Using Brute LFO running on two iPhones to modulate additional parameters in the patch bay on the MicroBrute in addition to the built in LFO.
Just a test with :
2 x Modules Littlebits Korg synth
1 x input module Littlebits
sync with iOS Brute LFO
Brute LFO is an iOS App for iPhone, iPad & iPod Touch, which outputs control voltages (CV) from the device’s headphone output. Connect it to your Arturia Microbrute or other analog gear, like a Modular Synthesizer, to modulate your sounds. The headphone output voltages aren’t very high on iOS devices, so it’s more of a subtle modulation, but Brute LFO also sounds awesome when pushed into audio range. There are two simultaneous oscillators and a third one to modulate the other two’s frequency. Switch on “Brute” mode to dirty the waveforms up some more. Not shown in the video: The performance pad mode, in which you can use two touch pads to adjust four parameters simply by swiping your fingers on the screen.
Visit the Brute LFO website here:
“The Brute LFO is a powerful low frequency oscillator that modulates your analog gear. If you have a hardware synth that allows you to use external gear to modulate the pitch, the filter, or any other parameter, just plug the Brute LFO into the CV in and start playing. It consists of three separate LFOs. LFO 1 and 2 can be controlled using the control elements in the top half of the screen. The big knob in he middle sets the rate of both the LFOs. Additionally you can change the waveforms of the LFOs, detune LFO 2 and change its phase. The amount knob in the top half also sets the overall amount of the modulation. The elements on the bottom half (LFO 3) can be used to modulate the frequency of LFO 1 and 2. And the brute switch destroys everything!”
Here is a demonstration of the sound and functionality of the Arturia MicroBrute LFO and patch-panel.
Background video description:
In my last video, I showed how the Microbrute’s LFO will sync to external MIDI clock and used the LFO to modulate the MicroBrute itself. But using the LFO CV OUT from the Micro, you can also modulate another synth. In this video, I’ve got the Micro’s LFO modulating the filter on the MiniBrute. You’ve probably notices I’m using a Leatherman multi-plier to hold down keys on the MicroBrute to allow the sequence to run “hands-free”. I have been told that Arturia is releasing a software update on Nov. 12 that will allow the sequencer to run hands-free using a MIDI CC command. Until I get the update, I’ll be using the weight of the tool to hold keys down.
A short demonstration of the Synthesis Technology Morphing Terrarium E350 as an LFO.
Sound and Video by Raul Pena .©2013 Raul Pena.
Real-time physics, lighting, and sound design using Max 6 and Ableton Live. Recorded using syphon.
Each ball is assigned a MIDI note that is sent to Ableton whenever the ball collides with another object. MIDI velocity is determined by the speed of the ball on impact. Gravity changes with several LFO objects, along with an attractive force in the middle of the scene.
From the upcoming feature film LFO.
LFO is a dark comedy/drama/Sci-Fi about a man who realizes that he can hypnotise with sound. He starts experimenting on his neighbors, where the abuse of power takes over and, eventually, severe consequences for mankind are at stake.
Film will be released summer/fall 2013.
More info: https://www.facebook.com/filmenLFO
Here is a demonstration of the sound and functionality of the low frequency oscillator of the Yamaha CS-50.
This is a compilation of the possibilities of a LFO-sync modded Korg Monotron analog synthesizer.
In this mod (see also http://stevewoodward.posterous.com/lfo-reset-point-on-korg-monotron), the low-frequency oscillator (LFO) of the Monotron (sync slave) can be retriggered by pulse signals in this case from a Roland TR-626 rhyrtm computer (sync master). The trigger signals sent by the TR-626 can be programmed by its rimshot pattern. Shuffled notes of the sync master are directly introduced into the Monotron LFO, to give also a shuffle effect.
Advantages of this mod is the low-budget (~2$, only a few cables and a 3.5 mm plug are needed) and the possibility to sync other music devices to the TR-626 via MIDI at the same time. Like shown here a Nanoloop (http://www.nanoloop.de/gameboy) cadtridge for Gameboy Classic, can also be synced with the same pulses.
This LFO-sync Mod enhances the possibilities of the Korg Monotron significantly.
It allows to use the synchronized Monotron analog filter LFO for external audio, as well as for the internal voltage controlled oscillator (VCO).
If the Monotron LFO frequency is tuned higher the retrigger frequency of the sync master, there is also the possiblilty of cross-modulation effects, like for the unsynced version.