For more information see:
The Morpheum is a VCA / morphing ring modulator, details below:
Use it as a standard voltage-controlled amplifier. Run your audio into the Audio In, hook your envelope generator (mod wheel, pressure controller, whatever) to the Master CV In, and Morpheum does what any standard VCA does.
Want to test out your signal without having to have a CV present or let a little bleed through all the time? Turn up the Drone Level control to manually increase the gain of the amplifier.
The real fun comes when you add a modulation signal into the Mod Input. As you turn the Mod Amount knob, Morpheum transforms the modulation from none, through amplitude modulation and on to ring modulation. What makes this module truly unique is that the morphing (Mod Amount control) is voltage-controllable!
‘UncertainMusicCorps’ explores the synthesis capabilities of the Nord Drum 2.
First serious session with Nord Drum 2. Using Vermona fourMulator quad LFO to trigger 4 channels with Stoichea picking up the remaining 2. Using S/H waveforms from the Vermona via attenuators (matrix mixer) for timbral variation on the Nord Drum.
Bent melodic drone comes courtesy of Braids with rhythmic wavetable modulation.
Soundtrack Loops tells us that Elektro Pop will add a bit of a mainstream, radio friendly, pop element to your tunes. They say that Elektro Pop is a set of 11 royalty free construction kits suitable for K Pop, EDM, Dance, Pop, and Dubstep. In total there 175 loops. Sounds include drums, subs, leads, pianos, melodies, pads, risers, snare rolls, and SFX. Tempos range from 120 to 140 BPMs. 24 bit 44.1kHz Stereo files.
Zipped Contents (505 MB)
11 Construction Kits
1 Album “Mental Drug” MP3 Download
1 Single “Tidal Wave” MP3 Download
24 bit 44.1 kHz Stereo.
Available in Universal .Wav, .Aiff Format and Ableton Live Pack.
Pricing and Availability:
Aphex Twin – Live @ Osmoze, Paris, France 24.04.1993
A demonstration of some of the sounds available from the legendary Wasp synthesiser.
The Wasp is a quirky little synthesizer that, despite its toyish look, is a quality instrument capable of fun and funky analog sounds. It really is black and yellow too, just like the insect it is named after. Probably its most distinguishing feature is the 2-octave keyboard which uses non-moving touch-sensitive keys. The flat little keys are sensitive only to your electro-static touch. It’s a nifty technology for 1978, but in reality they are unreliable and difficult to play. Other unique touches include a little speaker built-in to the synth and EDP’s own pre-MIDI connector ports for linking it to other Wasps and EDP gear.
A look under the hood, however, reveals some nice surprises. The WASP is monophonic and powered by two digital oscillators supported by analog filters, envelopes and controls. This makes it one of the earliest compact digital/analog hybrid mono-synths, and it sounds great! The Wasp offers flexible subtractive synthesis. It’s pretty easy to dial up some cool bass, synth, and other classic monophonic sounds. Its designer, Chris Hugget, also designed the Oxford Synthesizer Company’s venerable OSCar Synthesizer.
Later versions of the Wasp included the Wasp Deluxe (released 1979) which had all the features of the original plus a standard 3-octave keyboard, wood panels, an oscillator mixer, an external audio-input, a larger built-in speaker, and battery operation. It was definitely redesigned for the practical musician. There was also the Wasp Special (released 1981) which also came with wood panels, a black and gold color scheme, and an internal power supply, but no built-in speaker and a return to the 2-octave touch-sensitive keyboard design. EDP also produced a heavily modified Wasp that was built into a guitar-form called the Keytar. It had a 2-octave keyboard with transpose and portamento buttons on the neck. However, only two Keytars were ever made as far as we know.
The rest of EDP’s wild world of synthesis includes the Spider, a 252-note step, or 84-note real time digital sequencer designed to control the Wasp. The Caterpillar which is a 3-octave master keyboard for controlling up to four inter-connected Wasps played polyphonically. The Gnat which is a smaller, single-oscillator version of the Wasp that could also be linked to another Wasp to form a makeshift triple-oscillator synth playable from either keyboard (the Gnat also came in three versions similar to the Standard, Special and Deluxe models of the Wasp). All EDP instruments could be inter-connected via their own pre-MIDI style connection interface. While the Wasp and it’s fellow insects may seem quirky and even toy-like, their sound, technology, flexibility and portability make them surprisingly good instruments that can still be found in use today.
First video from Fever Ray’s self titled debut album:
Video directed by Mikel Cee Karlsson.
Directed by Andreas Nilsson
Music: Fever Ray & Van Rivers & The Subliminal Kid ‘Stranger Than Kindness’ taken from the new ‘Fever Ray Special Edition CD/DVD’ originally by Nick Cave & The Bad Seeds
Kuassa has announced the release of EVE-AT1 and EVE-AT4 classic british equalizers, two new Rack Extension plug-ins for Propellerhead Reason 6.5 and later.
$39$29 (Anniversary Sale, 25% discount still applies until April 21st) each, both AT1 and AT4 were inspired by the design of the legendary Neve* 1081 and 1084 that are known for their clear, smooth, and very musical characteristics.
We are thrilled by the sound and present these EQs as a modern tribute, designed with simplicity and clarity in mind for immediate productivity. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details.
- EVE-AT1: is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.
- EVE-AT4: EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.
The EVE-AT series Rack Extensions are available from the Propellerhead shop.
Former Code 64 members Hasse Mattsson and Bjørn Marius Borg has a new act called Xenturion Prime and this is the video to their first single.
Official Video for Xenturion Prime for the single “Rise”. (c) 2014 Progress Productions // All rights reserved.
www.facebook.com/progresspro // www.facebook.com/xenturionprime
Video filmed, directed, edited and produced by Espen Geitsund
Music written and produced by Bjørn Marus Borg & Hans-Olof Mattsson (Xenturion Prime)
Background video description:
waldorf rocket sequenced by roland aira tb3 effects come from the mc808 in the beginning i used a little reverb later some more effects
this is just an example nothing special tb3 volume is turned down so all you hear is the waldorf rocket damn i really love the rocket great little synth