The Prophet 6 is Dave Smith’s tribute to the poly synth Sequential Prophet-5. The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is ‘pure, unadulterated analog tone’, with the stability and reliability of a state-of-the-art modern synth.
Background video description:
Rate! Subscribe! Comment! (if you’re polite and cool). Sonic tour of the not-yet-released Dave Smith Instruments Prophet 6! This was sent to me to do some factory patches and I got the official Okay to create a video. So here it is – enjoy! This is one really SWEET sounding analog synthesizer.
Background video information:
Thanks to the wonderful folks at DSI, I got to spend some time with the new Prophet 6, coming out June 2015. Here’s some monophonic sounds I dialed in. You’re hearing just the Prophet 6, recorded direct, played live or using the built-in sequencer/arpeggiator.
I wanted to share my take on what the Prophet 6 can do. This thing is a blast to play and a breeze to create on.
To hear some sounds with more vintage influence, check out pal Matia from INHALT’s fantastic sound demo here:https://www.youtube.com/watch?v=9Q8Qg…
Keyboard magazine visits Dave Smith for an extended demo of the new all-discrete analog Prophet-6 synthesizer.
The Prophet-6 is Dave Smith’s tribute to the classic sequential polysynth, the Prophet 5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.”
The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is ‘pure, unadulterated analog tone’, with the stability and reliability of a state-of-the-art modern synth.
Details on the Prophet 6 are available at the DSI site.
Bill Mitsakos’ real-time touchscreen editor for the vintage Six-Trak synth. CORRECTION: Guy Taylor is formerly of Swithced-On music; now he has his own Bay Area modular webstore called I/O Music Technology: http://io-mt.com
The Sequential Circuits Six-Trak is a basic six-voice, 1 DCO/voice synthesizer. It is slow to create patches on, because it was designed to use just 1 shared knob for all patching, to keep costs down.
Mitsakos’ editor adds visual patch editing for the Six-Track, patch management and cloud patch backup.
Pricing and availability for the Six-Trak editor are to be announced.
Six-Voice Polyphonic Analogue Synthesizer
The Dave Smith Instruments Sequential Prophet 6 is expected to ship in May, priced at about $2,800. See the DSI site for more info.
Future Music have teamed up with Andertons Music for NAMM 2015. Here they check out the new Prophet-6 analogue polysynth from Dave Smith, back under his original Sequential brand name.
Video Producer & Presenter: Chris Barker
Video Editor and Videographer: Will Seelig
Arturia has not officially communicated this yet, but it seems like they’ve got a new iPad synth on the way, iProphet.
According to leaked information that is making the rounds, iProphet is a recreation of the classic Sequential Circuits Prophet VS. The iProphet uses Vector synthesis to create its sounds, which allows for timbrel modulation. The raw sound can then be processed through a multimode filter and output effects.
Official specifications, pricing and availability are to be announced.
One more demo of the recently released Prophet V for iPad
Professor is a Prophet 5 Sim from Alex Smith, the dev who brought us Grit, Interpol, Evil Machine and others.
Professor is a virtual analog polyphonic virtual analog synth inspired by the legendary sequential circuits prophetV!
The waveforms have been carefully shaped to sound a close as possible to the original resulting in a lovely polysynth
Yazoo’s Only You, recreated on the Sequential Circuits Pro One synthesizer., details below:
Some friends needed the backing track of this song for their wedding, so I took the opportunity to geek out with it. The original is well-known by synth nerds as having been produced by Vince Clarke using only a Sequential Circuits Pro-One monophonic analog synthesizer. So, since I have a Pro-One, and there are scans of an old music magazine article online which show the settings for some of the sounds Vince used on this track (https://www.flickr.com/photos/8478882…), I figured I’d have a go at re-creating it.
First I transcribed the music (sequenced with Cubase), using soft-synth sounds as temporary stand-ins for the Pro-One. Then I had to dial in all the Pro-One sounds one-by-one and record each part via a Kenton MIDI-CV interface. I found that all of the patches from the article needed adjusting to get them in the ballpark, plus I had to create the other sounds from scratch (I’ve credited each patch accordingly). Having done so, I’m not convinced that every single sound on the original is actually a Pro-One. The “Tinkle” sound, for instance, sounds more bell-like on the original, so it could possibly have been something like a PPG. I don’t think Vince had his Fairlight yet, otherwise I’d say it was that. Also, the string line toward the end of the song sounds like it might have been played on a polysynth, ie maybe the Jupiter 4 which Vince used alot at the time. Of course, there’s also the snare, which was an 808.
In any event, I think I got pretty close with my rendition. Of course the effects and mix are going to be different, and some of the sounds are closer than others, but whatever.
I had a limited amount of time to work on this, and am already hearing at least one minor omission and also some slight patch refinements I’d make, so if you want to give it a shot yourself, you can download the MIDI file and the patch sheets here (be sure to let me know if you make your own version, and give me a shout out if you post it online!): https://www.dropbox.com/s/lfn3vb1pxwq…
One tip: the cutoff of the “Wobble” sound varies a bit, getting slightly brighter during the chorus, etc. The only way to do this is manually while recording. I tried to use automation for this via the Pro-One’s filter CV input, but doing so cancels out the Keyboard Amount setting, which is crucial for this sound, so I simply adjusted the knob in real-time.
If you liked this re-creation, check out my other videos for four “Speak & Spell” tracks that I re-created using only a Yamaha CS01-II synth.
Thanks to FrankPerri.com for the blank patch sheets!