Arturia MiniBrute Sound Sources

April 23, 2012 · Posted in Uncategorized · Comments Off on Arturia MiniBrute Sound Sources 

A quick tour on the MiniBrute sound sources: no filtering, just plain oscillator straight into the old faithtul analog oscilloscope. Metalizing on triangle wave, PWM on square wave, HyperSawing on sawtooth, SubOsc square/sine, Noise…

The Anvil Machine

April 22, 2012 · Posted in Uncategorized · Comments Off on The Anvil Machine 

Background information:

Custom made Analog Synthesizer made to Paulo Beto.
Testing it with MS-20, Moog and Oberhein.

ginas brain – analog synths

April 21, 2012 · Posted in Uncategorized · Comments Off on ginas brain – analog synths 

EMS VCS3 as featured on Mark Lawson’s summary of TV in 1973, which was just on telly

The VCS3 (nicknamed the Putney) is an analog monosynth housed in a distinctive angled wooden case, a truly classic synth. EMS (Electronic Music Studios) was created in England back in 1969. The VCS3 was one of their first synths and it is still a great, unique, funky little unit! Pictured above is the Mark I model. Pictured is another unit with the small wood-cased DK2 voltage-control keyboard required to play the VCS3.

It has three oscillators, and a unique matrix-based patch system. Instead of patch wires, the VCS3 uses a patchbay grid in which the synth components are laid out, and signal routing is accomplished by placing small pins into the appropriate slots. The VCS3 was, in actuality, a modular type synthesizer reduced down to an extremely portable size.

It generates familiar sci-fi sounds (Dr. Who) and other truly analog sounds. Unfortunately, the oscillators tend to drift out of tune. There’s a Noise Generator, 2 Input Amplifiers, 1 Ring Modulator, 1 Voltage Controlled Low Pass Filter (VCF), 1 Trapezoid Envelope Generator, Joy-Stick Controller, Voltage Controlled Spring Reverb unit and 2 Stereo Output Amplifiers.

Additonally, the VCS3 was also sold in a plastic breif-case and called the Synthi A. The major Synthi 100 system was based on three VCS3’s strung together. Some ultra-rare commercially unavailable synths EMS made include the VCS4 in 1969 which was basically 2 VCS3’s plus a keyboard. And the Synthi Keyboard 1 of 1970 was just a VCS3 with a mini 29-note keyboard.

DEWANATRON! A 3D Stereoscopic Documentary (Official Teaser)

April 20, 2012 · Posted in Uncategorized · Comments Off on DEWANATRON! A 3D Stereoscopic Documentary (Official Teaser) 

http://youtu.be/owJSMPYZR1Q

Check out the IndieGoGo here: http://www.indiegogo.com/dewanatron3D?a=490342

DEWANATRON! is the struggle of two inventors, cousins Brian and Leon Dewan to design, manufacture, sell, and play unique analogue synthesizers in an overwhelmingly digital world.

Arturia MiniBrute Synthesizer Demo

April 15, 2012 · Posted in Uncategorized · Comments Off on Arturia MiniBrute Synthesizer Demo 

Sweetwater’s Daniel Fisher demos the new Arturia MiniBrute Analog Synthesizer with a thorough walkthrough of its parameters and features. You can control it with CV, MIDI, or USB-MIDI, and it’s even got an external audio input to run signals through the amazing multi-mode filter and amplifier sections. Enjoy the demo, then learn more about the Arturia MiniBrute here:  http://bit.ly/sw_MiniBrute

Anaphobia Mini – the free monophonic virtual analog synthesizer has been updated

April 12, 2012 · Posted in Uncategorized · Comments Off on Anaphobia Mini – the free monophonic virtual analog synthesizer has been updated 

Developer Lars Rosenquist has updated Anaphobia Mini – a free monophonic virtual analog synthesizer for iOS 5.0.

Here’s what’s new in Anaphobia Mini 2.0:

  • 16 step sequencer with adjustable tempo (20-200 BPM), adjustable swing and glide/portamento
  • Synchronise tempo to MIDI clock
  • Support for MIDI start, stop and reset commands
  • Background audio play
  • Virtual MIDI
  • WIST (Wireless synchronised start and stop)
  • Filter and voice now each have a dedicated LFO
  • Completely rewritten synthesizer engine
  • Various bug fixes and minor improvements

Note: This update will erase existing setups, please make screenshots from setups you wish to keep.

Anaphobia Mini is available for free in the App Store.

Closer looka at the “Roland Jupiter 6” – Fat Analog Synth

April 10, 2012 · Posted in Uncategorized · Comments Off on Closer looka at the “Roland Jupiter 6” – Fat Analog Synth 

The Jupiter 6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.

The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.

Synthcom Systems, Inc. offers the Europa firmware upgrade for the Jupiter 6 which gives it an up-to-date and comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6’s original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter 6 is a thoroughly modern synth with a classic sound.

Saurus – new soft synth with true analog sounds

April 6, 2012 · Posted in Uncategorized · Comments Off on Saurus – new soft synth with true analog sounds 

Tone2 has released a new software synthesizer for Mac & Windows, Saurus.

According to Tone2, Saurus is ‘not just another synthesizer with character, but one that truly represents the analog sound.’

Here’s what they have to say about it:

We carefully measured and modeled the circuits of many classic performance synthesizers, including even single capacitors and resistors to provide an extremely accurate analog model, faithfully capturing the spirit and character of these old machines. All without placing heavy demands on your CPU or budget.

Highlights:

  • True Analog Modelling Technology
  • High-end sound quality
  • Low CPU and high reliability
  • Easy-to-use interface
  • ‘Unique sounds which no other synthesizer can create’
  • Huge sonic range
  • Flexibility, expandability
  • Ships with 563 presets from 21 sound designers

Features:

  • Covers all important aspects of traditional analog synths
  • Mono, Legato & Polyphonic modes employing analog voice management
  • Two Syncable Oscillators and two Sub Oscillators
  • Not just standard waveforms but also a large number of exotic ones
  • Pulse Width Modulation and Oscillator Sync applicable to every waveform
  • Oscillator Drift, Phase and Noise Modulation controls
  • Noise FM, AM and Ring Modulation for Oscillators
  • Analog filter with self-oscillation, nonlinearity, 6 filter types, FM and feedback
  • LFOs and modulation capable of running at audio-rate
  • Arpeggiator with extensive configuration possibilities
  • Flexible Modulation Matrix with new features, including a filter
  • Programmable gate
  • 4x Stereo Unison modes with spread and panning control
  • Analog modeled Distortion and Tube amp
  • Optional Psycho-Acoustic processing
  • High-end quality Effects

Tone2 Saurus is available now for US $119. See the Tone2 site for details, audio samples and a demo version.

Exploration of generative time structures for analog synths

April 4, 2012 · Posted in Uncategorized · Comments Off on Exploration of generative time structures for analog synths 

RISP is Richard Devine’s algorithm-based exploration of generative time structures for analog synths. If you missed limited vinyl boarding pass worry not — gain 3 additional original richard devine compositions plus five remixes by Loops Haunt, Vaetxh, Subjex, Valance Drakes & Balkansky with the release of RISP on CD. Expect to breathe air on distant planets as chaotic, broken machines speak harmonious mutant languages via RD’s human/alien soundesign and audio activist remixes. Thirteen new tracks to become alien.

DU-16: CD info: detroitunderground.net/blog/2012/03/28/richard-devine-•-risp-•-cd/

Studio Electronics presents: Boomstar – Four New Analog Synths

March 22, 2012 · Posted in Uncategorized · 1 Comment 

“This new blazing brainchild of STUDIO ELECTRONICS represents the design collective ethos of circuit and software “Saseong” Tim Caswell, tactile layout and lead feature specialist Greg St. Regis, graphic and sound consultant Marc St. Regis, art design wizard of vector truth, John Greczula, cool-headed concept leader Geoff Farr and our relentless and wise feature and functionality consultant and “Whip”, Drew Neumann.” – studioelectronics.com

Studio Electronics today introduced the Boomstar family of synthesizers – four new analog synths, each priced at $799.

The four synths share a common 2-oscillator analog synth architecture. The synth is offered, though, with four different filter types:

  • 4075-classic Arp 2600
  • 5089-classic Moog 24db ladder
  • SEM-classic Oberheim 12db
  • 303-classic Roland TB.

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