u-he has announced the release of the Uhbik-F Rack Extension flanger effect unit for Propellerhead Reason.
Our flanger, from through-zero tape flanging (dramatic jet-effect!) to classic stomp-box type chorus, with LFO modulation and feedback / resonance.
Uhbik-F simulates two tape machines per audio channel, with recording and playback heads that can even occupy the same position if you want – impossible in the real world! Bass frequencies can bypass the effect (‘bass sanctuary’) to ensure LF-stability while the rest of the sound is swept around. Turn up the drive (2nd harmonic distortion), and your lead line will scorch its way through any mix!
The Uhbik-F Rack Extension is available to purchase for the introductory price of $19 USD until November 12th 2012 (regular $39 USD).
u-he has announced the release of Uhbik-Q, the “uhbiquitous equalizer” for Propellerhead’s Rack Extensions.
Equalizer, the perfect balance between simplicity and flexibility required a unique approach… Uhbik-Q is a revelation!
Maximum flexibility from a minimum of controls, low CPU without compromising transparency. Uhbik-Q combines freely tunable frequency bands (4-pole filters, not the usual 2-pole!) with presets for other options. Q-factors automatically adjust to gain, an optional ‘mid’ bell curve filter adjusts to the two main bands… judging by the simple GUI, you would never guess just how much this EQ can do!
Uhbik-Q is available to purchase for the introductory price of $19 USD until November 5th, 2012 (regular $39 USD).
DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer
The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.
Check out more than 1200 presets. If your computer can handle it, try them in “Divine” mode.
The Diva Controller – An overview and function test
The third in a series of bite-sized tutorials aimed at users of u-he’s latest synthesizer, Diva. The sounds made in this video certainly won’t be to everyone’s taste – they’re all typical old synthbrass! However, the point is to show several different methods of getting similar results, even with a limited set of modules.
So let’s bounce…
Method 1 starts with the usual synthbrass settings, but we soon run into the problem of not having enough envelopes for VCA, VCF cutoff, and pitch modulation at the beginning of each not. So LFO2 is used for cutoff, freeing up envelope 2 for pitch modulation.
Method 2 reverts to the usual envelope 2 for cutoff. The LFO takes over for pitch modulation, but in a special way: LFO2′s delay parameter ramps down to the bottom of a square wave (set to minimum rate so it won’t cycle). Note that the pitch modulation is also negative — a minus times a minus is a plus.
Method 3 is probably the most interesting one because it uses neither envelope 2 nor LFO 2 for the pitch. Instead, the Gate signal (i.e. note on/off from your keyboard) is lagged, resulting in a smooth attack. And (fortunately or unfortunately) an equally smooth release… but there’s a little surprise at the end.
Take home message: Just like classic analogue polysynths, Diva expects you to make the most of a limited set of synth modules!