This is probably KORG’s best drum machine and though it has a heap of features that most drum machines don’t have, it doesn’t reach the heights or quality of a Roland TR-707 or Yamaha RX5. The claps are dreadful and on-board ram is almost non-existent for anything serious. As you can see from the demo songs, it is still a capable machine with careful programming. I think I like one kick. Nice effects though and almost worth the effort to learn this beast. Has 4 multi outs and 2 MIDI outs and a LOAD of other features. Love it or loathe it! Better than a Yamaha RX7 (nah!) or just piping the Alesis HR16 for build quality.
Background video description:
One of the easiest drum machines to use and my first one I got in about 1988 which was still selling new. Related to the TR-707 but slimmed down to the size of a crappy RX machine. Has better sounds and editing than the RX17 or similar. Love the claps, the kicks, everything about it. Funny enough these can go for crazy prizes, like over $200.
In the mid-1980s, Roland released the now-famous TR-707 and TR-727 Rhythm Composers. Loved deeply by groove-minded musicians the world over, these machines have been the beating heart of a wide range of styles including synth pop, acid house, techno, industrial, electro and experimental. Now, the sound of these classic rhythm machines, with every nuance accounted for, can be injected into your TR-8, taking the whole experience to an entirely new level.
- – Every sound of the TR-707 and TR-727 Rhythm Composers, faithfully reproduced using the original PCM wave data and detailed models of the original circuitry.
- – Analog Circuit Behavior captures the unmistakable sound of the original units—a result of lo-fi sampling and the behavior of the analog envelope and VCA circuitry design.
- – Newly modified TR-909 kick and snare sounds with enhanced attack characteristics.
- – Five new TR-808 sounds including Noise Toms, Noise Clap and Finger Snaps.
- – Unique flam and accent behaviors of the TR-909 and TR-707, with adjustable flam intensity and two levels of accent.
- – Upgrades the TR-8 to have all the sounds and articulations of four iconic TR drum machines, plus all new sounds, in one performance-ready instrument.
Heavyocity has partnered with Icebreaker Audio to release BitRate II, a major update to the BitRate semi-modular 8-bit drum machine for Reaktor.
BitRate II uses multiple methods of retro digital synthesis and sampling to produce charismatic and nostalgic drum sounds. The included sound engines cover chipsounds, FM synthesis, lofi sampling, and glitchy circuit bending.
On top of these unique sound engines, BitRate II also offers a 5-track mixer and a master fx section that includes an analogue modelled EQ, bus compressor, and speaker simulator for added lo-fi effect.
The drums can be triggered via MIDI or from the internal sequencer. The sequencer provides two modulation sequences per drum, which can be routed to virtually any combination of sound parameters in any amount.
BitRate II also comes bundled with the MonoBoy instrument, a melodic counterpart for BitRate II. MonoBoy uses similar sound engines, but in an interface more suited to melodic playing.
The BitRate II Bundle ships with a total of 140 preset snapshots including a variety of sounds from kits and beats to synths and samples.
BitRate II features
- 5 drum slots into which you can load any one of 4 sound engines.
- 4 lo-fi digital sound engines: Chip, FM, Sampler, Glitch.
- The ability to sample from the audio input into a custom-built sample engine.
- A built-in sequencer with 2 modulation sequences per drum.
- Per-track sequence length, allowing for complex poly-rhythms.
- EQ, Compressor, and Speaker Simulator master effects.
- 3 sound generator modes, including a unique DM sampler.
- Easy-to-use arpeggiator and Voice Controls
- 2 Modulation sequences.
- A master FX section that includes the one-of-a-kind Bit Delay effect.
The BitRate II & MonoBoy bundle is available for purchase for an introductory price of $29 USD for the first two weeks (regular $49 USD). During this period, original BitRate owners can buy BitRate II for $19 USD.
The BOSS DR-220E is a little programmable digital rhythm machine. This is the “E” version – it means E-DRUM sounds (very Simmons-like). The DR-220 has a twin brother with acoustic drums sounds – the DR-220A.
Although the DR-220 is from 1986, it lacks MIDI – but it has SYNC IN and OUT. It has nice Simmons-like eighties drums! It is similar to the Korg DDM-110/DDM-220, but it has better sounds in my opinion.
The DS-M (Drum Synth Module) is a complex, modifiable, 100% analog drum synth loosely based on the Coron DS-8 and neatly packaged into an 8hp module.
Changes to the original DS-8 include:
VCA-like trigger input (more voltage = louder output)
LED trigger indicator
1v/o tracking (C0-C4)
Triangle core oscillator
Additional noise color switch setting (3 settings instead of 2)
More distinct noise timbres
Louder, improved noise circuit
Really LOW bass frequencies
Total range ~4Hz to 2.6kHz
Elliott Garage has introduced EGLM1 – a software drum machine for iPad, inspired by the classic Roger Linn LinnDrum drum machine.
- 16 programmable rhythm patterns with variable length
- Save the pattern you’ve created and play songs
- Automation of Drumkit parameters (pan, volume and mix)
- Song Mode page (swipe to left to open it) with loop option
- Swing and tap tempo
- Core MIDI & clock MIDI (network session, external controller, inter app midi)
- Interapp Instrument
- Record and export your performance with iTunes, eMail or Audio Copy
- Korg Wist sync
Official audio/video demos are to come.
EGLM1 is available for US $2.99 in the App Store.
This tutorial explains how to create a drum kit with acoustic qualities.
Performance by Boska.
Read more about the Nord Drum 2:
This demo features the Teenage Engineering PO-12 Drum Machine, Yamaha TG-100 rompler/synthesizer and MTI Analog String Ensemble ADL-100 effects unit. All of these are mixed on a Yamaha MJ-100 DJ mixer. The PO-12 is being ran straight into the mixer and is only being effected by the MJ-100’s internal digital delay (you can hear me through-out the video adjusting the delay time on the effect). The TG-100, which is doing the chord/pad choir patch, is being ran through the MTI chorus unit. The MTI’s effect is quite similar to the ensemble effect built into the Solina String Synthesizer; a triple chorus with very deep modulation. The strings are also being effected by the digital delay on the mixer. The mix is then sent into my audio interface.
Please note: This is the prototype of the PO-12 released at Moogfest.
Vintage gear demo featuring the Boss DR-55
supported by UVI: http://bit.ly/retrosound-uvi
Boss DR-55 “Dr.Rhythm” analog drum machine from the year 1979
4 Instruments (BD, SD, HH, RS), Accent, Tone, 2x Trigger Out,
step by step programming,