BRUNO ENDER LEE – “Astral Odyssey” – composed, arranged & performed by Bruno Ender Lee, April 22. 2012
Pre-recorded live tracks: ARP Odyssey & Doepfer MAQ-sequencer / MiniMoog Voyager OS (bass)
Filmed live tracks: MiniMoog Voyager OS (leads) / Moog Etherwave Theremin / ARP Odyssey (fx-sequence)
2012 Velvet Voyage Productions
Ethero is the iPhone’s answer to the etherophone, or Theremin as it’s better known. The Theremin is one of the earliest electronic instruments ever created and it’s now famous for it’s signature eerie sound.
The traditional Theremin is usually controlled without any physical contact, with the player using each hand to control both the pitch and the volume of the sound. Ethero works in a slightly different way, but it still attempts to emulate the real instrument! Ethero takes the amount of light coming into the device’s camera and translates it into a sound frequency. So, waving your hand or another object in front of the device camera will change the pitch of the sound. The more light coming into the camera, the higher the pitch. To control the volume of the sound, simply touch the screen of the iphone and move it up and down the screen.
“This is just a quick demo of Ethero 2 running live on my iPad 2.
The video shows a couple of the preset scales in the app. The synth sounds are from the Moog Animoog which is running in background-audio mode and being controlled via virtual MIDI ports.
Ethero 2 will run on iPhone 3GS, iPhone 4, iPhone 4S and iPad 2.
MIDI is sent over virtual ports, WIFI and via the Camera Connection Kit. Of course, your mileage will vary with the use of virtual MIDI ports as there’s quite a lot of processing going on. It works best on the iPhone 4S and iPad 2 (and I guess ‘the new iPad’, but I can’t test that… yet!) “
The following demonstrates MuTheremin iPad App version 1.0. It’s a multi-touch theremin inspired synth and it’s free.
Pros: Free, Multi-Touch,cool lights
Cons: It’s buggy. You will hear clicks and noise. I used an Alesis IO dock for audio. Also tried it though headphones. Same problem.
More info here http://ipadloops.com/free-mutheremin-ipad-app/
To Tell the Truth – composed by Yoko Kanno. Performed by Randy George on theremin, with music from the original sound track of the animation series, Ghost in the Shell: Stand Alone Complex
“Thank you dear Yoko Kanno, your melodies have touched my heart. I am so grateful for your contribution to the universe of music.
This video is dedicated to the those people who have it within themselves to speak from a place beyond the mind. To speak from a place of boundless wisdom, from the human core. To Tell The Truth requires immense courage because we live in a world where the the truth has purposely been hidden, and the only place to find it again is by going within and having trust in the heart.
The theremin is the only musical instrument in the world that can function as an interface for utilizing organic fluid motions to express what is deep inside a person’s heart and soul.
Thank you, Lev Termen, Robert Moog, and Thierry Frenkel, masters of the art of weaving electronics and music. I am able to sing with my hands because of these three great people.”
Here is the incomparable Moog Etherwave Pro Theremin running through the Eventide Space processor giving it an otherworldly sound. Eventide Space can create a variety of spatial effects, including basic reverbs, delays and unique combination effects. Space features 12 of Eventide’s reverb combination effects, taken from the H8000FW and Eclipse V4.
The Etherwave Pro is a professional quality theremin featuring classic theremin sounds, excellent playability housed in a beautiful eye-catching cabinet. It is designed as a solution for the gigging musician who wants the best theremin available in a portable package. The Etherwave Pro also won the 2005 Excellence In Design Award (EID). This bold, beautiful theremin is designed for the gigging musician. Drawing on his 50 years of experience, Bob Moog has designed the next step in the evolution of the original electronic instrument, the Theremin. The Etherwave Pro is a step up both from the best-selling theremin of all time, the Etherwave Standard. The Etherwave Pro features professional quality response and sound in a package designed both for beauty and portability. Whether you’re a seasoned thereminist or someone drawn to it’s unusual sound and looks, you’ll appreciate the quality of response and control this product offers.
The Etherwave Pro features removable pitch and volume antennas. The Pitch range of this instrument extends to 6 1/2 octaves. Both Volume and Pitch antenna response are tuned from the wooden pitch and volume knobs as well as the fine adjustment trim controls at the bottom of the front panel.
The front panel controls include a range switch which allows for choosing one of three octave ranges. The Timbre rotary switch is used to select one of the five preset timbres (classic theremin tones) or enables the front panel Waveform, Brightness, and Filter controls, which allow the thereminist to tailor their own personal theremin tone.
The Etherwave Pro also features a headphone output with level control and a dedicated tuner output. A lighted Standby switch allows the Etherwave Pro to be on but silences the audio output.
“Thanks to Josh Flynn for playing the theremin and shooting the video.”
Here’s a fresh new experimental video: A project for KKout let London.
Using normal am radios to a Theremin Original development by Tomoya Yamamoto (Yamamoto Super Theremin)
Additional Development by Yuri Suzuki
A short clip by Yuri Suzuki
Music : Swan by Saint-Saëns
VELVET VOYAGE – “Kristallwald” (Crystal Forest) – Performed by Bruno Ender Lee, August 13. 2011
The Crystal-Sequence and some FX are pre-recorded, from the 2004-CD “Traummaschine”, with Arturia Modular Moog V. The Live-Part: Moog Little Phatty Stage II, Synthesizers.com Studio-88, ARP Odyssey, MacBeth M5N, Roland Juno-60, Roland JP-8000, Analogue Solutions Vostok, Korg MS-2000, Moog Etherwave Theremin
Schubert played on the theremin:
Some of my online theremin friends didn’t want me to record this theremin transcription of Franz Schubert’s SERENADE. They said it was too schlocky and romantic and that I shouldn’t waste my time on it! Nevertheless, it remains one of the most popular and recognizable melodies from one of my favorite composers. This arrangement is for theremin and Haken continuum (accompanied by the Korg TRITON EXTREME). The continuum is playing the delicate recorder/flageolet sound that follows the theremin. Although I think my brain could have played all three instruments at once, I just don’t have enough arms and hands, so I prepared the track and played the theremin live.
In the summertime, I often use my barn for music. The barn was built in the 1860’s during the American civil war and no nails were used in its construction. It is made entirely of hardwoods and held together with expertly fitted joints and wooden spikes. When you play music in it, the whole building vibrates like the soundbox of a giant bass or cello. Unfortunately it isn’t very well insulated and it isn’t heated so it is useless for music in the winter. But it’s great in the summer!
According to music historians the Austrian composer Franz Schubert (1797 – 1828) wrote this composition in the summer of 1826 in a beer hall, jotting the notes down on the back of a menu. He had apparently stopped in to the place to have a couple of pints and cool off.
The theremin in the video is a Moog Ethervox. The Haken continuum is a continuous controller which, unlike the theremin, does not have a sound of its own. It can sound like just about anything you want and, like the theremin, can elegantly slide from one end of its range to the other in a seamless “gliss”. It is also polyphonic and has 16 voices (the theremin is monophonic with only one voice).
I was going to call this piece, “Schubert & the theremin & the continuum go to Bollywood” because I am used to wearing Indian clothes when the weather is particularly hot (as it was today when I recorded this). Natural air conditioning
A live performance of Spacedog’s latest set at the Blank Gallery, Brighton, June 2008. As seen at the Sanctuary, Brighton Festival Fringe, 2008. This number samples the Hammer classic The Devil Rides Out (1968), mixing it with Willow’s Song from that other British occult classic The Wicker Man (Paul Giovanni, 1973). Mind control courtesy the hypnotic voice of the great Charles Gray. The very first sample is from a 1950s Parakeet training record.
The lineup: Jenny Angliss, Sarah Angliss, Mike Blow, Ben Kypreos and Colin Uttley.
For anyone interested in the technical details: The Hammer samples you are hearing are being scrubbed (i.e. speed controlled) live using the theremin. Sarah (the thereminist) has devised a Max/MSP patch that enables her to do so – this also scrubs the video live. Mike (in the green tee-shirt) is cueing in the samples as the song progresses. As the lighting in the gallery wasn’t suitable for projection, we’ve added our usual visuals onto this film, during the edit.
This video is a must see, really cool performance using Kinect technology.
Extending the acoustic vibraphone by embedding 3D gesture recognition using the Kinect. Kinect-Max/MSP (Kinect Datastream-OSC-MIDI)- controlling filter parameters in Ableton Live to modulate the acoustic audio input from the vibraphone in real-time. Developed by Gabrielle Odowichuk and Shawn Trail @ MISTIC.