Oberheim Matrix-12
Spent an hour in one of my fav synthshops this week and played around with an old favorite of mine the Oberheim Matrix-12 – had almost forgotten how nice it sounds – can´t remember right now which group it was that was using it the most, could have been OMD but I am not sure. Below is a video clip featuring an Oberheim OBX (couldn´t find a clip of the M-12) paired with an TR 606 and an SH 101, me like 
[youtube=http://www.youtube.com/watch?v=Gl8hKDM5FA0]
About the Matrix-12
The Matrix-12, truly one of the “Monsters” of programmable analog synthesizers. It is basically two complete Oberheim Xpanders hooked up to a velocity-sensitive (including release velocity), pressure-sensitive (there were some early Matrix-12s that did not have pressure-sensitivity), 5-octave, 61-note (C-C) keyboard. With 24 oscillators (two VCOs per voice) it can be set up as a 12-part monophonic or a 6-part polyphonic multi-timbral synth. The front panel is exactly like the Xpander, except for one button that switches between voices 1-6 and 7-12.
VNV Naton
MODCOM : is a new project from Ronan Harris which uses analog modular synthesizers and analog sequencers for live sound generation. Sequences and sounds are patched, manipulated, effected, re-patched and mixed live. This kind of performance was common to 70’s synth pioneers who used walls of synths and cables to make sound but now its use will be for 21st century electronic beats, rhythms and soundscapes
Check it out here:
http://www.myspace.com/modcom

