Six-Voice Polyphonic Analogue Synthesizer
The Dave Smith Instruments Sequential Prophet 6 is expected to ship in May, priced at about $2,800. See the DSI site for more info.
Future Music have teamed up with Andertons Music for NAMM 2015. Here they check out the new Prophet-6 analogue polysynth from Dave Smith, back under his original Sequential brand name.
Video Producer & Presenter: Chris Barker
Video Editor and Videographer: Will Seelig
Arturia has not officially communicated this yet, but it seems like they’ve got a new iPad synth on the way, iProphet.
According to leaked information that is making the rounds, iProphet is a recreation of the classic Sequential Circuits Prophet VS. The iProphet uses Vector synthesis to create its sounds, which allows for timbrel modulation. The raw sound can then be processed through a multimode filter and output effects.
Official specifications, pricing and availability are to be announced.
One more demo of the recently released Prophet V for iPad
Professor is a Prophet 5 Sim from Alex Smith, the dev who brought us Grit, Interpol, Evil Machine and others.
Professor is a virtual analog polyphonic virtual analog synth inspired by the legendary sequential circuits prophetV!
The waveforms have been carefully shaped to sound a close as possible to the original resulting in a lovely polysynth
Yazoo’s Only You, recreated on the Sequential Circuits Pro One synthesizer., details below:
Some friends needed the backing track of this song for their wedding, so I took the opportunity to geek out with it. The original is well-known by synth nerds as having been produced by Vince Clarke using only a Sequential Circuits Pro-One monophonic analog synthesizer. So, since I have a Pro-One, and there are scans of an old music magazine article online which show the settings for some of the sounds Vince used on this track (https://www.flickr.com/photos/8478882…), I figured I’d have a go at re-creating it.
First I transcribed the music (sequenced with Cubase), using soft-synth sounds as temporary stand-ins for the Pro-One. Then I had to dial in all the Pro-One sounds one-by-one and record each part via a Kenton MIDI-CV interface. I found that all of the patches from the article needed adjusting to get them in the ballpark, plus I had to create the other sounds from scratch (I’ve credited each patch accordingly). Having done so, I’m not convinced that every single sound on the original is actually a Pro-One. The “Tinkle” sound, for instance, sounds more bell-like on the original, so it could possibly have been something like a PPG. I don’t think Vince had his Fairlight yet, otherwise I’d say it was that. Also, the string line toward the end of the song sounds like it might have been played on a polysynth, ie maybe the Jupiter 4 which Vince used alot at the time. Of course, there’s also the snare, which was an 808.
In any event, I think I got pretty close with my rendition. Of course the effects and mix are going to be different, and some of the sounds are closer than others, but whatever.
I had a limited amount of time to work on this, and am already hearing at least one minor omission and also some slight patch refinements I’d make, so if you want to give it a shot yourself, you can download the MIDI file and the patch sheets here (be sure to let me know if you make your own version, and give me a shout out if you post it online!): https://www.dropbox.com/s/lfn3vb1pxwq…
One tip: the cutoff of the “Wobble” sound varies a bit, getting slightly brighter during the chorus, etc. The only way to do this is manually while recording. I tried to use automation for this via the Pro-One’s filter CV input, but doing so cancels out the Keyboard Amount setting, which is crucial for this sound, so I simply adjusted the knob in real-time.
If you liked this re-creation, check out my other videos for four “Speak & Spell” tracks that I re-created using only a Yamaha CS01-II synth.
Thanks to FrankPerri.com for the blank patch sheets!
Vintage synthesizer demo track featuring the Pro-One
all sounds: SCI Pro-One Analog Synthesizer (1981)
drums: LinnDrum (1982)
recording: multi-track without Midi
The Sequential Pro One is a wicked little monosynth! It comes from the same period and genre as the Roland SH-101 and Moog Prodigy. The Pro One was basically Sequential’s attempt at taking their legendary Prophet 5 poly-synth and packing it into a compact, inexpensive, monophonic analog synth! It has two VCOs, a great 4-pole lowpass filter, two ADSR envelopes (one for filter), and a compact three-octave keyboard. With a Pro-One, you can easily create punchy analog bass-lines and leads or quirky analog synth effects.
The Pro One is an extremely flexible synth with lots of modulation possibilities (ie: the filter, VCO B and LFO can modulate VCO A or B frequencies or pulse widths, or the VCF). There’s also an onboard sequencer, something common on many Sequential synths but not often found on other monosynths of the time. It is very basic, however, storing only two patterns and up to 40 notes max. Also, only pitch info is recorded (and in step time only); you can not assign a note duration to any notes. So it’s basically a short melodic sketch-pad…but useful. Also onboard is an arpeggiator which has UP and UP/DOWN patterns.
The Sequential Circuits Prophet VS digital/analog hybrid synthesizer from 1986. This track is only using Prophet VS sounds. www.firechild.se
Vintage synthesizer demo track by RetroSound
“Wave 75″ is the famous VS choir.
all synth sounds: Sequential Circuits Prophet VS Vector Synthesizer (1986)
drums: Roland TR-808 (1982)
recording: multi-tracking without midi
fx: reverb and delay
Youtube alias ‘AnalogAudio1′, takes a look at the vintage Sequential Circuits Six-Trak analog synthesizer, details below:
Synthesizer demo of the analog synthesizer SCI Six-Trak from 1984. It was the first multitimbral MIDI synth on the market (it came before Oberheim Xpander). The Six-Trak has that typical SCI and DSI hardware design – great, classic look with massive wooden end cheeks.
In this movie I play some of my own sounds – on some sounds I used a digital delay (Roland DEP-5) and reverb (Lexicon MPX-500). In the intro I used the sequencer of the Six-Trak.
The Six-Trak has 1 VCO per voice (6 voice polyphonic). It also has PWM, 3 ADSRs, 24 dB VCF, noise generator, LFO with different waveforms. It has a sort of “slimmed down polymodulation”: VCF modulation by VCO for dirty and metallic timbres. Unison mode for fat, monophonic sounds. Great “stack mode” allows layering of six different patches. The Six-Trak also has a little 6 track sequencer and an arpeggiator built in.
I like the Six-Trak very much. I would wish it had multiple outputs and a chorus effect.