A jam with three classics of the ’80s – the Moog Source, the Roland Juno-106, and the E-mu Drumulator.
Source = synth bass
Juno-106 = chorus pad with resonance
Drumulator = rhythm
FX = Eventide H3000-D/SE patch 795 “LONG & SMOOTH”
Vintage synth tech tutorial
How to install the HxC floppy drive emulator on an E-MU Emax 1
The SD HxC Floppy Emulator can be buy on the Lotharek page. I use the Rev-F Black version. All works of your own risc!
all sounds in the tutorial: E-MU Emax SE sample library
A few sounds from the Emulator II sound libraries. Some of these sounds were popular in the ’80s and have become classic.
An affordable classic early eighties sampler/workstation synthesizer. It’s a sampler that sounds like an analog synth because it has analog filters! It samples at a low 8-bits (up to 17.6 seconds) so it’s got that lo-fi sound which is great for some types of electronic music. Especially nice is its ability to create warm analog-ish pads and sounds. It uses those giant 5″ floppy disks for storage. Also on-board is a useful 8-track sequencer. It can be hooked up to a Mac for easier editing using software such as Digidesign’s Sound Designer.
The Emulator II had many new features for its time. MIDI, SMPTE and computer control. Editing samples includes truncating, manual/auto looping, reverse, velocity switch cross-fading and splicing samples together. A great feature is the 24 dB/oct analog 4-pole low pass filter. There are eight separate LFO’s and eight extra individual outputs for each voice. Make no mistake, the Emulator II was a long standing professional sampler of the mid-eighties for musicians and sound designers.
The Emulator II received numerous upgrades during its four year production run from 1984 to 1988. These included the Emulator II+ with double the sample memory and the Emulator II+HD which adds a 20MB internal hard drive.
Should Be Higher (Live on Letterman version)
Upper: Roland JP8000
Mid: Emu Emax w/Oberheim and Kurzweil samples
Lower: Kurzweil PC1x
Composed by David Gahan / Kurt Uenala
Vintage gear demo track featuring the E-Mu Emax
The original Emax was released in 1988, after the discontinuation of the Emulator II. The base model cost $2,995; a rack version was also available for $2,695. Although it was fairly similar to the Emulator II in sampling specifications, the Emax used much more reliable parts, and stored sounds on 3½” floppy disks, as opposed to the more antiquated 5¼” floppy disks that the Emulator used. The Emax was advertised as a 12-bit sampler, which was, in reality, only half-true; although playback was 12-bit, only 8 bits were used to store each sample. While this led some to regard the Emax as inferior to its competitors, many modern users consider it to be a key part of the Emax’s sound.
Numerous upgrades were available for the Emax during its lifetime. The Emax HD featured a 20 megabyte hard drive for storing samples. The Emax SE added an additive synthesis engine that let the user create sounds from scratch.
Sample memory remained the same at 512 KB for all models. SCSI can be retrofitted to second and third revision motherboards and was standard on the final model the Plus. The Emax was discontinued, replaced by Emax-II
all sounds: E-MU Emax Sampler from the year 1986
recording: multi-track without Midi
fx: a bit delay and reverb
Using the internal arpeggiator for sequencing and the original Emax sample library and some own samples for the sounds.
E-mu’s synth module designed with classic hip hop, modern R&B, acid jazz and trip hop in mind! All the sounds you need to create PHATT tracks! Tight basslines and thumpin’ 808 kicks, this box has it all. It also includes all the common lead and rhythmic sounds in hip hop, rap and R&B. The BEATS mode is great for generating grooves and ideas that you can jam with! They have very analog-like controls such as filters, envelopes and LFO modulation effects! And everything is MIDI controllable!
“I’ve been looking for a Planet Phatt for quite a long time and I finally got one for a good price. Here is a quick demo track I put together, using Cakewalk Pro Audio 9 to sequence the different parts. All sounds are coming from the Planet Phatt, with some outboard compression and reverb.”
Vintage sampler demo by RetroSound
The Emax from the year 1986 is the follower of the Emulator II. A 12 bit sampler with analog filters (SSM 2047). The sound is vintage, organic and really cool. The next generation the Emax II has unfortunately digital filters and the sound is very different to the Emax. Depeche Mode used the Emax in the studio and at the 101 tour.
more info: http://www.retrosound.de
Created in the wake of the Emulator sampler-synths, E-mu unleashed the Drumulator sample-based drum-machines. The Drumulator was E-mu’s attempt at creating a rhythm machine like the Linn LM-1 that was better and cheaper. What they made wound up becoming a huge hit for E-mu. The Drumulator had eight drum sounds on a ROM microchip which were gritty, lo-fi 12-bit samples of basic drum sounds…but they were some classic sounds! The Drumulator II added sampling so you could bring in your own sounds. Samples could be truncated, looped, etc.
The Drumulator was primarily a drum machine, however, and offered sequencing that could be accomplished in real-time for a live feel. Or it could be meticulously programmed via step entry and edit modes. Up to 36 sequenced patterns can be stored, chained and mixed to create up to 8 songs. Your sequences and sample data can be stored to floppy diskettes. The Drumulator can be connected to an old computer (like an Apple II) for better visual sequencing and editing too. The Drumulator II went on to become the even better SP-12 drum machine.
All you can eat vintage synths on this nice Sunday morning, featured gear listed below:
MOOG Minimoog / ARP Odyssey / KORG MS-20 / E-MU Modular System / MOOG System 55 / Sequential Circuits prophet-5 / Oberheim SEM / Oberheim OB-1 / RML ElectroComp 100 / Roland-SH-2 / KORG 800DV / EMS Synthi AKS / YAMAHA CS10
Don’t know what to get in terms of modular synths, then here’s a nice starter
David Baron goes through vintage analog modular synthesizers one by one. Moog Modular, EMS Putney, Emu Modular, Roland System 700, Arp 2500, Serge, Fenix, Roland 100m, Arp 2600. www.edisonmusiccorp.com