Meystersinger “SELBST ALLEINE”
SELBST ALLEINE – das offizielle Video.
Vom neuen Album HAIFISCHWEIDE
Experimental: Human Rhythm Composer
This video shows how to use Oplab to make your own MIDI instruments from any objects.
For example, a drum kit from your friends, or perhaps a xylophone from sausages?
Click the video to play friends. Enjoy!
Oplab 01: Overview http://youtu.be/m00Pf8ZCf7A
Oplab 02: Sensors http://youtu.be/SrHQmk2hLtc
Oplab 03: Triggers http://youtu.be/F8FhBNeFCbk
Oplab 04: Sensors 202 http://youtu.be/4AUcMCBNxoM
Oplab 05: Human Rhythm Composer http://youtu.be/005697Msgd4
Soulsby Atmegatron 8-bit hackable monophonic synth review
Checking out the brand new Atmegatron synthesizers from Soulsby. It’s a crazy little desktop synth with tons of waveforms, 15 filter types, the ability to upload your own waveforms, and even change or hack the OS to turn it into a totally different synthesizer! It has a very different front panel so we go through the layout as well as the sounds and I even show you a few of the unreleased OS versions as well as the official Atcyclatron OS which turns it into a wavetable cyclling synth!
Get the synth here: http://soulsbysynths.com/atmegatron-c…
Read the full review here: http://soundsandgear.com/soulsby-atme…
Audio Mastering for iPad v. 2.5
http://itunes.apple.com/app/audio-mas…
The first fully functional professional quality audio mastering application for iPad. For everyone who wants to take their final mixes to the next level. Precise control of all parameters and highest quality audio processing, the most important part of any mastering, is the base of this application.
More about Audio Mastering:
http://audio-mastering-ipad.com
Track “Spiel Struktur 92” by Marc Bestgen
http://reverbnation.com/marcbestgen
Red Mecca – Pictures
New single taken from the album “You Were Never Here” by the darkly atmospheric electronica post-punk duo Red Mecca from Sundsvall, Sweden. Vocals: Frida Madeleine. Synthesizers: Jan Strandqvist. Directed, filmed and edited by Emil Nordin. Assisted by Robert Persson and David Olgarsson.
https://www.facebook.com/pages/Red-Me…
http://redmecca.se/
http://open.spotify.com/artist/3ooJ0b…
Oberheim OB-Xa sound design tutorial
Vintage synthesizer sound tutorial featuring the Oberheim OB-Xa
part one: the haunting pad sound in Foreigners “Waiting For A Girl Like You”
the sound in the original song is made with the huge Oberheim OB-Xa Analog Synthesizer (1981) and layered with a simple OB sweep pad sound.
very important is the filter resonance (12dB/oct) and the pitch modulation.
Sounds in the series include:
- The Oberheim pad sound from Foreigner’s Waiting for a Girl Like You;
- Ultravox ARP Odyssey lead sound;
- Oberheim OB-X pad sound from Killing Joke’s Love Like Blood; and
- The classic Rush Tom Sawyer Moog Taurus bass sound.
Celldweller – StudioTour
An exclusive tour of Celldweller’s incredible Detroit studio.
http://youtube.com/celldweller
http://facebook.com/celldweller
http://twitter.com/celldweller
How Do Synths Sound Through Crystalline?
Vintage Yamaha PS-20 analog keyboard connected to iPad using Apogee Jam interface, played through Crystalline. Also features iOS apps Animoog, Audiobus and Arturia iSEM. No other effects or processing done.
Crystalline: Shimmer Effects Processor for iPad
http://crystallineapp.com
SPARK 2 – Arturia has released a new version of its beat creation software
Arturia has announced the availability of SPARK 2, bringing a new look, new feel, and new features to its premier soundsculpting and performance drum machine software for Mac and Windows.
With the timely introduction of SPARK 2, Arturia has given its beat creation software a new look, new feel, and a whole host of new features fit to make it the premier sound-sculpting and performance drum machine on the market — all the more so when perfectly paired up with the award-winning SPARK Creative Drum Machine and SparkLE Creative Drum Machine controllers. It’s a match made in hybrid heaven that’s more flexible than ever before!
Changes in SPARK 2
- All new graphics:
- Tabbed pages.
- Expanded Pattern edit screen.
- New mixer.
- Enhanced Library page for better data management.
- Extended REX support:
- REX file playback per pad.
- Manipulation of REX File slices.
- Modular Drum synth editor:
- Create your own patches.
- Edit existing patches.
- Create custom instrument macro controls modules including:
- Oscillators.
- Multimode filters and Karplus strong filter.
- ADR envelopes.
- LFOs.
- Mixers.
- RingModulator.
- Bode Frequency Shifter.
- Spring mass.
- CV processor.
- Song mode:
- NEW 16 song segments.
- Song segment triggering from hardware.
SPARK 2 is available for the introductory price of 129 EUR/$129 USD between May 1st and June 30th, 2014 (regular 169 EUR/$189 USD). The SparkLE Creative Drum Machine controller (including SPARK 2) will be 199 EUR/$199 USD during this period (regular 249 EUR/$299 USD).
VlnVlaCelBass – Haken Continuum Rival String Instruments for Expression
This video is a demonstration of the VlnVlaCelBass sound on the Continuum Fingerboard, performed by Edmund Eagan. This EaganMatrix string sound has been programmed to take advantage of the Continuum’s fast and accurate pressure sensing. Playing this sound with low velocity finger movement will create a smooth gentle start to each note. After the note starts volume and timbre changes can be applied by changing the pressure on the surface.
When played with a harder finger velocity, the sound gets more aggressive in it’s attack. This is due to the inclusion of timbre data that represents a real string attack.
The name of the sound includes the four names of the orchestral string family, violin, viola, cello, and double bass, reflecting the combined pitch range of these instruments. The sound is equally convincing and expressive at all pitches, even at the extremes.
Pressing the first foot pedal activates a mono mode which makes it easier to play fast monophonic intervals, such as whole tone or minor third trills.
The overall tonal character of the instrument can be changed by moving the Size barrel. Lower values of Size will create a larger sounding instrument, higher values a smaller one.
The VlnVlaCelBass uses the GrainSilo in the EaganMatrix, with a timbre element called Vla Sustained. The original source for this timbre element came from the first 100 milliseconds of a single note preformed by Rudolf Haken on a Pellegrina 5 string viola. This 100 milliseconds contains essential attack and sustain spectra. Through the power of the EaganMatrix formula structures, control of the timbre elements reference point, fundamental, spectral rolloff, spectral shift, and amplitude is mapped to the playing surface. The three dimensional performance of each finger can translate into exquisite control of this finite piece of data.
DATAMASKIN
