NI Symphony Series – String Ensemble: Walkthrough

November 5, 2015 · Posted in Uncategorized · Comments Off on NI Symphony Series – String Ensemble: Walkthrough 

The full depth and realism of STRING ENSEMBLE is revealed in these easy-to-follow tutorial videos. Watch them all and create true-to-life scores in record time. This is part 1 in a series of 9.

STRING ENSEMBLE captures a full 60-piece string orchestra with unparalleled sound quality and ultra-accurate realism.

Welcome to the new go-to instrument for professional string scoring.

The Symphony Series is a growing range of high-end tools created for professional scoring. The Symphony Series String Ensemble, featured above, captures the sound of a full 60-piece string ensemble and was recorded in collaboration with top software string instrument developer Audiobro.

DSI Pro 2 Demo

November 5, 2015 · Posted in Uncategorized · Comments Off on DSI Pro 2 Demo 

A couple of sounds for the Pro 2. No effects added.

Universal Audio has announced the release of UAD Software v8.4

November 5, 2015 · Posted in Uncategorized · Comments Off on Universal Audio has announced the release of UAD Software v8.4 

Universal Audio has announced the release of UAD Software v8.4, featuring four exclusive new plug-ins for UAD hardware and Apollo interfaces: the Eventide H910 Harmonizer, Marshall Bluesbreaker 1962 and Silver Jubilee 2555 amplifiers, and UA’s own Oxide Tape Recorder.

Eventide H910 Harmonizer Plug-In — $249

universal-audio-eventide-h910-700x264

Developed for Universal Audio by Eventide, the Eventide H910 Harmonizer® plug-in is the first and only end-to-end circuit emulation of the iconic mid-’70s processor. From sci-fi sound design to pop music landmarks from David Bowie and AC/DC, the H910’s unique analog/digital circuit generated previously unheard combinations of pitch change, delay, harmonization, and modulation effects.

In developing this landmark processor exclusively for UAD-2 and Apollo hardware, Eventide modeled the H910’s entire analog/digital circuit, including its custom-built A/D converter. This allows the H910 Harmonizer plug-in to retain the original hardware’s characteristic tone and dynamics.

Eventide H910 Harmonizer Plug-In features

  • Exacting emulation of the original H910’s analog circuitry, developed by Eventide®, exclusively for UAD-2 and Apollo interfaces.
  • Keyboard and MIDI control for instantly setting pitch ratios in semitones.
  • Pitch change up to two octaves with signature ‘glitching’ effects.

Marshall Bluesbreaker 1962 Plug-In — $199

universal-audio-marshall-bluesbreaker-700x363

Developed by Softube, the Marshall Bluesbreaker 1962 plug-in is an expert emulation of the ultra-rare 2×12 combo tube amplifier used on the highly influential 1966 album Blues Breakers with Eric Clapton. All Marshall plug-ins include UA’s Unison technology; Apollo user’s guitar pickups will see the exact impedance load as if they’re plugged into a vintage Marshall Bluesbreaker — a feature found only on Apollo audio interfaces.

Marshall Bluesbreaker 1962 Plug-In features

  • The world’s only authentic and licensed plug-in emulation of the classic Marshall Bluesbreaker 1962 combo amplifier.
  • Unison™ technology for Apollo interfaces offers authentic tone, touch, and feel of original Bluesbreaker.
  • Three different virtual microphone combinations — FET, Valve, and Dynamic.
  • Onboard mixer features microphone level and pan.
  • 50 presets designed by legendary AC/DC engineer Tony Platt.

Marshall Silver Jubilee 2555 Plug-In — $199

universal-audio-marshall-jubilee-700x317

Developed by Softube — and available exclusively for UAD-2 hardware and Apollo audio interfaces — the Marshall SIlver Jubilee 2555 plug-in is an exacting emulation of this high-powered tube amplifier. With its flexible three-mode preamp section and dynamic distortion, it became a go-to for Slash, John Frusciante of Red Hot Chili Peppers, Alex Lifeson of Rush.

Marshall Silver Jubilee 2555 Plug-In features

  • The world’s only authentic and licensed plug-in emulation of the classic Marshall SIlver Jubilee 2555.
  • Unison™ technology for Apollo interfaces offers authentic tone, touch, and feel of original SIlver Jubilee.
  • Two different virtual microphone combinations — Condenser and Dynamic.
  • Onboard mixer features microphone level and pan.
  • 50 presets designed by legendary AC/DC engineer Tony Platt.

UAD Software v8.4 also includes the new Marshall Legends Bundle, featuring the Marshall Plexi Super Lead 1959, the new Marshall Silver Jubilee 2555, and the new Marshall Bluesbreaker 1962 — all for $399 ($199 upgrade price for current owners of the Marshall Plexi Super Lead Plug-In).
Each Marshall amplifier features Unison technology for Apollo audio interfaces; guitar players will experience the exact gain staging and impedance* load as if they’re plugged into a vintage Marshall amp.

Oxide Tape Recorder Plug-In — $149

universal-audio-oxide-700x375

The Oxide Tape Recorder plug-in provides UA’s revolutionary magnetic tape emulation technology in a simple, affordable package — with all of the essential features.

Engineered by the same team behind the award-winning UAD Ampex ATR-102 Mastering Tape Machine and Studer A800 Multichannel Tape Machine plug-ins, Oxide adds the warmth, presence, and vibe of professional analog tape to any recording.

Customers who purchase the Oxide Tape Recorder plug-in are eligible for a special upgrade price to UA’s Magnetic Tape Bundle, which includes the feature-rich Ampex ATR-102 Mastering Tape Machine and Studer A800 Multichannel Tape Machine plug-ins.

Oxide Tape Recorder Plug-In features

  • Easily provides the warmth, color, and punchy low-end response of large format analog tape machines.
  • Musical tape saturation and circuit overdrive via simple Input/Output controls.
  • Features 7.5 and 15 IPS Tape Speeds and two emphasis curves for colorful tape textures.

Obscura – an inexpensive minimal chiptunes MIDI synth

November 5, 2015 · Posted in Uncategorized · Comments Off on Obscura – an inexpensive minimal chiptunes MIDI synth 

obscura

Arcano Systems has introduced the Obscura – an inexpensive minimal chiptunes MIDI synth.

Obscura is an Arduino-compatible 8-bit synthesizer that allows you to create NES, C64, and Amiga-style chiptune music by simply connecting a MIDI device.

No programming is required. This monophonic MIDI synth comes programmed with software that includes 16 preset patches.

  • Patch 0: 12.5% duty-cycle pulse waveform
  • Patch 1: 25% duty-cycle pulse waveform
  • Patch 2: 50% duty-cycle pulse waveform
  • Patch 3: sawtooth waveform
  • Patch 4: 8-bit sine waveform
  • Patch 5: 4-bit triangle waveform
  • Patch 6: 8-bit triangle waveform
  • Patch 7: arpeggiated octaves (25% duty-cycle pulse)
  • Patch 8: arpeggiated octaves (50% duty-cycle pulse)
  • Patch 9: arpeggiated octaves (8-bit sine)
  • Patch A: arpeggiated octaves (8-bit triangle)
  • Patch b: vibrato (12.5% duty-cycle pulse)
  • Patch C: vibrato (25% duty-cycle pulse)
  • Patch d: vibrato (50% duty-cycle pulse)
  • Patch E: vibrato (8-bit sine)
  • Patch F: vibrato (4-bit triangle)

Users with programming experience will be able create their own custom software for Obscura using the Arduino IDE. (Obscura is based on the Arduino Leonardo platform.) Arduino pins 5, 8, 9, 10, 12, and 13 are broken out for hardware hacking and experimentation.

The Obscura is being developed as a Kickstarter project. The synth is available to project backers starting at US $95.

Herbie Hancock with the ARP ODYSSEY

November 4, 2015 · Posted in Uncategorized · Comments Off on Herbie Hancock with the ARP ODYSSEY 

Curious about the ARP ODYSSEY? Go in the studio with the legendary Herbie Hancock and the historic ARP Odyssey. The ARP Odyssey was the first synthesizer that Herbie ever worked with. Here he explains how the unique features and his engineering background helped him embrace the sound creation power of the ARP Odyssey.

More Details:
– Herbie Hancock | INTERVIEWS | EXPERIENCE | ARP
http://www.arpsynth.com/experience/in…

DreamsOfWires – Laplace Resonator Synth (iPad)

November 4, 2015 · Posted in Uncategorized · Comments Off on DreamsOfWires – Laplace Resonator Synth (iPad) 

Background video description:

Someone asked me what apps I have/like/use, so I thought I’d do some videos featuring them in the future. Besides, I’m broke and having to sell some of my hardware instruments, so it’ll probably do me good to investigate bankrupt-proof music making possibilities. Among the many apps I’ve been impressed with is Laplace. This video does nothing to demonstrate the kind of resonant sounds that the app does best, but I was just messing around with it and this fell out. So I recorded it. No additional effects or post-processing was used, just its arpeggiator, built-in reverb and delay. The patch was made by me, starting from a new, empty patch.
The video is of the Imperial War museum at Duxford (UK). Sorry about the wonky horizons, it weren’t my fault, the world kept moving.
The hot, steaming noodles are courtesy of Thailand and contain no musical content.

SMROM – new rompler instrument for Windows and Mac

November 4, 2015 · Posted in Uncategorized · Comments Off on SMROM – new rompler instrument for Windows and Mac 

Samplescience-SMROM-700x423

Samplescience has announced the release of SMROM, a rompler instrument for Windows and Mac.

SMROM is a VSTi/AUi rompler plugin based on the sound of the SN76489 PSG, the sound chip used in the Sega Master System video game console.

Each sound has been carefully multi sampled to sound has authentic has possible.

SMROM features

  • 45 detailed sounds ranging from arps to leads, basses and sound effects.
  • Noise and sub oscillators.
  • Reverb.
  • LFO Depth/Rate/Destination controls.
  • Pitch Bender/Range controls.Available for Windows 32 bit/64 bit (VST instrument) as well as Mac OS X (VSTi/AUi).

SMROM is available for purchase for $12 USD.

Check out KORG Module for iPhone and iPad with new microKEY/Air

November 4, 2015 · Posted in Uncategorized · Comments Off on Check out KORG Module for iPhone and iPad with new microKEY/Air 

KORG Module is a high-quality mobile sound module app that’s ideal both for performance and for music production, and features a pro-level high-quality sound library. In addition to the iPad version, it’s now available for iPhone as well. Your iPhone, together with a MIDI keyboard such as the new microKEY, is all you need to easily perform unsurpassed grand piano and studio-quality keyboard sounds anywhere and anytime.

83efd8165e46e18f9edc872cb3f872f7_pc

More Details:
http://www.korg.com/korg_module_for_i…
http://www.korg.com/korg_module_for_i…
http://www.korg.com/microkey2_air/
http://www.korg.com/microkey2/

Ozone 7 and Ozone 7 Advanced – latest version of iZotope’s mastering and mixing software for Windows and Mac.

November 3, 2015 · Posted in Uncategorized · Comments Off on Ozone 7 and Ozone 7 Advanced – latest version of iZotope’s mastering and mixing software for Windows and Mac. 

iZotope-Ozone-7-maximizer-700x467

iZotope has announced the release of Ozone 7 and Ozone 7 Advanced, the latest version of its mastering and mixing software for Windows and Mac.

Glue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. Audition masters before rendering with the new Codec Preview. Apply Ozone Advanced’s processing to mix busses, too, with individual plug-ins of all ten modules.

Plus, both versions of Ozone include the Maximizer, the Dynamic EQ, the new Vintage Limiter, Export Formats, and more. Use Ozone as a plug-in or as a standalone application.

Changes in Ozone 7 & Ozone 7 Advanced

  • Vintage Tape [Advanced only] — The Vintage Tape module brings the distinctive richness and warmth of tape saturation to your modern digital recordings with all the frequency coloration, distortion, and phase effects of tape. Take advantage of analog tone for masters that sound more musical with added dimension, fatness, and depth.
  • Vintage EQ [Advanced only] — With the richness, warmth, and color of Pultec equalizers, Vintage EQ lets you brighten your master, smooth out heavy lows, and add body to your digital recordings. Discrete frequency value selections let you boost and cut separately — but at the same time! — without ending up with a “boomy” master.
  • Vintage Compressor [Advanced only] — Vintage Compressor is a single-band compression module for subtle warming and sweetening effects. The program-dependent release tailors release shapes depending on your material to adapt naturally to your music. Thicken the midrange, tighten and round out the lows, let the top sparkle, and get authentic vintage character.
  • Codec Preview [Advanced only] — Get a real-time listen to how your master will sound in various industry-standard codecs with Codec Preview. Preview the sound of a compressed master within your DAW or the Ozone standalone application. Instantly make adjustments to perfect the audio for streaming or online music stores with this easy-to-use tool that improves your workflow.
  • Vintage Limiter — The “Tube” mode that was part of the Maximizer in Ozone 6.1 has been broken out to its own module, the new Vintage Limiter, and got an upgrade with faster and slower settings. Glue a mix together and add character with the Vintage Limiter’s warmer, analog-sounding final-stage limiting while retaining the ease and precision of digital maximizing. Bring a natural feel to harsh and digital-sounding masters. Get a silky warmth and body and the nostalgic vibe of the classic records you grew up with.
  • Export Formats — Specify the file format for export from a variety of compressed or uncompressed popular choices like MP3, WAV, and AAC. You no longer need to output to .wav and then use a separate MP3 converter. Now you can export your digital formats directly from your source files and add metadata before export, including track name, band name, album name, and more.
  • Upgraded Maximizer with IRC IV — Ozone’s legendary mastering limiter features a new algorithm (IRC IV) with multiband and frequency-specific operation, so that the limiter doesn’t have to work as hard. Get even more transparent mixes with less pumping at higher volumes — ideal for when you need to tame the kick drum peaks without causing vocals to pump. The former “Tube” mode of the Maximizer has been expanded to its own new Vintage Limiter module and is backwards compatible with Ozone 6.1 presets.

Ozone 7 and Ozone 7 Advanced are available for the introductory price of $199 USD and $449 USD, respectively (regular $249 USD and $499 USD). The offer ends November 11th, 2015.

Roland Boutique Audio Test

November 3, 2015 · Posted in Uncategorized · 1 Comment 

Just a quick test with the JX-03 and JU-06, each running a sequence. Audio recorded straight out of the JX-03 into the video recorder.

You can hear how wonderfully Roland emulated that noise chorus from the Juno 106.

I’m very happy with the way these these sound. Do they successfully emulate the vintage analog synths 100%? No. They don’t. But they capture the vibe and spirit of what makes their vintage parents so amazing, and at the price they really can’t be beat.

« Previous PageNext Page »

  • THE CAVE : Playlist

  • INSTAGRAM – ANALOG INDUSTRIAL ARTS

    No images found!
    Try some other hashtag or username
Get Adobe Flash player