The official full-colour catalogue for COLLECTED – The Alan Wilder/Depeche Mode Collection
The official full-colour catalogue for COLLECTED – The Alan Wilder/Depeche Mode Collection is now complete, with plenty of photographs, a foreward by Alan, and all 414 lots described in detail, along with anything else you could possibly need to know.
This catalogue will also be available as a limited edition collectable printed book (from Omega), at the bargain price of only £5. Get your registrations and orders in soon as they will go fast!
In order to attend the event in Manchester you will need to be registered with Omega Auctions. Please visit: Omega for more information on registration. Theatre places at Zion Arts Centre are limited so please register early to avoid disappointment.
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Also, at eBay – more exclusive items ahead of the auction were added last Sunday. Be quick and get your bids in as these one-offs will only be there for a few more days! Everything posted at this eBay link is authentic & part of the full AW/DM collection.
Full auction details below :
Alan Wilder and Omega Auctions ‘present’
COLLECTED – The Alan Wilder/Depeche Mode Collection
A Historic Equipment, Vinyl and Memorabilia Auction
Auction date : Saturday 3rd September, 2011, 3.00pm
Venue : Zion Arts Centre
Address : 335 Stretford Rd, Hulme, Manchester M15 5ZA
Viewing : 10.00am to 8.00pm – Friday 2nd September, and 10.00am to 2.45pm – Saturday 3rd September
For further details :
http://auction.recoil.co.uk
www.omegaauctions.co.uk
www.the-saleroom.com
Exclusive interview – Alan Wilder (ex-Depeche Mode/Recoil) talks on synths, music creation and his upcoming auction
Steelberry Clones got a talk with none other than the synth legend Alan Wilder (ex-member of Depeche Mode and now front man of the electro/synth experimental act Recoil). Few can match the track record of Alan Wilder and few have had such an impact on the synth scene for the past 30 years, or so. Alan Wilder´s Recoil continues this tradition into the 21st century exploring the boundaries of electronic music, and since Alan now is in full preparation of delivering probably the world´s biggest Depeche Mode memorabilia auction at the Zion Arts Centre, we simply had to pose some questions to him regarding his music creation legacy, gear and plans moving forward.
“Collected” is the name of Alan’s big auction on Saturday 3rd September, for detailed information on how to join please follow this link:
So in just a few weeks time, over 400 lots will go under the hammer as Alan Wilder sells a large selection of musical / studio equipment and memorabilia at auction. Many items are very collectable and hold special value having been used extensively in the recording sessions for classic Depeche Mode and Recoil albums, as well as live performances on the ‘Black Celebration’, ‘Music For The Masses’, ‘World Violation’ and ‘Devotional’ tours.
http://youtu.be/EHejxJ1KPxk
But for most synth/electro fans this is truly not just any ordinary auction, but a clear reason why we needed to pose some questions to Alan about the auction in general and about his music making legacy in particular.
Why are you running this auction? is it for charity, or something else?
It’s for the charity of Alan Wilder unfortunately. Let’s be honest, divorce is an ugly thing and the record business has been in crisis for some time now. I’m not over sentimental about retaining every little detail of my musical history. In fact I still have a large collection of essential items, all the releases I have played on, many photographs and unique personal things. But really, I need more space (and peace) in my life and this goes part of the way to achieving that. Indeed I found it an evocative and cathartic experience to sift through all the collectables – the actual sorting and cataloging process brought back great memories and I was able to re-live some key moments which I had inevitably forgotten about, reminding me of how lucky I have been to have enjoyed such a career, doing something I’m passionate about.
http://youtu.be/LiLyiDw6qeg
Will it not be hard to let go of many of these unique items – any particular items that are special to you, that we should keep an extra eye on at the auction?
Yes – many do hold wonderful memories of course but I don’t find myself actually using most of the equipment for example. One of my new year’s resolutions for 2011 was to start streamlining my set-up at The Thin Line Studios. My needs have altered since laptops, soft synths and plug-ins have come to the fore, and therefore passing on some vintage gear and historical items seemed like a good way to start. The Steinway grand piano and the ‘Devotional’ drum kit are two things I’m letting go with a heavy heart. Thankfully I have a second piano, and can’t really justify having two at the moment. And if I feel like picking up drumming again, I guess I can easily find myself another (cheaper) kit. As for something to keep an eye on in the auction, I think the unreleased box set known as DMBS 1-4 is likely to spark major interest. Known as the ‘Holy Grail’, these are the 4 extremely rare white labels from the Depeche Mode boxset that was never released. It was recalled at the last minute for unknown reasons. The Emulators with my own sound samples, the guitar used by Martin Gore for the ‘Devotional’ tour, and my touring wardrobe & stage clothing should all prove very popular. We have art proofs and one-off posters, and already we can see that album acetates are extremely desirable, being so rare. Only one or two are ever produced for a record release and I have quite a few of these iconic records. A few selected teaser items are currently on sale via eBay, and more will be added as we approach the auction. (http://shop.ebay.com/depechemodeatomegaauctions/m.html?_trksid=p4340.l2562)
Will you be joined at the event by any of your old band mates (DM)?
Not a chance:)
How can you part with your first synthesizer, the Minimoog?
I guess you could say that the mini-moog does hold particular value as it’s been with me for such a long time, throughout my career. It was the first synthesiser I bought around 1977, pre-Mode, when I was a member of Dafne & The Tenderspots. It was a big deal for us at the time as it was quite expensive and we couldn’t really afford it until we secured our record deal. It is still probably my all-time favourite synthesiser due to the famous fat 3-oscillator sound, and of course it’s an absolute classic. I continued to use it for many years on early Mode recordings such as ‘Construction Time Again’ and ‘Some Great Reward’ and even had a midi update added during the eighties. However, I also own a ‘midi’-moog, which is the rack-mount version of the original mini-moog. It pretty much sounds the same and serves my purpose in the studio. I found that I wasn’t using the original moog any more, and like many of these items, it has been sitting around gathering dust. Much better then that all these old synths should be cleaned, restored, repaired and passed on, to people who will dote on them, use them again – individuals who will fully appreciate their history and the symbolic (as well as practical) value they hold. And, the moog will no doubt increase in value, like most vintage gear. These synths are like old cars that need to be driven. The way I feel about most items in the auction is how I feel about the gold discs for instance – I never wanted to display them on my walls in some ostentatious way, and I think often the musicians themselves are not too bothered about those things. Gold discs mean a lot more to those who are more peripheral or outside of the original experience, but who are very passionate about what they represent.
Regarding the patch discs for the Emulator’s and Akai’s – have you made some backup of those sounds somehow?
Yes, of course, I have a copy of the sounds for myself.
The sequencer EDP Spider, was that your first sequencer? And does it work? It’s not clear on the web page – they are prone not to work.
I believe it does work but I didn’t have the unusual connecting cable to actually try it out. I guess it was my first and only non-computerised sequencer! Not that I used it much – although it was used to create the bass sequencer part for the Aggro mix of DM’s ‘Never Let Me Down Again’.
Conclusively, if you are Depeche Mode fan or collector of vintage synth gear this is the one event not to miss out on. Now moving on to the music creation side of things we wanted to ask Alan all those questions about his gear, music creation and plans for the future, that comes when having the opportunity to talk a guy that has been a part of shaping the modern synth scene.
Recoil has been on quite an extensive tour recently, can you let us know how it was received and what your forthcoming plans are?
The European shows went really well at the start of the tour, particularly in eastern parts and Germany, Hungary, Poland, France etc. The US shows were a bit up and down, but generally quite successful I would say. I do think USA is the most difficult territory to tour, and it was a bit of a relief to follow that down to South America where the fans are so passionate and the crowds always wild, excitable. It was quite an experience there.
Depeche Mode’s and Recoil’s Alan Wilder at home
http://youtu.be/EHejxJ1KPxk
Alan Wilder — Collected is a 2011 documentary film directed by Martin Vladar.
Vladar worked personally with Alan and his estate in the UK: at Wilder’s Sussex residence, he discovered the house was filled with memorabilia spanning 35 years of a career spent in music, most notably during the 80s and 90s covering the musician’s stint with one of the most famous & successful bands of all time, Depeche Mode.
COLLECTED – The Alan Wilder/Depeche Mode Collection
A Historic Equipment, Vinyl & Memorabilia Auction
Auction date : Saturday 3rd September, 2011 4.00pm
Venue : Zion Arts Centre (www.zionarts.com)
Address : 335 Stretford Rd, Hulme, Manchester M15 5ZA
Viewing : 10.00am to 8.00pm – Friday 2nd September, and 10.00am to 4.00pm – Saturday 3rd September
http://auction.recoil.co.uk
www.omegaauctions.co.uk
‘Alan Wilder – Collected’ trailer
A preview of the new documentary : COLLECTED – The Alan Wilder/Depeche Mode Collection
A Historic Equipment, Vinyl & Memorabilia Auction
Auction date : Saturday 3rd September, 2011 4.00pm
Venue : Zion Arts Centre (www.zionarts.com)
Address : 335 Stretford Rd, Hulme, Manchester M15 5ZA
Viewing : 10.00am to 8.00pm – Friday 2nd September, and 10.00am to 4.00pm – Saturday 3rd September
http://auction.recoil.co.uk
www.omegaauctions.co.uk
Depeche Mode’s Dave Gahan on Soundcheck
Dave Gahan discusses the new Remix album, enjoy 
The English trio Depeche Mode forged synth-pop in the 1980s, then scored massive hits in the 1990s with songs like “Personal Jesus” and “Enjoy the Silence.” Now, the group has enlisted a crew of wiz to rework its back catalog the collection “Remixes 2: 81-11.” Jacqueline Cincotta sits in for John Schaefer and speaks with frontman Dave Gahan to talk about the album, the band and his career. Full interview here:
http://www.wnyc.org/shows/soundcheck/2011/jun/02/depeche-mode-remodeled/
Alan Wilder auctions Depeche Mode memorabilia and more
Ex-Depeche Mode member Alan Wilder will be selling a large selection of musical / studio equipment, vinyl & memorabilia at auction. Many items are very collectable and hold special value having been used extensively in the recording sessions for classic Depeche Mode and Recoil albums, as well as live performances on the “Black Celebration”, “Music For The Masses”, “World Violation” and “Devotional” tours.
The additional memorabilia includes such items as Gold & Platinum award discs, leather clothing, rare acetates & test pressings, artwork, posters, tour merchandise and much more. The set covers Alan’s entire musical career, focusing mainly on the years between 1982 & 1995 and making this one of the most exciting career sales to hit the public domain ever. It is also the first time ever that a Depeche Mode memorabilia sale on this scale has appeared.
Live event, Q&A, …
And faithful to the tradition, the sale will also be a live event conducted through Omega at www.omegaauctions.co.uk with the official catalogue available online throughout August, prior to the event on the first weekend of September. Expect clear information about how to bid, either on-line, by telephone or at the event itself in the next few weeks. For the time being, you can get a sneak preview of everything right now at www.auction.recoil.co.uk and discover the history and condition of the items plus read Alan’s comments on each piece.
A special free pdf catalogue is being produced and a collectable printed hard copy will also be available for a small charge. No price indications will be offered before the sale begins, and therefore any general enquiries about prices won’t receive a response. However, serious offers for items marked outside of the auction (for private sale) will be listened to – the point of contact is auction@recoil.co.uk .
Documentary ‘Alan Wilder – Collected’
The Shunt team have worked closely in conjunction with Omega to bring to you a worldwide, all-inclusive fan-friendly event incorporating a film presentation (see below, “Alan Wilder – Collected”) about the fascinating history of everything in the sale, plus a Q&A session with Alan, DJs, a bar and some other surprises. The live part of the event will be held over the weekend of September 2nd & 3rd in Manchester (venue tbc). There will be a a chance to preview all the sale items on the Friday, with meet & greet opportunities and so on.
“Alan Wilder – Collected” is a 2011 documentary film directed by Martin Vladar about the musician and producer Alan Wilder. The 40 minute documentary came about in connection with a proposed auction scheduled in 2011. Vladar worked personally with Alan Wilder and his estate in the UK: at Wilder’s Sussex residence, he discovered the house was filled with memorabilia spanning 35 years of a career spent in music, most notably during the 80s and 90s covering the musician’s stint with one of the most famous & successful bands of all time, Depeche Mode.
Featured in the doc will be the vast personal collection of Wilder and also a scene where Wilder is reunited with his lost sounds when trying out his old Sampler after 25 years. You’ll also discover which unreleased records he has the only copies of, along with access to the very first acetate pressings of Depeche Mode’s “Violator” and the “101” album recorded at The Rosebowl, Pasadena in 1988. More info at www.auction.recoil.co.uk .
Via SL
Martin Gore featured on Compact Space – The Unstoppable Collision
New audio (featuring Martin Gore on guitar) plus exclusive video clip. Compact Space – the band around Florian Kraemmer, Christian Eigner and Daryl Bamonte.
Compact Space recently signed a worldwide licensing deal with Ferryhouse Productions in Hamburg. The first album “Nameless” and “Push Push” EP will be released simultaneously on 24th June 2011.
Scott Weiland Performs Depeche Mode’s “But Not Tonight”
http://youtu.be/SmyLHs9FoKw
BEWARE: Scott Weiland Performs “But Not Tonight” on Jimmy Kimmel Live
Stone Temple Pilots, often abbreviated to STP, is an American rock band from San Diego, California that consists of Scott Weiland (lead vocals), brothers Robert DeLeo (bass guitar, vocals) and Dean DeLeo (guitar), and Eric Kretz (drums, percussion). The band’s early hard rock, grunge-reminiscent style of music found them immediate success in 1992 with the release of their debut album “Core”. Further releases from the band have shown a variety of influences, and as such the band is considered to transcend the genre barrier.
Yamaha CS01II plays BIG MUFF by Depeche Mode
Download this track at: http://snd.sc/iyLd2s
In this video:
The Yamaha CS01II is the first real synthesizer I ever owned. I got it when I was about 14 years old, back in 1985 or so. I noticed that I could get reasonable approximations of most of the sounds from Depeche Mode’s “Speak & Spell” album with it, but at the time I didn’t have the means to make decent multi-track cover versions, even after I got a 4-track.
Recently I was studying the Depeche Mode 5.1 surround mixes, and realized that I could clearly hear all the distinct parts of alot of the songs, so I decided to throw together some renditions using just my trusty old Yamaha CS01II as the sole sound source (including the drums), just to see how close I could get to the originals using very limited means.
The actual musical arrangement is about 100% accurate. The sounds themselves are of course only approximations, and most of them don’t have the same level of timbral detail as the ARP originals. I sequenced the whole thing in Cubase via a Kenton Pro Solo going into the custom CV/Gate inputs on my CS01II, recording each monophonic line in one at a time. Cubase provided the reverb and EQ, otherwise it’s all CS01II. I’ve deliberately been quite pure about this process- other than the reverb/delay/EQ, there’s no manipulation of the sounds going on here. This is, for me, mostly a technical exercise, so it wouldn’t make much sense to process the sounds very much, as that would only take it further away from the native sound of the CS01II.
I don’t really consider these to be “covers” as such- if I were covering these tunes, I’d do something creative with them as opposed to just mimicing them as closely as possible. I don’t have any desire to “cover” these songs in that sense. At any rate, this project has been a good exercise in close listening and mixing for me, so I see that as the main reward for my efforts.
The making of Depeche Mode’s “Enjoy The Silence”
Here’s a great video from the Mute festival talking about the story behind one of my all time faorite DM tracks. Flood, the legendary producer of many classic albums, describes how the song Enjoy The Silence by Depeche Mode was created in the studio.
In this video:
I’m sorry about the bad sound and video quality – at the close position I was standing, the speakers were actually behind me, there was a lot of rumble from the hall below, and those big windows created a heavy backlight. It doesn’t make the speech less interesting, though…
This was recorded May 14th 2011 in the Roundhouse, London at the Mute Short Circuit Festival.
DATAMASKIN
