Ableton has announced that Live 9.2 is now available for beta testing.
Ableton Live 9.2 is a free update brings a number of significant improvements and additions to both Live and Push. It is available now for download as a public beta version.
Here’s what’s new in Live 9.2:
Live 9.2 introduces several refinements to Live’s audio warping engine. The Complex and Complex Pro modes now feature punchier transients, even at extreme settings. We’ve also improved Auto-Warp and downbeat detection to better recognize when audio has a fixed tempo (as is often the case with electronic music) and warp it accurately.
Live 9.2 also introduces a number of latency-related improvements. Sets that contain Max for Live devices or third-party plug-ins now have lower latency. And automation is now fully latency compensated.
Along with further under-the-hood improvements, Live 9.2 also comes with a new Tuner device – sure to come in handy for guitarists or anyone else who uses hardware instruments.
64 pads for Push users
For users of Push, the Live 9.2 update introduces the ability to use all 64 pads to play drums and quickly flip back to 16 pads for step sequencing.
Further Push refinements
The Live 9.2 update also brings improved aftertouch implementation to Push’s pads and the addition of aftertouch to many of Live’s core library sounds. In addition, Push’s touchstrip can now be used for modulation wheel control as well for pitch bend.
Director: Chris Goulder
Director of Photography: Chris Nunn
Editor: Chris Goulder and Tom Ayres
Focus Puller: Felix Schmilinsky
Lighting Effects: James Peachey
Hair: Katrin Rees
Make-up: Charlotte Cowen
The Korg MS-20 mini is an analog synth, the reincarnation of the classic MS-20. The iMS-20 is the iPad version of the same machine.
If you just try to use the same settings on both, the first thought will be “The iMS-20 simply can’t sound like the real thing”. But in fact, they have different behavior for the same settings on the filter and envelope modules. Don’t expect to make the same sounds using the same settings on both!
With some work and listening carefully you can make the iPad app to sound much closer than before.
Here is another example, now using the filter with resonance and a big release time.
Patch images for MS-20 mini and iMS-20 for iPad: https://dl.dropboxusercontent.com/u/1…
The KeyLab 88 is a professional-grade 88-note MIDI keyboard controller designed with the working musician in mind. Featuring a new hammer-action keybed from Fatar and deep integration with our award winning Analog Lab software, the KeyLab 88 is unique with its robust, solid metal construction and classic wooden side panels.
More info: http://www.arturia.com/products/hybri…
KeyLab 88, the largest in the KeyLab series, comes with Arturia’s Analog Lab, a software synthesizer solution with over 6,000 presets derived from Arturia’s range of Analog Classics. These include the TAE (True Analog Emulation) synthesis-powered Mini V (Minimoog monosynth emulation), Wurlitzer V (virtually bringing back to life the well-known ‘Wurly’ electric piano), among others.
The first 3,000 units shipped come with two virtual instruments: Grand Piano Model D from fellow French developer UVI, and Pianoteq 5 Stage, a physical modelling-based virtual instrument that provides acoustic and electric piano recreations as well as chromatic instruments.
The keyboard also acts as a controller which is compatible with any third-party software or hardware. Customizable MIDI assignments are accessible via the LED screen or the included MIDI Control Center software.
KeyLab 88 also sports a music stand, and a rubberized, attachable shelf extension to create a work surface for holding a laptop, tablet, or another small synth.
Stay True Poland Episode Summary
Our next stop on the global Stay True Journey with Ballantine’s Scotch Whisky took us to Warsaw, Poland. We dug deep in the local phonographic archives of the 60s, 70s and 80s to find out the roots of Polish electronic music – the architects of its sound, the landmark records and their influence on present-day, younger generations.
A short film directed by Marcin Filipek who also directed the feature, traces how the existence of the Iron Curtain influenced the sound of Polish electronic pioneers and is this outsider view still apparent to the modern scene which is currently flourishing and getting more and more recognition around the world.
Hearts of Black Science Official Video for Wolves at the Border featuring Heike Langhans, vocalist from Draconian.
©2015 HoBS & CaveSound Production
acrylic, conductive paint, colored pencil, nails, MaKey MaKey electronics, wood panel
Touch the painting to release its music. Slide your finger across it to play melodies, play chords with your palm, improvise a duet. We’ve combined traditional painting techniques with conductive paint and capacitive touch sensing. The result is a new form of visual music, combining composition and instrument into a playable score.
This project is a collaboration with Eric Rosenbaum.
“For everyone who asked how this was done, I finally put together an Instructable about it: instructables.com/id/Touch-Sensitive-Musical-Painting/. Enjoy!”
What’s the one thing you want most when you’re starting on a project?
Whether you’re creating a sound universe for a new game or film, performing live in front thousands of eager ears, or alone in your studio creating the future of music, what’s the one thing you want most when you’re first getting started on a project? Inspiration!
Every aspect of Symbolic Sound’s new software release — Kyma 7 — has been designed with inspiration in mind. In the new Multigrid, you can explore combinations of sources and effects with no interruption in the audio signal; in the Wave Editor Gallery, a single click automatically generates massive numbers of patches all based on your original sample; the new Parameter Assistant, Capytalk Reference, Inspiration tool, and web-based Questions and Answers make it easy to get up to speed quickly and get your questions answered when you need it. Derive even more inspiration from the Kyma Community Sound Library accessible from the Help menu in Kyma 7.
‘There’s nothing quite as daunting as a blank screen or silent speakers,’ according to composer and Kyma co-developer Carla Scaletti, referring to the sound designer’s equivalent to writer’s block, ‘but once you have a starting point, it’s easier for inspiration to kick in. That’s when it starts to get fun, when you can start tweaking and refining! What we do in Kyma 7 is automatic-patch-generation based on the sound designer’s original files in order to create a vast number of starting points or springboards. We don’t do the sound design or composing for you; we just provide some initial material to help kick things off. Because we know that once you get that initial inspiration, you’ll be off and running and nothing will be able to lure you out of the studio.’
Response from beta testers has been enthusiastic: “I’m beginning to realize how mindbogglingly awesome this new upgrade is. It’s an order of magnitude more advanced and effective than Kyma X,” according to Barton McLean, composer/performer with The McLean Mix.
Inspiration for sound design
Wave Editor Gallery — A single click yields vast quantities of audio assets! Kyma automatically creates hundreds of signal flow graphs — with the controller you want and with all the parameter controls set up so you can start tweaking immediately.
Wave Editor Multigrid — Use the MultiGrid to explore limitless combinations of sources and effects. When you hear something you like, click the signal flow icon and Kyma extracts the current path through the MultiGrid as a fully formed Kyma Sound—it even preserves the presets! Now that you’ve got a starting point, it’s way easier for inspiration to kick in.
Wave Editor — In the new Wave Editor, you can edit multichannel files using the automatic splice-finder or generate your own wavetable for the new AntialiasedOscillator. Click the Gallery button to generate a myriad of ready-to-play keyboard instruments based on your custom waveform.
Sons du jour — Ready to start each day with a little inspiration? Every morning, Kyma selects some Sounds just for you and places them in the Sons du jour folder of the Sound Browser. So you can start each session with some fresh new Sounds!
Roll the dice in the Sound Browser — Kyma generates so many possibilities that the sheer quantity of choices can seem overwhelming at times, but don’t worry. Now you can roll the dice in the Sound Browser (as well as in the Virtual Control Surface) to hear what fate and a pseudorandom number generator will pick out just for you!
Sound search in the Browser — Looking for something in particular? In Kyma 7, you can search for Sounds and files by name, by algorithm, by controller type, by a parameter name, by star-rating, even by the contents of a parameter field.
New to Kyma 7? — Let the friendly inspiration tool brief you on the highlights and lead you to tutorial videos and PDF documentation.
Kyma 7 Video Tutorials—If a picture is worth a thousand words, then a video must be worth at least a million pictures—especially when it comes to working with an interactive graphical interface. The new Kyma 7 tutorials are inspirational and instructive.
Inspiration on stage — Interactive, responsive, and live
With the new Multigrid you can switch instantly between sources, effects, and combinations with no interruption in the audio signal. Perform live, inspired in the moment, with infinite combinatorial possibilities.
In the Kyma 7 Timeline you can slow down or stop the progression of time to synchronize with other performers. If you’re working to picture, you can link a QuickTime video to the Timeline and, whenever you receive an edited video, you can insert or delete time; the Timeline will automatically shift all affected Sounds and control functions left or right to accommodate the change.
Kyma 7 minimizes interruptions so you can stay in the flow
Speedups — Sounds and Timelines compile faster in Kyma 7 — some by as much as 1000 times faster! That couldn’t hurt.
X-ray vision — Curious about what’s inside a Sound? Just hover over the name or icon to take peek inside without interrupting the flow.
New Oscilloscope & Spectrum Analyzers — For listening with your eyes, there’s a new Oscilloscope or Spectrum Analyzer that you can switch on at any time, even while a Sound is already playing.
Questions and Answers — Stymied by a question? Go to the Help menu and pose a question…or discover the most up-voted answer to the questions posed by others.
Organize your signal flow graphs — Use the merge and split functions to keep your signal flows clean, logical and easy to read.
Parameters sidebar — New side-bar parameter fields are more uniform and easier to organize; open a parameter field to show more detail and hide it when you’re finished. And if you don’t like the ordering of the parameters, you can rearrange them.
Parameter Assistant — When you need inspiration for what to put into a parameter field, the Parameter Assistant searches the Sound Library and finds all the values ever used for that particular parameter in that type of Sound and shows you the most commonly used values at the top of the list. All you have to do is drag and drop.
Hover help — Hover over any element of a Capytalk expression for a hint as to its function.
Capytalk parameter language help — Or dive deeper by opening the Capytalk reference where you can search by typing part of a message or browse the messages by category. Not only does the Capytalk Reference provide a full description, it also provides examples that you can copy and paste into parameter fields and Sound examples so you can see the message used in context.
Embedded Virtual Control Surfaces — When you combine Sounds in a Timeline or MultiGrid in Kyma 7, each Virtual Control Surface layout is preserved in its own embedded layout. Quickly navigate down into embedded layouts and pop back out again.
An inspiring community
Kyma tends to attract independent-minded, creative, dedicated individuals with wide-ranging interests; Kyma 7 makes it easy to tap into their collective expertise for even more inspiration.
Share — Sharing your results with a community of like-minded individuals is both satisfying and inspiring. Just select Share from the File menu to contribute your Sound to the community Sound library in the cloud.
Community Sound Library — Looking for some fresh ideas? Check out one of the Sounds uploaded by your fellow Kyma users.
Educational opportunities — Find yourself a 5-star Kyma coach or consultant from among the list of private tutors, discover where you can sign up for a course at a degree-granting institution, find a book about Kyma or discover an Artist’s Pack full of inspiring new Sounds, waveforms, Multigrids and beautifully-crafted Virtual Control Surfaces.
Third-party support links — Discover some of the third-party software written by Kyma users to facilitate Kyma interactions, like Delora Software’s connectivity solutions or Camille Troillard’s OSCulator.
KISS — And don’t forget the yearly conclave of Kyma adepts; this year the Kyma International Sound Symposium will meet in Bozeman Montana (the city of First Contact) on the theme Picturing Sound.
Symbolic Sound Paca or Pacarana
Mac OS 10.5 or newer or
Windows 8.1, 8, 7 (SP1), Vista (SP2), XP (SP3)
Storage: ~1.7 GB
Memory: 1 GB or larger is recommended
Internet access is required
Kyma 7 is available today. The price is USD 249 and there is a discount for Symbolic Sound customers who upgrade a registered copy of Kyma X.
More detailed information, screen shots, and videos are available on the Symbolic Sound web site: symbolicsound.com“
Daniel Fisher fires up the awesome Moog System 55 modular synth in this exclusive preview.
The Synthino XM is completely new polyphonic synthesizer with unique features running on a powerful hardware platform. It is compact, well-constructed, open source, and absolutely beautiful. Most importantly, it is really fun to play whether you are a musician or you just want to make some noise.
Synthino XM is a polyphonic, multitimbral synthesizer with many features:
- 5-note polyphony for superb playability
- 12 waveforms, 4 drum samples
- 12-bit audio at 25KHz output rate
- 4 MIDI channels, each with separate waveform and ADSR envelope
- low pass filter with cutoff frequency and resonance controls
- 2 independent low frequency oscillators (LFOs): pitch and filter
- selectable waveform for LFOs
- 1V p-p audio output voltage with enough current to drive headphones
- arpeggiator mode, up to 16 notes
- 4 arpeggiator patterns: up, down, up-down, random
- 4 built-in arpeggiator chords or use MIDI to specify up to 16 notes
- arpeggiator pitch transposition control
- tempo control with MIDI clock input
- 16-step live performance “groovebox” sequencer
- pitch fine-tuning adjustment
- programmable/upgradable over USB