ping-pong delays and spacious echoes. Use the delay sliders to add special tape echo effects for even more unique effects. The tape wow control and built in ducker further extend the creative potential of PSP Echo.
Internally, the Echo is like a combination of four mono tape delays — two for the initial ping-pong pre-delay and two for the main stereo echo. PSP Echo also comes with a set of useful factory presets that cover a wide range of the plug-in’s settings.
PSP Echo is available in AudioUnit, VST, RTAS AAX formats for Mac OSX (Universal Binary); and VST, RTAS and AAX for Windows.
Two nice plug-ins for free this morning, enjoy
Xenium Audio tells us that X-Tube is a Microsoft Windows VST plug-in that simulates a tube amplifier saturation effect.
- Type of vacuum tube for simulation – 12AX7.
- Mono, Stereo, Qudro and 5.1 audio track support.
- 64-bit floating point processing.
- Easy to use and operate.
- Zero latency processing.
- 1x, 2x, 4x, 8x, 12x, 16x oversampling mode.
- IIR-type 3 Band equalizer with ±12dB range.
- Separate adjustment of drive and bias.
- 12 Factory presets / 8 User presets
Pricing and Availability:
Syncersoft tells us that the freeware Lizard Morph is a detune and morph effect designed to deliver the powerful, penetrating sounds favoured by trance musicians. They say that it’s ideal for use in trance, dance, techno, dubstep, electronica, drum n bass, big beat, dub, reggae and all other styles. The LFO modulation section was designed specially for Dubstep but Syncersoft says that it can be used in other styles too.
Pricing and Availability:
SyncerSoft has announced the release of its Lizard Morph freeware effect plugin for Windows.
Lizard Morph is detune and morph effect designed to deliver the powerful, penetrating sounds favoured by trance musicians. It’s ideal for use in trance, dance, techno, dubstep, electronica, drum n bass, big beat, dub, reggae and all other styles.
LFO modulation sections was designed specialy for Dubstep genre but can be used in other styles too of course. The plug-in contains: Main section. Filter section. LFO section. Morph section.
The plug-in is available to download as a freeware VST effect plugin for Windows.
More info – http://bit.ly/Ark8bk
In this video tutorial, Dubspot Electronic Music Production and Sound Design instructor Evan Sutton demonstrates arpeggiation and morphing function of Native Instruments’ FM8, and uses them to build TB-303 style acid/techno bassline.
We’ll start with a classic FM pair, which consists of two oscillators, each loaded with sine waves. Once a usable tone has been created, movement is introduced by adjusting the modulator’s amplitude envelope. The arpeggiator in FM8 is designed to take incoming notes and build a new sequence according to the settings in the Pattern Editor. It blurs the line between step sequencer and arpeggiator, as it has a step matrix, with many flexible features. The last step is to create some variations on the sound. FM8′s morphing capabilities allow for four different patches to be transitioned between (morphed). Remember that not all parameters in FM8 can be morphed. All FM8 library patches have four morph variations built in. Once the sound is complete, it’s time to jam. We’ll add MIDI control for the morph box in the host DAW, and fire away. – Dubspot Instructor Evan Sutton