MIDI – what it is and how it can be used for arranging

September 27, 2010 · Posted in Uncategorized · Comments Off on MIDI – what it is and how it can be used for arranging 

This presentation, via Leodorain, takes a basic look at the power of MIDI – what it is and how it can be used for arranging.

This MIDI tutorial covers:

  • What is MIDI?
  • Getting a MIDI file
  • Importing MIDI
  • Replacing channels with samplers
  • Changing the color of notes
  • (Strings) Notes out of register
  • Articulation markers
  • Velocity

The information is basic, focusing on an introduction to arranging with MIDI.

http://www.youtube.com/watch?v=KAZDfeBojP0

Plugins:

Symphonic Orchestra (Sampler): http://www.soundsonline.com/products/…

Hollywood Strings (Sampler) is better for stringed instruments than symphonic orchestra (so I’ve heard): http://www.soundsonline.com/product.p…

Nexus 2 (Synthesizer): http://refx.com/?page=products/nexus/…

I’m using Nexus for the piano parts. If you want a more professional piano sound, I suggest using Quantum Leap Pianos (Sampler): http://www.soundsonline.com/products/…

EZDrummer (Sampler): http://www.toontrack.com/products.asp…

Guitar Rig (FX): http://www.native-instruments.com/#/e…

I’m using Nexus 2 for the guitar along with guitar rig (which is a bit amateurish) If you want a more professional sounding guitar, I suggest getting Ministry of Rock (Sampler): http://www.soundsonline.com/products/…

Disclaimer: I do not own the rights to the MIDI’s in the video. I am NOT RESPONSIBLE for viewers downloading, copying, distributing, or altering other people’s works. Download MIDI files AT YOUR OWN RISK!!!

This was non-profit and used for educational purposes. Hopefully copyright owners will cut me some slack if they see this video. :/

The “best of” Pet Shop Boys soon in your stores

September 27, 2010 · Posted in Uncategorized · 2 Comments 

One can always debate the term “best of” :-)

Pet Shop Boys are to release a 19-song best-of titled “Ultimate Pet Shop Boys”. The best-of will also be available as a special edition with a bonus DVD of vintage BBC live performances. The new release will be preceded by the newly recorded single “Together”. The new song, Together, was written and recorded this month with Tim Powell (ex-member of the Xenomania production team which wrote tracks for Cher, Kylie Minogue, Dannii Minogue, Pet Shop Boys, and Sugababes). The track will be issued as a single, but no release date has been announced.

The DVD in the special edition will hold 27 live performances taken from various BBC programs including of course “Top of the Pops”. The DVD will furthermore also include the Pet Shop Boys’ full performance opf their last June set at the Glastonbury festival.

Tracklist:

    CD:
    01. West End Girls
    02. Suburbia
    03. It’s a Sin
    04. What Have I Done to Deserve This?
    05. Always On My Mind
    06. Heart
    07. Domino Dancing
    08. Left To My Own Devices
    09. Being Boring
    10. Where the Streets Have No Name (I Can’t Take My Eyes Off You)
    11. Go West
    12. Before
    13. Se a Vida e (That’s the Way Life Is)
    14. New York City Boy
    15. Home and Dry
    16. Miracles
    17. I’m With Stupid
    18. Love Etc.
    19. Together

    DVD:
    01. West End Girls (Top Of The Pops, 12/15/85)
    02. Love Comes Quickly (Top Of The Pops, 3/20/86)
    03. Opportunities (Let’s Make Lots of Money) (Whistle Test, 4/29/86)
    04. Suburbia (Top Of The Pops, 10/2/86)
    05. It’s a Sin (Top Of The Pops, 6/25/87)
    06. Rent (Top Of The Pops, 10/22/87)
    07. Always On My Mind (Top Of The Pops, 12/10/87)
    08. What Have I Done to Deserve This? (Brits Awards, 2/8/88)
    09. Heart (Wogan, 3/30/88)
    10. Domino Dancing (Top Of The Pops, 9/22/88)
    11. Left To My Own Devices (Top Of The Pops, 12/1/88)
    12. So Hard (Wogan, 9/28/90)
    13. Being Boring (Top Of The Pops, 11/29/90)
    14. Can You Forgive Her? (Top Of The Pops, 6/10/93)
    15. Liberation (Top Of The Pops, 4/7/94)
    16. Paninaro ’95? (Top Of The Pops, 8/3/95)
    17. Se a Vida e (Top Of The Pops 2, (12/2/03)
    18. A Red Letter Day (Top Of The Pops, 3/28/97)
    19. Somewhere (Top Of The Pops, 7/4/97)
    20. I Don’t Know What You Want But I Can’t Give It Any More (Top Of The Pops, 7/30/99)
    21. New York City Boy (Top Of The Pops, 10/8/99)
    22. You Only Tell Me You Love Me When You’re Drunk (Top Of The Pops, 1/14/00)
    23. Home and Dry (Top Of The Pops, 3/29/02)
    24. I Get Along (Top Of The Pops 2, 4/17/02)
    25. Miracles (Top Of The Pops, 11/14/03)
    26. Flamboyant (Top Of The Pops, 3/19/04)
    27. I’m With Stupid (Top Of The Pops, 4/23/06)

New single from Celluloide – “Coeur 8-bit”

September 27, 2010 · Posted in Uncategorized · Comments Off on New single from Celluloide – “Coeur 8-bit” 

‘Coeur 8-bit’, the first digital single of the upcoming album ‘Hexagonal’ will feature remixes by Page, The Rorschach Garden, and Said Fantasy (new project of Joy Electric’s Ronnie Martin) and second track “Faire Du Bruit” remixed by Foretaste.

The Nlog for iPad has arrived

September 26, 2010 · Posted in Uncategorized · Comments Off on The Nlog for iPad has arrived 

Tempo Rubato has announced Nlog MIDI Synth (App Store link) – a new iPad synth that they describe as a “professional virtual analogue synth”.

NLog MIDI Synth is based on the company’s NLOg synth, but adds hardware MIDI support, via the Line 6 MIDI Mobilizer. Tempo Rubato says that other interfaces, like Akai’s Synthstation, will be supported in future updates. The app is also usable without MIDI interface with an on-screen keyboard, as shown above.

NLog MIDI Synthesizer includes full hardware MIDI implementation for note on/off including velocity control, pitch bend, sustain pedal, modulation wheel and assignable MIDI controller.

NLog MIDI Synth turns an iPhone, iPad or iPod touch into a hardware synth for $8.99, which is a very interesting development. We’re expecting MIDI support to become a de facto requirement for iOS synths in the next few months.

Here’s what Tempo Rubato has to say about NLog MIDI Synth’s features:

ENDLESS options for SOUND EDITING

  • Over one hundred parameters and options
  • More than your beloved hardware synths might offer
  • Store up to 96 own edits in 3 user banks
  • Exchange sounds with your friends by email

STUDIO QUALITY sounds

  • Professional 44.1 kHz Stereo CD quality
  • Internal 32bit floating point engine
  • Highly efficient sound algorithms
  • Enabling maximum CPU performance of your iPhone / iPod devices

STAGE safe KEYBOARD implementation

  • Fully customizable keyboard to your personal style
  • Keeps all settings automatically in your preferences
  • Famous SLIDING keyboard and LOCK options
  • Double manual option: two independent keyboards on screen
  • POLY, MONO & LEGATO modes
  • Optional velocity control
  • Four different key sizes
  • Full range of 6 1/2 octaves

Fully customizable EXPRESSION CONTROL

  • Realistic PITCH BEND and MOD WHEEL implementation
  • X/Y two dimensional controller
  • Four fully customizable PERFORMANCE knobs
  • Keyboard with VERTICAL modulation control

Incredible FAT & RICH:

  • New filter implementation for SMOOTH and JUICY control with 7 FILTER types
  • Incredible UNISONO mode for up to 4 parallel sounds with detune, delay and panning control

Sound Editing Features:

  • 2 Oscilators with 20 waveforms:
    • classic analouge SIN, SAWTOOTH, TRIANLGE and SQUARE
    • and 16 additional carefully designed wavetables
  • True PWM pulsewidth modulation
  • Modulated by LFO or envelope
  • Frequency modulation
    • Sinusoidal and complex waveforms
    • Modulation by LFO and envelope
  • Ring modulation
  • Noise generator
  • 7 filter types
    • Low Passes, High Passes & Band Passes
    • Finest sweeps and smoothest cutoff tuning
    • Carefully resonating
    • 12 & 24dB option for steepness
  • 3 Envelope generators
    • Classic Attack, Decay, Sustain and Release
    • Velocity controlled attack time
  • 2 Modulation LFOs
    • 4 waveforms
    • Sample & hold
    • Fade in delay
  • Rich set of modulation parameter
    • Organized into 3 modulation pages
    • Exclusive modulation envelope
  • Multi-effect section
    • Stereo delay with cross-feed and damping filter
    • chorus
    • distortion

Getting creative with the Bliptronome

September 26, 2010 · Posted in Uncategorized · Comments Off on Getting creative with the Bliptronome 

Nice work on the Bliptronome

For this creative thing I spent the evening with my buddy Jeff getting his computer set up to use the Bliptronome I assembled for him.

At the end of the evening we were messing around with some loops he had made in Reason with MLR.

Very disappointed with the reaction time of the Bliptronome. We could not get reliable 16th notes out of it. The fastest we could play consistently was 8th notes.

This is a short compilation of Jeff’s Jam with his new loops.

This was my creative thing of the day for my creative thing a day blog at: theb-roll.com

Weekend fun: footage of goldie and heist in the studio

September 26, 2010 · Posted in Uncategorized · Comments Off on Weekend fun: footage of goldie and heist in the studio 

Lack of a proper Pro 12 demo

September 26, 2010 · Posted in Uncategorized · Comments Off on Lack of a proper Pro 12 demo 

An analog versus a digital voice test of the Sequential Prophet 5 (rev 3) synthesizer (1978):
– L channel = Sequential Pro One synth (1981)
– R channel = Creamware Pro 12 synth module (2006), in single voice mode

http://www.youtube.com/watch?v=Whcusq322y4&feature=player_embedded

Mostly focusing on basic sonic quality, not features. Envelopes and filter levels were matched to eachother by ear (the number settings differ). Pro 12 was played with EMU Xboard 61. No added fx or EQ. Both were recorded through the same mixer and soundcard.

There’s quite a lack of proper Pro 12 demos on internet, hence I made this one for others deciding about it… A HQ mp3 of the test can be found at: www.harlemnightsmusic.com/PRO_ONE_VS_PRO­_12.mp3

To my ears, the Pro 12 held up surprisingly well in this test against a famous analog bass synth. Main sonic differences were in the filter and pulse width range. I would say the basic sound

In a polyphony test, against a real Prophet 5, this difference may be larger, as the oscillators will be summed. But if you play the Pro 12 in two voice unison with a slight detuning, you still got six phat voices and won’t be far off :-)

Having a Moog in mind

September 26, 2010 · Posted in Uncategorized · Comments Off on Having a Moog in mind 

This set of videos captures some mind-controlled Moog music by Robert Schneider (The Apples in stereo) for two Moog MG-1 synthesizers, with two Teletron mind-control interfaces.

Score by Robert Schneider (The Apples in stereo). Performed by Robert Beatty (Hair Police) and Robert Schneider, September 20, 2010, at LVL1 Hackerspace (Louisville, Kentucky), using two Moog MG-1 synthesizers with two Teletron mind-control interfaces. Conducted by LVL1 president Chris Cprek.

Brief Q & A post-performance of the Teletron device.

http://www.lvl1.org/

Video shot by LVL1 member Richard Strothman

Nice demo of the Xenon groovebox

September 26, 2010 · Posted in Uncategorized · Comments Off on Nice demo of the Xenon groovebox 

First demo that I did with the awesome Xenon groovebox on my iPad. I especially love how the synths sound in this one, they’re surprisingly good! Highly recommend this app (it also runs on iPod touch and iPhone).

Lego stop-frame animation

September 26, 2010 · Posted in Uncategorized · Comments Off on Lego stop-frame animation 

This music video combines the Lego stop-frame animation of Parker W Young with BT’s Nocturne de Lumière, from These Hopeful Machines,

via parkerwyoung:

“Le Nocturne de Lumière” [mixed with “Suddenly”]
BT [Brian Transeau]
These Hopeful Machines, 2010
Directed by: Parker W Young

http://www.btmusic.com/

http://www.facebook.com/bt

Over 2,700 images were shot over the course of 3 weeks (some were also reused) and compiled in Final Cut Pro 7 and After Effects CS4. In less than 2 weeks the images went from memory cards to final video output, making it the fastest edit I’ve ever done.

In that two weeks, all the compositing with holographic characters, additional motion graphics, camera movements, audio adjustments, color correction, titles and other effects were added to the original image line.

Everything you see on the screen was shot through a Canon D50, including the holograms.Elements were not added to the original images, only rearranged. Many-a-night’s sleep was lost during the process, but it was ultimately worth it.:)

« Previous PageNext Page »

  • THE CAVE : Playlist

  • INSTAGRAM – ANALOG INDUSTRIAL ARTS

    No images found!
    Try some other hashtag or username
Get Adobe Flash player