Infinity – free analog style mastering compressor and tube saturation effect plugin for Windows
Frederick Alonso has announced the release of Infinity, a free analog style mastering compressor and tube saturation effect plugin for Windows.
This free plugin is based on a concept for a hardware device which has been patented in 2014. Apparently, the developer is planning to build a hardware version of this mastering compressor which was inspired by classic analogue devices such as the Pultec EQ and Thermionic Culture stereo compressor.
The software version is currently available only as a 32-bit VST plugin for Windows, however a Mac OS X version is expected to be released in the future.
Infinity features
- Subtle low end warmer.
- 0 to 100% pure incoming audio + added Infinity dynamics.
- Brightness and width in mid and high frequencies.
- Subs will sound subtle, full and more focused.
- Kicks feel more alive, while the track becomes more open.
- You can add tube saturation (Lundahl transformer based).
- Audio gets auto limited to -0.02dB when you go over 0dB.
- A/B comparison (On/Off switch or toggle switch).
Infinity is available as a free download. Donations are appreciated.
Yamaha REFACE DX vs. the original DX7
muzykujkropkacom, puts the new Yamaha Reface DX mini synth, head-to-head against a vintage Yamaha DX-7.
New material from Atom™ – Riding The Void [Raster-Noton]
atom™‘s ep »riding the void« is, together with the visual works of »HD+«, the conclusion of his critical yet delightful examination of pop music and culture on raster-noton.
like the previous ep »ich bin meine maschine«, »riding the void« is set up very functionally, aiming at being used in the club. techno maverick scuba, for example, turns the track with his »pulse mix« into a straight and dense march, whereas atom™ himself shakes the groove out of »riding the void« with his own two lighthearted remixes. his »nought remix« presents itself as slimmed-down yet very vibrant, while »tool« is a perfectly dance floor-ready reinterpretation of the original track. furthermore, an additional remix by hanno leichtmann can be found on the digital version of the release.
the ep will be available in bundle with atom™‘s data dvd »HD+« as well as separately. so far, there were released the full-length album »HD« (r-n147) and the 12-inch ep »ich bin meine maschine« (r-n146).
ATOM™.
Human League redux: Workin’ In A Cocktail Bar by James Kirby
Sometimes less is more. Here I bring you a classic tune reduced to it’s bare minimum, lyrically that is. Enjoy!
Korg Triton Extreme “Star Wars United” Sampler & Sequence Synthesizer Demo
Background video description:
Korg Triton Extreme “Star Wars United”
Sampler & Sequence Synthesizer Demo
by Rik Marston
NO PROFITS EARNED OR GAINED FROM THIS VIDEO
JUST FOR DEMONSTRATION OF WHAT THIS SYNTHESIZER
CAN DO!
This is a VERY basic audio demo I did when I used to work for
the Pro Audio Department / Keyboards at the Guitar Center
in Tempe, Arizona. I was in competition with all of the Yamaha
Motif sellers & I was the only Korg guy at the time.
I made a quick demo using a Star Wars Multisample
I created from “Return Of The Jedi”.
After that the Tritons were flying out of the store!!
Just about everybody likes Star Wars!!!
Anyway, this video is for audio demonstration with
some footage from the film to cover the visuals,
NO PROFITS EARNED OR GAINED FROM THIS VIDEO
JUST FOR DEMONSTRATION OF WHAT THIS SYNTHESIZER
CAN DO!
ALL VIDEO PROPERTY OF LUCASFILM, GEORGE LUCAS
& NOW DISNEY.
Interview: Lebrecht Meets Vangelis
Vangelis is Greece’s most iconic living composer, famed principally for his synth-driven film scores toChariots of Fire and Bladerunner. In a career spanning more than 50 years, Vangelis has pioneered the use of electronic instruments and has worked in film, prog rock and classical.
In a rare interview, Vangelis talks to Norman Lebrecht about his earliest musical memories, the spontaneous creation of the Chariots of Fire theme, and why he had to leave Greece.
Creating Patches on the Moog Sub37 Analog Synth (Part 2)
This video series is intended to demonstrate the patch creation process on the Moog Sub37. It is not a musical statement or a full-on demo.
Yamaha SY-77 – User Presets Demo
This is User Presets demo from Yamaha SY-77 (TG-77). Recorded directly from SY-77 stereo outputs, with internal effects, without any additional signal processing. Enjoy!
All these presets can be freely downloaded from the internet, but, I spent hours and hours (sometimes even days) collecting and edit the best of them to prepare a synth Bank for this demo video on YouTube.
You can buy now these 64 Presets in sysex/MidiFile format. Bank with 64 Presets cost only 6 Euros (via PayPal). Just send me an email to vukansto@gmail.com and after PayPal payment you will receive Sysex/Midi file in your inbox.
Yamaha SY-77 is a keyboard veriosn of TG-77 rack module.
SY-77 specifications:
AFM Tonne Generator (6 Operators, 45 Algorithms, 16 Waveforms, 2 Filters) + AWM2 Tone Generator (4 MB ROM samples)
64 RAM Presets (4 elements with 8 filters max: 2 AFM + 2 AWM2, 4 AFM, 4 AWM2…)
128 ROM Presets, 64 Card Presets)
DSP Effects
16 Part Multitimbral
16 AFM Poly + 16 AWM2 Poly
16 Track Sequencer
www.vukan.net
61 Keys with Velocity and Aftertouch
MIDI In/Out/Thru
4 Outs
16
Analog Canyon – Modular performance
Performed live on a modular synthesizer with Electro Harmonix 45000 looper.
Patch Notes:
Ableton Live feeds notes to Yarns. Yarns in 4M, clocked by Ableton plays Tides > Clouds, triggers René, triggers Peaks and modulates Elements, clocks Electro Harmonix 45000 playing two loops (SH-101 > Eventide H9).
René triggers Maths Ch. 4 which Gates Elements.
René QCV to Elements VOCT, CV to Elements Mallet.
Maths modulates Elements and Tides:
Elements – EOR > Position, OR > Geometry, SUM > Space
Tides – Ch. 1 env to Tides Level and Smooth, INV to Shape
Additional reverb, delay, sidechain compression in Ableton Live.
100bpm
SynthFest 2015 – Moog Modular – Olivier Grall
SynthFest 2015 – Nantes. Présentation Moog Modular par Olivier Grall.
DATAMASKIN
