The LFO of a Korg Monotron is synchronized to the trigger output of a Roland TR-626 drum machine. The retrigger of the Monotron LFO is the red wire. The sync mod is done like shown here: http://stevewoodward.posterous.com/lfo-reset-point-on-korg-monotron
In this video the TR-626 is started and stopped. The rhythm rate is also varied.
Atomic Shadow has set up a self playing S/H patch on the EMW-200 and ran the result through the STG Sea Devil and Krisp1 ring mod. All of the raw sound is coming from the EMW-200, the Krisp1 mini LFO was controlling the filter. Part of the signal made it through the Strymon El Capistan echo pedal. The improvised drums were then performed live with the patch on the V-Drums. The film was then finished by Micky Dodds who also made the film for February-Moon Of Ice from the Twelve Full Moons album.
Vince Clarke and Martin Gore’s VCMG project has really hijacked the dancefloors with the album SSSS, plus remixes from the likes of Regis, Byetone and Matthew Jonson – now Mute have just announced a third remixes EP from the album via Twitter. This one’s set to feature ‘Aftermaths’, with a remix by Clarke himself, alongside another veteran name: Warp’s mighty LFO. The package is rounded out by a remix by Alva Noto, one half of Diamond Version and co-head of the Raster Noton label alongside Byetone. It’s set for release on August 20th through Mute.
That’s all we’ve been told so far – no music for you to listen to yet
NOTE: Reason 6.5 and Reason Essentials 1.5 users can and get Pulsar from the Rack Extension Shop for FREE until October 1st, 2012! Reason 6.5 and Reason Essentials 1.5 are free upgrades for Reason 6 and Reason Essentials 1 users and special upgrade pricing is available for users of earlier Reason versions.
Pulsar in the Rack Extension Shop:
Also featured, the Synapse Audio AF-4 Filter:
The Pulsar Dual LFO, new as a Rack Extension in the Propellerhead Shop, is a flexible little powerhouse utility with tons of routing potential. Even though Pulsar is capable of some wild tricks, it also is one of the best places to start learning about modular synthesis and LFOs.
We put together this introductory look at how to use LFOs to spice up your existing sounds and how to get Pulsar making some sounds of its own.
Propellerhead today announced Pulsar LGM-1, the second “Rack Extension” instrument, to be available with the launch of Reason 6.5 and Reason Essentials 1.5 in Q2 2012. Pulsar is a dual LFO (low frequency oscillator) and mono synth with cross-modulation, lag, shuffle and a flexible envelope, and is said to offer “a fresh take on modulation — from rigid and predictable to groovy and evolving.”
Pulsar integrates perfectly with all Reason devices, opening up new possibilities for creative modulation within the program — i.e. with Pulsar it’s reportedly easy to create a shuffled tremolo that changes speed as different notes are triggered, or come up with ever-changing wobbles that respond to playing. Using its audio outputs, Pulsar transforms from a low frequency oscillator to a synth. The waveforms designed for modulation, combined with the unique lag and shuffle controls, reportedly result in tons of unique synth tones. For users that are not versed with the modular aspects of Reason, Pulsar also comes with a set of pre-made patches, containing everything from lush evolving pads to gritty bass.
To celebrate the release of the Rack Extension platform, Pulsar will be gifted to everyone who is using Rack Extension compatible versions of Reason and Reason Essentials for the first three months after release — a $49 value. Click for more information about Rack Extensions and Pulsar LGM-1.
The Pittsburgh Modular ADSR is a four stage envelope generator with independently adjustable Attack, Decay, Sustain, and Release stages. An envelope generator is used to shape control voltages such as the gate of the Midi module or a square wave from the LFO2.
Moog Music Inc. is proud to present Dr. Joseph Akins’ five part series on the fundamentals of synthesizer programming. Dr. Akins is an associate professor at Middle Tennessee State University and strives to teach his students a complete understanding of synthesizers and computers as tools for modern music production. In this five part series Dr. Akins uses a Voyager to teach the process through which a synthesizer’s sound is generated and the techniques needed to program your own sounds and sonic experiments. In part four of this five part series Dr. Akins gives an in depth lesson on the low frequency oscillator or LFO.
Voltage Influenced Low Frequency Oscillator
The-Pittsburgh Modular Voltage Influenced LFO is unique in the modular world. It is a strange, triangle based LFO that lives in an 8hp euro panel. The module offers two outputs, a triangle wave, and a variable waveform that shifts from a triangle to something that is almost not completely a square wave. The VILFO also includes a unique voltage influence circuit. The influence works differently than standard control voltage inputs, it allows the incoming CV to mingle with the LFO waveforms in interesting ways, creating unique modulations and patterns.
A typical Voltage controlled oscillator works by using a CV input to directly control the oscillation frequency. The more voltage sent to the CV input, the higher the frequency of the ocsillator. The lower the voltage, the lower the frequency of the oscillator. Voltage Influence works by using the CV input to attenuate the frequency of the oscillator while at the same time injecting some of the voltage from ICV Input to the feedback loop of the oscillator. Results can vary from subtle to chaotic. Subtle results can be similar to tremolo, shuffle, or soft reset while more extreme settings produce glitchy, rhythmic, chaotic fluctuations in the frequency of the VILFO. At the most extreme the VILFO can be stopped using Voltage Influence.
If you already bought the LFO 1.x, v2.0 will be FREE for you.
It will be available here: http://designthemedia.com/lfo
One year ago, it was the first efficient LFO officially supported (by us) for Ableton Live and it has a been liked & used by a lot of people.
With LFO 2.0, you can modulate each parameters of your liveset in real time.
You only have to drop it in a MIDI track, click on a button then click on the parameter you want to modulate and it works.
You can use built-in waveforms or even draw your custom one.
You can use the LFO 2.0 synced with the Live’s transport, or totally free by setting up the frequency.
- modulation of ALL parameters including tracks’ volume, panning & sends
- free or synced to transport
- classic waveforms (sine, ramp up, ramp down, saw, square, noise)
- custom waveform available with the whiteboard to draw it with your mouse
- presets & liveset friendly (all saved with liveset & presets)
- undo history safe
- LFO can control LFO to produce rich and complex modulations
- MIDI thru compliant (you can use it directly in your MIDI instrument track)
- GUI remixed
- all LFO2.0 parameters auto mappable to APC40
- Ableton Live 8.2.x
- Max for Live
- Design, concept, implementation : Julien Bayle
- New extensions sold by C74 & coded by Jeremy Bernstein
Boutique synthmaker Jomox introduced the Moonwind Analog Filter Tracker.
The Moonwind Analog Filter Tracker is a true analog stereo filter, with built-in step sequencer, an FX chip, 2 LFOs and envelope modulation. Everything is storable and controllable via MIDI.