What is really the best music to listen to when working or studying? I know a lot of people who can sit with their headphones on listening to heavy pumping trance music or hard core rock music. For me this is impossible, I get totally un-concentrated and un-focused. First of all music at work has to be played in speakers (if OK by your fellow employees) so that the music will not be to intense right into your brain.
But the real problem is two folded; first the music you listen to has to be good enough to put you in a pleasant mode and hopefully excited about doing what you’re supposed to be doing (studying / working); secondly the music has to be bad enough not to have you listen more to the music than what you’re supposed to be doing – again work or study.
Lo-fi experimental electronic music is perfect for this and there are a couple of records that keep coming back to when studying AND the best thing is that they are both Japanese albums – having that great advantage that you do not understand all what they are singing about, and thus, you cannot sing along.
So please enjoy these two musician’s albums while working or studying, but make sure to listen to them in your speakers on a fairly low level and not in your headphones. Enjoy!
Yukihiro Takahashi (高橋幸宏 Takahashi Yukihiro, born June 6, 1952) is a Japanese musician, who is best known as the drummer and lead vocalist of the Yellow Magic Orchestra.Yukihiro Takahashi first came to prominence as the drummer of the Sadistic Mika Band, and became known to western audiences after this band (led by Kazuhiko Katoh, formerly of The Folk Crusaders) toured and recorded in the United Kingdom. After the Sadistic Mika Band disbanded, some of the members (including Takahashi) formed another band called The Sadistics, who released several albums. Finally Takahashi recorded his first solo album Saravah in 1977. In 1978, Takahashi joined Ryuichi Sakamoto and Haruomi Hosono to form the Yellow Magic Orchestra.
Takako Minekawa; as an accomplished all-around musician, Minekawa’s musical skills set her firmly outside of the J-Pop “idol” tradition: she writes and composes most of her material, singing quirky lyrics about subjects such as clouds, cats, and the color white (her personal favorite), with her love of Kraftwerk and French Pop Music also showing through her unique experimental sound. She often makes use of vintage Casio keyboards and analog Moog synthesizers, as well as vocoders and other electronic instruments.