Youtube alias ‘CrazyDMco1′ explores the role of Alan in DM
“I still believe Alan was the mastermind behind all the success… Martin may had been the writer but only one man brought the songs to life.. Just my opinion.”
The Spanish musician Rick Brendan has launched his very own parody on Depeche Mode’s huge hit “Personal Jesus”. The “Personal Trainer” track even got an entertaining video.
Just a quick demo experimenting with the arturia microbrute patched up to my modular synth.
depeche mode cover -electribe emx-arturia minibrute-er 1
Should Be Higher (Live on Letterman version)
Upper: Roland JP8000
Mid: Emu Emax w/Oberheim and Kurzweil samples
Lower: Kurzweil PC1x
Composed by David Gahan / Kurt Uenala
Music video by Depeche Mode performing Should Be Higher. (c) 2013 Venusnote Ltd., under exclusive license to Columbia Records, a Division of Sony Music Entertainment
Following the announcement of EB and Depeche Mode’s team-up for their European tour, Max Dax met the DM’s vocalist last November in Paris for an exclusive interview.
Read the whole interview in text here:
Release Music Magazine has an interview out with the programmer behind Depeche Mode’s latest album:
Swedish musician, producer, mixer and programmer Christoffer Berg, 31, had already made a name for himself on the electronic music scene because of his involvement with The Knife and Fever Ray. The rumour about his skills finally reached the Depeche Mode management and, all of a sudden, Daniel Miller was on the phone… Peter Marchione talked to Mr Berg in Gothenburg – his and Release’s hometown – and Fredrik “Schlatta” Svensson took some photos in Svenska Grammofonstudion.
Coast to coast
During the past year Christoffer Berg was hired full time to manage the programming on the latest Depeche Mode full length release “Delta Machine”. A massive production that took place in two different cities, one on each coast in the US where Martin Gore and David Gahan reside these days: Santa Barbara and New York.
When searching for information regarding Berg’s background you may find him rather anonymous. Apart from his own projects, Hird, and the Dreijer connection there is not a lot to find. So, how did this all start; did he just pop up out of nowhere?
– My parents were both professional musicians. My mother was a member of a female musical collective and my father was a producer with his own label, releasing children´s music among other things. He also recorded radio children’s programs for Swedish national radio.
So, music was a part of your life from the very beginning?
– It sure was. When I grew up I got to hang around with lots of different musicians and I myself started playing the drums at the age of 6. I then played in different big bands and later on, during high school, I had a lot of own bands. During this period I also worked semi-professionally as an assistant for other engineers and producers. What I learned most from was assisting at mobile recording sessions of classical music. I used to set up microphones at large events around the Gothenburg area.
This is pretty far from electronic music. How did synths, sequencers etc. become your thing?
– I was into electronic music already during my high school days. My father bought me one of the first Macs that were able to record multitrack audio and we also had a PC with a soundcard that allowed onboard RAM sampling. I could then use the computer pretty much like a sampler and started programming songs. Later on I got a Kurzweil K2500 sampler. Back in those days the standard kit was an Atari computer, a sync box, a couple of hardware synths and a mixer… and some rack effect unit, if you were lucky. However, soon after I got the Kurzweil sampler, Swedish software developers Propellerhead released their first version of their Reason software. I then understood that things were going to change and that software synths were the future.
New interview with Martin Gore, check it out
Depeche Mode have managed to stay in a single time zone this past week, playing a sweaty, raucous two-hour show to the black swarm on the Rhine in Düsseldorf this past Wednesday, and prepping to do it all again tonight. We sat down with Martin Gore to find out about revisiting the sounds of melancholy past and how technology has changed not only Depeche Mode’s music but also their live show.
Ben Adams and Jez Webb took the time walking us through the Instrument Setups at the Hamburg Stadium before the Depeche Mode Gig on June 17th, 2013. Ben explained the use of the Virus Polar by Andy Fletcher and the Virus TI by Peter Gordeno. Jez showed us Martin Gore’s guitar Setup.