Giorgio Moroder shared this new remix, by JAIA, of the classic theme, The Chase, from his Midnight Express soundtrack
JAIA remix of GIORGIO MORODER’s “The Chase”, from the soundtrack Midnight Express.
Courtesy of : EMI publishing & Giorgio Moroder
Label : Tribal Vision Records
Check out the JAIA Minight remix too http://youtu.be/u0spdSuXyoE
Get it on Beatport http://www.beatport.com/release/the-c…
Get the Thursday Remixes
Tour info: http://bzz.is/PSBTour
Living on the Ceiling is a song by British synthpop band Blancmange. It was released as the band’s 3rd single in 1982, taken from their debut album Happy Families. It became the band’s first (and biggest) UK Top 40 hit, peaking at #7 on the UK Singles Chart and being certified Silver by the BPI for sales in excess of 200,000 copies. The single also reached #5 on the Australian Singles Chart. Blancmange performed the song on Top of the Pops, but for broadcast on the show as well as on BBC radio, the track was edited to replace the lyric “Up the bloody tree” with “Up the cuckoo tree”.
Solarstone has released a new remix based on the End Titles to Blade Runner, details below:
Pre-order here: http://bit.ly/blade_runner_pure_mix
Subscribe to Black Hole Recordings TV: http://bit.ly/SubscribeToYoutube
Drawing from one of Vangelis’ most renowned soundtracks, Solarstone has rebooted the theme from the audio auteur’s hallowed ‘Blade Runner’ soundtrack. He has brought trance purity to the beautifully sinister tones of its title theme. Utilizing it as a last tune of the night ID-weapon for many a month, the track (now christened ‘Love Theme from Blade Runner’) has been given the official seal of approval. The trance master is now set to release his love letter to ‘Blade Runner’.
“The doomy night-black drama of Vangelis’ echoing piano chimes have rarely sounded better” — DJ Mag (Sept 2013)
Losing none of its ominous awe-inspiring atmosfear, through Solarstone’s ‘Love Theme From Blade Runner’ Vangelis’ now exerts a hypnotic thrall over the club floor. Using the classic strains of ‘End Titles’, Richard fires the Original’s balanced nexus of dystopian melancholia and towering elevation through the Pure prism.
Developing a pounding sonic underlay, built from pistoning drums, dramatic orchestral cymbal crashes and undulating bass swells, he sets the stage for its big dramatic soundscapes. Retrofitting Vangelis’ analogue synthesizers & FX with purified trance mechanics and unrelenting tension, he filters its darkly timeless melodic chimes into the mix’s system. Brilliantly drawn out over nine fissionable, charged minutes he points Vangelis’ 30-year-old classic at the very heart of the club floor.
Here is the exclusive SEBASTIAN KOMOR Remix of RAMMSTEIN’s track ‘SONNE’ featured by DJ JOE LETZ of COMBICHRIST during his direct support slots opening for RAMMSTEIN on their recent tours in 2012 and 2013. now to be heard and downloaded by the masses, aka YOU!
Xenomorph Productions 2013.
Tiesto – Take Me (kktp Remix) – with NI Maschine Mikro Mk2 and Ableton Live 9
This is an overview of the Electrix Tweaker mapping for Traktor’s Remix Decks. NI just released Traktor Pro 2.6.2 which enables the remix decks to be mapped to any MIDI controller. The mapping is available at http://www.electrixpro.com/downloads
The Remix Deck mapping was designed to allow the user to directly access Remix Decks C/D. The Tweaker’s layout assists in more easily controlling the remix decks, with its 32 button grid giving direct access to the 16 sample cells on each deck. The Tweaker’s grid section also provides direct access to sample settings like Punch, Monitor, FX, and Keylock functions.
Additionally, the Tweaker?s pads allow the user to Mute sample slots, switch Trigger Type, as well as Play Mode (e.g. Loop or One-Shot). The mapping also allows the user to switch back and forth between Mixer Mode and Deck Mode. In Mixer Mode the knobs and faders act as EQs and Channel Faders. In Deck Mode, the knobs and faders are used to control the pitch, loops, sample pages, and more. This allows users to quickly switch between the mixer functions and deck functions.
The Remix Deck mapping can be used in a variety of situations. Two sample use cases include:
- 1 x Tweaker (Decks A/B), 1 x Tweaker (Decks C/D)
For users who want to make full use of Traktor?s Track Decks and Remix Decks, a two-Tweaker setup is the perfect fit. Performers can utilize the Tweaker?s native Track Deck mapping for Decks A/B and the newly released Remix Deck mapping for Decks C/D. Utilizing two Tweakers in this setup allows the user to perform entirely in Traktor?s internal mixing mode and thus take full advantage of Traktor?s FX, looping, and sampling features.
- 1 x MIDI Controller (Decks A/B), 1 x Tweaker (Remix Decks B/C)
For users looking for additional MIDI control over the remix decks, the Tweaker is the perfect addition to an existing digital DJ setup.Plug the Tweaker into an extra USB port and load the Remix Deck mapping. This effectively allows the user to continue using Decks A/B as usual, while expanding the user’s ability to remix on the fly by adding samples via the Decks C/D (Remix Decks).
These two videos, by Rishabh Rajan, takes a look at remixing in Ableton Live.
An overview of my Ableton Complextro remix session for the song ‘Fries in Cream’ by Froya.
Check out the remix here: http://www.youtube.com/watch?v=4RW8_p…
Check out the original tune by Froya here: http://froyamusic.com
This is my remix of the tune ‘Fries in Cream’ by Froya. Hope you like it! Download the mp3 from here: https://soundcloud.com/froya/fries-cream
BitWiz Audio Synth / Gestrument / Audiobus / Anytune Pro+ – Music Practice Perfected. / Genome MIDI Sequencer / DrumsLive — touch and MIDI multisample drums / DrumJam / ThumbJam / LiveFX • DJ Effects Kit / Brian Molko – Placebo – Battle for the Sun
Moby shared his remix of iamamiwhoami’s y.
Here’s what Moby has to say about it:
i first heard iamamiwhoami at a restaurant in london a few years ago. after hearing them i emailed my manager, eric, and asked ‘have you heard of this band iamamiwhoami?’ and he wrote back, ‘yes, we manage them’.
when they asked me to do a remix for them i happily said ‘yes’, as i’m a fan of theirs. and when i heard the song they wanted me to remix i realized that i didn’t want to deconstruct it and change it, but rather just add melodic and structural elements to it, to enhance what they’d already done.