A demo of the brand new Korg KingKORG analogue modelling synthesizer.
Taking a look at the Numark Orbit – a wireless MIDI controller with an accelerometer, multi-couloured LED pads and a large rotary control.
Checking out the new mini drum machine and controller, SPARKLE. Plus FM get the low-down on the mini Arturia MINILAB controller and software bundle
Korg’s new KingKORG modeling synthesizer delivers the sound and excitement of vintage analog synthesis, with next-generation power and flexibility that could only come from Korg. It’s optimized for live performance, and its easy, knob-driven interface also makes deep sound creation a breeze.
Learn more about KingKORG at http://www.korg.com/kingkorg.
Ready for live performance.
KingKORG is the full-fledged analog modeling synthesizer you’ve been waiting for. It carries on the design philosophy of classic Korg analog synthesizers such as the MS-20 and the Mono/Poly, which gave rise to the Prophecy, the Z1, the MS2000, and the RADIAS. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, KingKORG is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name – KingKORG.
- A full-fledged, 61-key analog modeling synthesizer designed for live performance
- Powerful oscillators that are understandable to the beginner, yet satisfying for the expert
- Modeling filters that reproduce the sound of classic instruments
- Three master effect sections (each with six effect types) add the finishing touch to your sound
- Vacuum tube driver circuit adds rich overtones and powerful distortion
- New panel layout designed for intuitive operation
- CV/GATE OUT jack lets you control a Korg monotribe or MS-20
- Support for librarian software that lets you manage programs
Korg USA announces the King Korg analog modeling synth. Focused on live performance, it features Korg’s new XMT (Xpanded Modeling Technology) engine, with many types of oscillators and filters that can accurately model sought-after vintage analog synths. With its controls laid out in easily identifiable sections, King Korg delivers the unique characteristics of a dedicated synthesizer, while remaining approachable to players who are new to synthesizers. It not only shines on stage with high quality sound, but also with a champagne gold finish befitting its royal name.
A 3-oscillator, 2-timbre design allows players to generate thick and rich sounds. In addition to essential waveform choices such as sawtooth, square, sine, triangle, and noise, King Korg provides pre-set algorithms that contain various combinations of oscillator numbers and types, for easily and quickly sculpting stage-ready sounds. The oscillator algorithms also include numerous PCM/DWGS algorithms for creating highly personal sounds.
The filter section is crucial to a synthesizer’s character, and King Korg’s filters add unparalleled flexibility. In addition to a variety of essential analog modeling filter types, there are faithful filter models from analog monophonic synths that were used for lead and bass sounds in the ’70s, as well as the polyphonic synths used in new wave music of the ’80s, plus the filters of Korg’s classic MS-20 analog synth. These filters can also be made to self-oscillate by raising the resonance setting- a unique capability of analog synthesizers.
A selection of 200 stage-ready preset programs includes many familiar and authentic sounds for playing classic and modern songs, plus fresh, inspiring sounds for new musical creations. An assortment of live performance staple sounds includes PCM-based piano, electric piano, organ, and clavinet. Users can store their own creations in 100 onboard user sound locations.
Each of three master effect sections offers a choice of six effect types: PRE FX such as distortion and amp simulator; MOD FX, including phaser, chorus, and tremolo; and REV/DELAY such as hall reverb and modulation delay. A full-analog vacuum tube driver circuit is also included as a mastering effect. It can be used to add warm fullness, a powerful overdrive, or anything in between. In addition, a built-in, full-featured vocoder uses audio from the onboard mic input to create a talking effect.
Many classic synthesizers used patch cables to physically reconfigure the signal flow. King Korg’s intuitive Virtual Patch system reproduces this function. With six Virtual Patch assignments per timbre, control signals such as EG, LFO, or joystick movement can be virtually connected to sound parameters such as pitch or cutoff, allowing users to modulate a parameter for even greater sound-shaping possibilities.
King Korg’s design makes it easy to create and modify sounds. The oscillator section has its own dedicated display, and the control knobs are assigned to the most important parameters for each oscillator. There are also dedicated dials for each of the three master effects, making it easy to audition different effects to hear how they modify the sound. Self-luminous organic EL displays are used for excellent visibility, even on a dimly lit stage.
King Korg features five octaves of velocity-sensitive keys, with adjustable response (Normal, Shallow, or Deep) to mimic that of classic instruments. Below the dedicated octave shift buttons, a backlit X/Y joystick is ready to control important live performance tweaks.
A CV/GATE OUT jack enables players to use an analog signal to control a KORG monotribe or MS-20. A dedicated cable is included to use the keyboard of King Korg to play the monotribe.
The King Korg will be available February 2013 for a U.S. Street price of $1299. Additional product information and sound demos are available at korg.com
There were rumors and they are true: Korg will announce a new synth at NAMM 2013: The KingKORG.
Korg.de has all the info, here is a translation by Google:
KingKORG is the standalone analog modeling synthesizer with a huge potential! KingKORG embodies the seamless continuation of the design philosophy of classic KORG analogsynths like the MS-20 and Mono / Poly, from which the Prophecy have originated Z1, MS2000, and RADIAS.
This fascinating new instrument has the unique characteristics typical synthesizer and an arsenal of practical controls for a perfect sound design. Despite its impressive technology and synth beginners become familiar with KingKORG quickly. On stage, he offers not only his great sound, but also literally, with its magnificent champagne-gold finish that emphasizes its royal name – KingKORG.
- Full featured analog modeling synth with 61 keys – optimized for live performance
- Powerful oscillators – understandable for beginners, fascinating for experts
- Modeling Filters for the reproduction of classical instruments
- 3 effect sections (each with 6 types of effects) to the perfect design of the sound
- Vacuum Tube Driver for brilliant overtones fat Distortion
- New panel layout for intuitive operation
- CV / GATE OUT jack mono tribe or to control a Korg MS-20 (mini)
- Free Librarian software for program management to download
KingKORG | synthesizer
The king of the analog modeling synth – a terrific live performance
KingKORG is de r independent analog modeling synthesizer with a huge potential! KingKORG embodies the seamless continuation of the design philosophy of classic KORG analogsynths like the MS-20 and Mono / Poly, from which the Prophecy have originated Z1, MS2000, and RADIAS. This fascinating new instrument has the unique characteristics typical synthesizer and an arsenal of practical controls for a perfect sound design. Despite its impressive technology and synth beginners become familiar with KingKORG quickly. On stage, he offers not only his great sound, but also literally, with its magnificent champagne-gold finish that emphasizes its royal name – KingKORG.
Full featured analog modeling synth with 61 keys – optimized for live performance
Powerful oscillators – understandable for beginners, fascinating for experts
Modeling Filters for the reproduction of classical instruments
3 effect sections (each with 6 types of effects) to the perfect design of the sound
Vacuum Tube Driver for brilliant overtones fat Distortion
New panel layout for intuitive operation
CV / GATE OUT jack mono tribe or to control a Korg MS-20 (mini)
Free Librarian software for program management to download
“Powerful oscillators – understandable for beginners, fascinating for experts
In addition to a complex “3-oscillator x 2-timbre” technique to generate richer and more detailed sounds KingKORG features a newly developed XMT modeling sound engine. XMT (Xpanded Modeling Technology) is a proprietary Korg technology that allows easy operation in producing diverse sounds.
In conventional synthesizers, the individual oscillators while the sound creation only sequentially adjustable, the overall picture is hard to overlook. In contrast, offers KingKORG preset algorithms with various combinations of oscillators, which differ in type and number, and allow easy, fast creation of cool sounds.
The wide range of oscillator algorithms including not only the usual analogsynths sawtooth and square waves or noise generators, but also numerous PCM / DWGS algorithms that open up an entirely new field for a very custom sounds.
“Modeling Filters reproduce the sound of vintage instruments
Since the filter section on the characteristics of a synthesizer decides significantly, they found during the development of KingKORG special attention. The already large variety of analog modeling filter is significantly extended by the extremely flexible filtering of KingKORG.
In addition to the wide range of indispensable analog modeling filter types get realistic filter models to reproduce the analog monophonic lead and bass synths of the 70s, the New Wave typical polyphonic synths of the 80 and the filter of the classic Korg MS-20 analog synth.
Furthermore, can the setting of the filter resonance up to self increase – an existing analogsynths only real feature!”
“3 effect sections with 6 types of effect for a perfect make-up sound
KingKORG offers three effect sections with six types of effects: PRE FX with effects such as distortion and amp simulator FX MOD with classic effects such as phaser, chorus and tremolo, and REV / DELAY with spatial effects such as reverb and delay effects and different Plate. Each effect processor has it own dial to select the desired effect type. With the arranged underneath FX controls can precisely fine-tune the effect.”
“Vacuum Tube Driver for brilliant overtones fat Distortion
Based on decades of experience in analog technology, a fully developed KORG analog vacuum tube driver circuit as a mastering effect for KingKORG. It produces the entire range between warm sonority and intense overdrive.”
The built-in vocoder uses the input of the Board held on microphone input for sound processing and brings the synth seems to speak.
His Formant Shift function causes dramatic sound modifications, while the Formant Hold function a vowel is “frozen”, which can then play with the keyboard.
Thanks KingKORGs Doppeltimbre architecture can combine the vocoder even with a different timbre and use it as additional sound or modulation source.
Virtual Patch function
With many classic synthesizers (such as the MS-20) could configure the signal flow with patch cables to physically connect one element to another. KingKORG forms this function by using an intuitive virtual patch system. Over six Virtual Patch assignments per timbre can be joint control signals such as EG, LFO, or virtual joystick movement with sound parameters like pitch or cutoff and modulate these creative.”
“Step Arpeggiator function
The Step Arpeggiator automatically generated from a sustained chord a tone sequence (arpeggio). You can choose among six Arpeggio and set duration, interval and on / off status of each Steps to arpeggios exactly to your own performance.
New panel layout for intuitive operation
The newly designed control panel is divided into logical blocks that direct the attention to the things that are for the processing of sounds important. Although KingKORG reflects the signal flow of a analogsynths in its construction, to its control panel is the most modern technology. For example, the oscillator section shows on its own display the name of the currently selected algorithm.
By turning the selector dial to appear adjacent to it are descriptive names, and by pressing the wheel to jump to the beginning of categories such as ANALOG or DWGS. The knobs are the most effective and most important parameters assigned to each oscillator and provide access to the unique features of an analog synthesizer sound design — by turning knob. Also for each of the three effects, a separate controller is available to easily experiment with different effect settings and test their effect on the sound. A self-luminous organic EL display (Organic Light-Emitting Diode) provides on dimly lit stages for excellent readability.”
“On the CV / GATE OUT jack allows an analog signal for controlling a mono tribe or KORG MS-20 output. With the included cable you can then eg play the mono tribe on KingKORG keyboard!
NAMM is soon upon us again and just as always rumors are beginning to flourish. The first comes from KORG regarding two new products from Korg, the King Korg and the MINI MS-20.
The MINI MS-20 is rumored to be a new version of their analog classic, the MS-20 in a smaller chassis and with mini keys. The picture looks at first glance like the MS-20ic controller that came with the Korg Legacy collections, but some subtle details such as screw and LED locations appear to be different. Will it be an actual analog synth, or just a repackaged, self-contained version of the Korg Legacy version? The other rumor is about the King Korg, which some believe to be a 3-oscillator analog synth. But is it real analog or just another virtual analog?
Soon we will know, but it seems that after the success of the Monotron series, this could be a logical direction Korg might take. On the other hand, a higher price point would likely make these more niche products that would do smaller numbers than a company the size of Korg might bother with.