Experimental: CubeSequencer (Rubik’s Cube)
THE RUBIK’S CUBE SEQUENCER. CAMERA + LIGHT MOUNTED OVER A GAME BOARD, COLOR RECOGNIZING ALGORITHM
PLAYS SOUNDS IN A CHROME WEB SEQUENCER, HORIZONTAL = 16 BEAT LOOP, VERTICAL = LOW PITCH – HIGH PITCH
OR DIFFERENT DRUM SOUNDS, 16 CUBES ( 4X4X4) WITH DIFFERENT COLORS, EACH COLOR REPRESENTING A MUSICAL INSTRUMENT: WHITE IS DRUMS, GREEN IS BASS
ORANGE IS PERCUSSION, RED IS SYNTH 1, YELLOW IS SYNTH 2, BLUE IS SYNTH 3
. IN ORDER TO COMPOSE: PLACE THE RIGHT CUBE IN THE RIGHT BOX, TWIST THE CUBE TO GET THE DESIRED COMBINATION, CHANGING ONE INSTRUMENT
EFFECT OTHER INSTRUMENTS. COMPOSING MUSIC BECOMES A PUZZLE, A VERY DIFFICULT PUZZLE. BUT WHAT IS THE DIFFERENCE BETWEEN PLAYING A GAME AND PLAYING MUSIC? AND WHO IS THE WINNER?
THE RUBIK’S CUBE SEQUENCER
CONCEPT AND SOUND DESIGN BY HÅKAN LIDBO, PROGRAMMING & VISUAL DESIGN BY PER-OLOV JERNBERG, GAME BOARD BY ROMEO BRAHASTEANU
MARTIN DUPONT: Just because remix 1985
Extrait de LOST AND LATE
Das Kabinette – The Cabinet
The Cabinet is available on the compilation Minimal Wave Tapes Volume 1
http://www.stonesthrow.com/product/sh…
images from a 16mm print of The Cabinet of Dr Caligari by Robert Wiene
more music by Das Kabinette here: http://www.myspace.com/daskabinette
original (beautifully lo fi) video here: http://www.youtube.com/watch?v=GJqCrG…
Kas Product – Never Come Back
Nancy (East of France) – 1982
Extrait du DVD “RVB-Transfert” http://www.optical-sound.com/releases…
Modular Synth Basics: Waveforms
Background video description:
I fired up my oscilloscope to show you some of the basic waveforms you will find in Eurorack VCOs. Let’s see what happens to them, when filtered, mixed, bit-crushed, etc.
Minute Of Arc | Entropía
Polyrhythmic sequences modulated by sequenced arpeggios with transposes at random intervals.
Elektron Octatrack controls the Jomox Xbase999 and Korg MS2000 via MIDI and clocks the Elektron Analog Four. Slight reverb from the T-rex Room-mate over the Xbase’s signal.
ELEKTRONIKA EM-25 (soviet) Stringsynthesizer Demo
XXL Demo from the fantastic soviet Vintage analogue Stringsynthi,
made in the USSR in the Year 1987.
Elektronika Sounds pure and with external Effects.
Yaybahar meets Elektrons
Elektron: http://www.elektron.se
Yaybahar: http://yaybahar.com/
The acoustic instrument Yaybahar was recorded using two separate mics. During the session, the Elektron setup was monitored with headphones for best possible audio recording of the Yaybahar. The Octatrack sends MIDI clock and program change messages to Analog Rytm and Analog keys. It is also used as a mixer as Rytm and Keys outputs are fed into the Octatrack stereo inputs.
Björk – Lionsong (Official Video)
björk: lionsong taken from the new album vulnicura
Amazon Limited: http://smarturl.it/VulnicuraAmazonCD
Amazon Vinyl: http://smarturl.it/VulnicuraAmazonVinyl
iTunes: http://smarturl.it/Vulnicura_iTunes
the video was created in collaboration between björk, inez & vinoodh and visual effects production house framestore. framestore created two main effects in the stars and the glowing embers that surround björk, as well as enhancing the video’s other-worldliness by extending her legs to unnatural proportions. the exquisite coloring for the piece was done by tim masick of company 3, turning her into the exotic, red-toothed, bronze dancer.
video credits:
directed by: inez and vinoodh
lighting director: jodokus driessen
edited by: otto arsenault
executive producer: thecollectiveshift
stylist: mel ottenberg
hair: christiaan
make up: dick page
movement director: stephen galloway
producer: stephanie bargas / thecollectiveshift
producer: jeff lepine / vlmstudio
producer: jon barlow / vlmstudio
digital technician: brian anderson / vlmstudio
studio manager: marc kroop / vlmstudio
color by: tim masick / company3
vfx by: framestore
titles by: m/m (paris)
copyright 2015 vlmstudio / wellhart / one little indian
click here to subscribe to the official björk channel: http://bit.ly/subscribetobjork
ARP Odyssey: Taking a look at the oscillators
Demonstration of the sound and functionality of an ARP Odyssey II synthesizer from the 1970s, concluding the look at the oscillators by examining some of the aspects of the synth’s duophonic capabilities.
The Odyssey is recorded direct with no pre- or post-processing.
DATAMASKIN
