Synchronizing Roland Jupiter 4 to Oberheim DMX with Garfield Electronics Modulator

August 7, 2013 · Posted in Uncategorized · Comment 

Background video description:

A fellow VSE’r was wanting to know how to sync his JP-8′s arpeggiator to his DMX. I don’t know of any way to do that directly without another piece of gear in between to convert clock pulses.

The Garfield Electronics Modulator can program trigger pulse rhythms up to 2 measures synched to 24ppq DIN, 24, 48 or 96ppq phone jack.

A few minutes with an Oberheim SEM Pro

July 28, 2013 · Posted in Uncategorized · Comment 

Checking out the Oberheim SEM Pro, background video description below:

“Just had it for a day or two, so I’m still a bit hunt-and-peck when it comes to the controls. Sounds delightful though. No effects, straight into a mixer and out to the camera’s input.”

SEM-PRO. SEM with MIDI to CV Converter and integrated Patchpanel. This version combines the features of the MIDI to CV version with a 21-jack patchpanel and is personally autographed by Tom Oberheim.

  • Select MIDI channel, controller number and bend range
  • Select note assignment modes: latest, high note and low note priorities
  • Select note re-trigger, filter track, LFO reset
  • A second independent control bus allows velocity, controller data, or channel pressure to modulate either or both VCOs, the filter and the VCA
  • Transpose function allows different keyboard controllers to utilize the complete MIDI note range
  • Analog portamento
  • Input preamp gain control – allows an external audio input to be processed thru the SEM
  • High precision A-440 Hz tune signal
  • Control voltages and gate are bought out to rear panel connectors so MIDI to CV function can be used with other CV/Gate gear.

Time machine: Oberheim Matrix-1000 Analog Synthesizer (1987)

July 25, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer single sound demo by RetroSound

Oberheim Matrix-1000 Analog Synthesizer from the year 1987

The small Oberheim with the big sound! Very underrated analog synthesizer module from Oberheim with six voices, two DCOs per voice, 24 dB low pass filder and matrix modulation like the big brother Matrix-12 and Xpander.

the demo shows self-programmed and factory sounds.

more info: http://www.retrosound.de

About the synth:

The analog Matrix 1000 is essentially 1,000 Matrix 6 patches in a single-space compact rackmount MIDI module. It has the same synth architecture as the Matrix 6. Each of its 6 voices have two DCO’s (digitally controlled analog oscillator), a low pass filter, 2 VCA’s, 3 envelope gens, 2 LFO’s, and 2 ramp gens. The sounds are plentiful and good enough, however sounds can only be edited via MIDI, so you’ll need an external MIDI editor (such as MOTU’s Unisyn) or Access’ Matrix Programmer to edit parameters. You can also load sounds from the Matrix 6 via SysEx or software.

The Matrix 1000 provides an excellent source of pads, textures and ambient sounds. It has 195 “keyboard” sounds, 118 “strings”, 130 “woodwinds & perc”, 239 “synthesizer”, 119 “bass”, 74 “lead” and 125 “effects”. For the price, there is no better way to find genuine analog Oberheim Matrix sounds in a compact and very in-expensive rack module that is loaded with more sounds than you’ll ever need! The older versions of the Matrix 1000 have a black front-panel. The newer models in the ’90′s have a cream colored face-plate.

Oberheim OB8 with Pyxis Expression System

July 12, 2013 · Posted in Uncategorized · Comment 

This video demonstrates the New England Analog Pyxis Expression System.

This adds expressive aftertouch to the keybed as well as a removable pressure sensitive pad that can both control the VCOs, VCF, and VCA in the synth. By pressing down on keys, or by pressing on the pad, players can bend one or both VCOs, swell the volume or open the filter of the synth. The Pyxis also has its own internal triangle/square wave LFO. The LFO is free running, and has the option of being modulated by pressure. The LFO amount can be dialed in to the VCOs, VCF, and VCA, and LFO will only be sent to these if pressure is being applied. The Pyxis LFO runs through 3 voltage controlled attenuators that are controlled by pressure. As the player presses harder on the sensors, more LFO will be sent to the modulation destination. This allows for an amazing array of interesting and organic sounds to be created.
The Pyxis is available as an internal installation or in a separate wood enclosure. It has the option of having aftertouch installed in the keybed of the synth (we must do this at our shop), or the pressure sensor pad. The sensor pad has a magnet underneath it to secure it to metal surfaces. It also sits firmly on any other flat surface. As shown in the video, a synth can have both the pressure pad and keybed aftertouch installed. The installation of the Pyxis varies from synth to synth. Monophonic and Duophonic synthesizers take the least time to install the system in, while polysynths usually take a few hours to do the installation in. The aftertouch installation also varies as well. Small keyboards like the ARP Odyssey, Pro One, Minimoog, Prodigy, Multimoog, etc. will take less time than Jupiters, OBX/OB8, Polysix, Monopoly, etc. We offer custom installations of aftertouch, breath control, and pressure controllers for all analog systems. For more information, please check us out at www.NewEnglandAnalog.com. Thanks for watching!

Time machine: Moog Taurus 1 + Oberheim OB-X “Apperception”

April 27, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer track by RetroSound
“Apperception”

lead and fx sounds: Oberheim OB-X Analog Synthesizer
bass sounds: Moog Taurus 1 bass pedal
pad sounds: Roland Juno-60 Analog Synthesizer
arp and sample sounds: Korg MicroX
recording: multi-tracking without midi
fx: reverb and delay

more info: http://www.retrosound.de and
http://www.facebook.com/pages/RetroSo…

Exclusive synth spotting session in Depeche Mode’s studio

April 26, 2013 · Posted in Uncategorized · Comment 

There is lots of nice gear for all of us electro fans in this in-studio performance of Broken by Depeche Mode.

Check out the Teenage Engineering OP-1, Roland Jupiter 8 synthesizer, Oberheim OB8,  Korg MS20 and Korg MonoPoly synthesizers. Not to mention, the tasty Eurorack modules that have been seen in pictures of the Delta Machine studio sessions.

Korg King Korg Filter Showdown

April 19, 2013 · Posted in Uncategorized · Comment 

Mitchell Sigman compares the King Korg’s modeled Prophet-5, Oberheim SEM and Moog filters to the real instruments. Opening sound montage created with King Korg. Watch for the full King Korg review in the June 2013 issue of Keyboard!

Time machine: Oberheim OB-X + Roland VP-330

March 30, 2013 · Posted in Uncategorized · Comment 

Vintage synthesizer demo track by RetroSound
“Lost City”

synthesizer sounds: Oberheim OB-X Analog Synthesizer (1979)
analog strings and human voice choir: Roland VP-330 Vocoder Plus (1979)
recording: multi-track without midi
fx: a little bit delay and reverb

the long version:
https://soundcloud.com/retrosound-ii/…

Checking out the vintage Oberheim Matrix-1000 synth

February 20, 2013 · Posted in Uncategorized · Comment 

A voyage into the heart of the Oberheim Matrix-1000 analog synthesizer from the year 1987.
Exploration by Marko Ettlich (RetroSound)

6 voices
2 oscillators per voice saw, triangle, square variable pulse width, fm
resonant filter 24dB/oct lowpass filter
2 LFOs
1000 sounds

used by Apollo 440, Moby, Fatboy Slim, Depeche Mode, Pet Shop Boys, Faithless and many more

images

The analog Matrix 1000 is essentially 1,000 Matrix 6 patches in a single-space compact rackmount MIDI module. It has the same synth architecture as the Matrix 6. Each of its 6 voices have two DCO’s (digitally controlled analog oscillator), a low pass filter, 2 VCA’s, 3 envelope gens, 2 LFO’s, and 2 ramp gens. The sounds are plentiful and good enough, however sounds can only be edited via MIDI, so you’ll need an external MIDI editor (such as MOTU’s Unisyn) or Access’ Matrix Programmer to edit parameters. You can also load sounds from the Matrix 6 via SysEx or software.

The Matrix 1000 provides an excellent source of pads, textures and ambient sounds. It has 195 “keyboard” sounds, 118 “strings”, 130 “woodwinds & perc”, 239 “synthesizer”, 119 “bass”, 74 “lead” and 125 “effects”. For the price, there is no better way to find genuine analog Oberheim Matrix sounds in a compact and very in-expensive rack module that is loaded with more sounds than you’ll ever need! The older versions of the Matrix 1000 have a black front-panel. The newer models in the ’90′s have a cream colored face-plate.

Oberheim OB-XA Vintage Analog Synthesizer Overview

February 15, 2013 · Posted in Uncategorized · Comment 

http://youtu.be/Y_K9RQKVUG0

Info on the OB-XA:

The OB-Xa is a massive analog synthesizer with a very familiar and classic Oberheim sound. Its sound, size and power are very similar to the Prophet 5 from Sequential. However this one has up to 8 voices which can be split, layered and stored!

The OB-Xa was available in four, six or eight voice polyphonic models. They all featured patch memories, also in varying degrees. A minimum of 32 patches were available on early models (4 banks of 8). The maximum amount of patch memory storage found on many OB-Xa’s is 120 patch memories. All models of OB-Xa, however, featured the new Curtis chips which offered great stability for an analog synth and they are attributed to its great filters and sounds.

The OB-X was very similar to the OB-Xa except that its voices could not be split or layered and, more significantly, the OB-X had a lowpass-only discrete SEM 12dB/oct state variable filter, which had a great and classic Oberheim sound. The OB-Xa changed that in an attempt to economize manufacturing and increase stability by switching to CEM3320 Curtis chips for its filters. The Xa offered two switchable filter modes: 12 dB/oct (2-pole) or 24 dB/oct (4-pole). This hardware change resulted in a more agressive sound, not quite as creamy as the OBX original, but what still became a “bread and butter” sound of the Oberheim line.

Splitting the keyboard mode separates the OB-Xa into two 4-voice synths with two available patches. The Layer mode plays the two patches simultaneously. There are also some added effect sources, perfect for any analog polysynth, including portamento, unison, sample & hold, chord memory and three LFO’s!

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