As being a hardcore MiniBrute myself, it is really nice to see one of the legends using it
Check out our exclusive interview with synth legend Vince Clarke at his studio in New-York, talking about MiniBrute, his relation to synths and his up-coming projects.
There is lots of nice gear for all of us electro fans in this in-studio performance of Broken by Depeche Mode.
Check out the Teenage Engineering OP-1, Roland Jupiter 8 synthesizer, Oberheim OB8, Korg MS20 and Korg MonoPoly synthesizers. Not to mention, the tasty Eurorack modules that have been seen in pictures of the Delta Machine studio sessions.
Jimmy Kimmel Live – Depeche Mode Performs “Soothe My Soul” on the Sony Outdoor Stage
Jimmy Kimmel Live’s YouTube channel features clips and recaps of every episode from the late night TV show on ABC.
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DEPECHE MODE have unveiled the video for ‘Soothe My Soul’, the second single to be taken from ‘Delta Machine. One of the standout tracks from the album, ‘Soothe My Soul’ is in stark contrast to the sedate lead single ‘Heaven’. The song bears the hallmarks of vintage DM, featuring a strong vocal performance from Messrs Gahan and Gore, set to a catchy blues riff not dissimilar to that of world conquering 1989 hit ‘Personal Jesus’. Indeed, the similarity between the tracks has already led to a spate of mash-ups appearing online.
Lyrically the song deals with one of Martin Gore’s favourite subjects; “there’s only one way to soothe my soul” he asserts, and the video should leave little doubt as to what he is referring to! Be warned if you are viewing at work, there is some risqué content featuring a naked model and a snake. Directed by Warren Fu, whose previous video credits include THE KILLERS and DAFT PUNK, it is an undeniably stylish affair, shot entirely in monochrome with a distinctive square frame.
Music video by Depeche Mode performing Soothe My Soul. (c) 2013 Venusnote Ltd., under exclusive license to Columbia Records, a Division of Sony Music Entertainment
Teenage Engineering: How did you get involved in the album process?
Christoffer Berg: I got involved at the end of January 2012. I was asked if I would be interested. In February I went to London to meet Ben Hillier and Daniel Miller to listen to some demos and just meet them. In March I went to the first recording session in Santa Barbara.
TE: How come they first approached you?
CB: I think the way it happened was that Ferg Peterkin, who was the engineer on the record, was in the studio where I have a production room, Svenska Grammofon Studion in Gothenburg. He was recording an album with a band called Foals, and him and Luke Smith, who was the programmer on the previous record, had brought their modulars along.
I asked if I could have a go at the equipment and do some experiments with it. They invited me to come in whenever I wanted to, so I recorded some stuff on a mobile setup that I brought to their room. After this I was kind of invited to send a resume and submit some demos.
There was quite a substantial list of experience required to even submit a demo. You had to have expertise in several modern day sequencers and also be able to synchronize these with old analog stuff. But at the time when I started making electronic music music, I had to use sync boxes and a four track portastudio. So when I looked through the list I thought to my self “I can do this”, and “if I get this job I’m gonna kill it”.
TE: What was the actual position offered?
CB: It was as the programmer. My technical responsibility would be to keep different systems synchronized, and also to program beats, make sounds, basslines or whatever.
TE: So, during a days work, what equipment would you use?
CB: Oh, my god… Wow, we had a huge Eurorack modular with somewhere around 700 – 800 modules. During the recording process Martin (Gore) also got a dotcom modular, which I really fell in love with. We had ARP 2600′s. Martin has a rack which has three 2600′s in one rack, with custom MIDI interface for them. That was insane! One favorite of mine came to be the ‘Gleeman Pentaphonic’, a kind of rare early digital analog hybrid synth, which looks really cool and has a very special sound. It’s almost impossible to list every thing and almost easier to list the stuff we didn’t have.
Read the whole interview here
Depeche Mode’s new album, Delta Machine (artwork above), is now streaming in full on iTunes, one week ahead of its release next week – listen here.
Yesterday evening Depeche Mode performed live on the David Letterman show. For those who missed it last night, you can see a high quality video that got upped a few moments ago right after the jump or in the video player of our mobile app. But more alluring to the fans is probably the fact that the full concert was upped on Soundcloud as well.
The Depeche Mode ‘Live On Letterman’ webcast aired last night was recorded at the Ed Sullivan Theater in New York and had the following track list:
- Should Be Higher
- Walking In My Shoes
- Barrel Of A Gun
- Personal Jesus
- Soft Touch/Raw Nerve
- Soothe My Soul
- Enjoy The Silence
For many this will be the first time they hear some more new material. Let us know what you think of it.
Note that the deluxe 2CD editions of the new Depeche Mode album are available now at dead cheap prices from Amazon DE ( http://fave.co/ZBjsmM ), Amazon UK ( http://fave.co/ZBjwTv ) and Amazon USA ( http://fave.co/X0hkRP ).
All That’s Mine (10 LB Mix)
Original material © 2013 Depeche Mode
Here’s the first video from Depeche Mode’s new album Delta Machine – Heaven
Music video by Depeche Mode performing Heaven. (c) 2013 Venusnote Ltd., under exclusive license to Columbia Records, a Division of Sony Music Entertainment
The new single “Heaven” will be released next Friday. Now, the band have announced that the new Depeche Mode album, entitled “Delta Machine” will be released this Spring.
The album, recorded over the last year in Santa Barbara, California and New York City, was produced by Ben Hillier, who also was a part in producing the last two albums “Sounds of the Universe” and “Playing the Angel”, and mixed by Flood.
The album, called Delta Machine will see Depeche going all-out with the packaging and gizmos.
As well as the standard version, fans will be able to get a deluxe edition that features photos by long-time collaborator Anton Corbijn, as well as remixes of forthcoming single ‘Heaven’ by Matthew Dear, Owlle, Steps to Heaven and Blawan (oof). ‘Heaven’ will be premiered on Vevo next Friday, February 1st.
Speaking about the new record, Martin Gore said: “Writing this album was incredibly daunting as I wanted the sound of this collection to be very modern. I want people to feel good about listening to this record, to get some kind of peace. It’s just got something magical about it.”
Dave Gahan adds: “With this release we’ve completely shifted our idea of how to create an album. When we hit a wall where we realize the album is beginning to sound too normal, we’ll mess it up and really give it that organic Depeche Mode Sound. Delta Machine is no different, and I can’t wait for all of our fans to hear it.”
“Delta Machine” will be released through Columbia Records on March 26th, 2013.
In addition to the album announcement, Depeche Mode have also confirmed that the video for the first single “Heaven” will debut on VEVO next Friday, February 1st.
01 – Welcome To My World
02 – Angel
03 – Heaven
04 – Secret To The End
05 – My Little Universe
06 – Slow
07 – Broken
08 – The Child Inside
09 – Soft Touch / Raw Nerve
10 – Should Be Higher
11 – Alone
12 – Soothe My Soul
13 – Goodbye