This video demonstrates the sound of the Roland Jupiter-6.
The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.
Synthcom Systems, Inc. offers the Europa firmware upgrade for the Jupiter-6 which gives it an up-to-date and comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6’s original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter-6 is a thoroughly modern synth with a classic sound.
The Jupiter-6 is an excellent for ambient drones, pads, blips, buzzes and leads. The Jupiter-6 is known for being a very reliable, programmable, polyphonic, analog monster of a synthesizer!
The legendary JUPITER-8 synth is back as a very cute module , the JP-08. However lets listen to the iconic original Jupiter-8 in a very rare presentation , in the way we all synth nerds want a Youtube demo video. NO FX , NO EQ and NO COMPRESSION just the synths outputs straight in to high quality AD converters ! Here we go !
The legendary Jupiter-8 synth is back – as a limited-edition module no bigger than a book. Part of the Roland Boutique series, the JP-08 is all about hands-on control and that iconic Jupiter sound. With an array of 36 knobs and sliders from the original Jupiter-8 front panel, the 4-voice JP-08 is highly programmable and encourages sonic experimentation, especially with the built-in speaker and battery operation. Using Roland’s acclaimed Analog Circuit Behavior (ACB) technology the JP-08 faithfully reproduces the original Jupiter-8 sounds and adds a few new twists in the form of extra LFOs and expanded VCO range. You can even slide the JP-08 into the K-25m keyboard unit (not included) for a self-contained, go-anywhere synth experience.
Huge Synth. Small Package.
The Jupiter-8 was a big synth in every way; physically imposing with loads of knobs and sliders, and most importantly, a huge sound. The JP-08 retains the big sound of the Jupiter-8 but shrinks everything else – including the price – into a module measuring under 12″ across.
With such an expressive sound engine, you’ll want to shape the sounds to match your mood. With 36 of the original parameters accessible from the front panel, the JP-08 is all about hands-on control, and even users of the Jupiter-8 will quickly feel at home as the user interface and programming ‘feel’ is highly reminiscent of the original.
New Sound-Shaping Options
Even though the JP-08 is an authentic recreation of the Jupiter-8, Roland also included a few extras. The JP-08 adds several new waveforms to the original architecture, including TRI and NOISE for the LFO and SIN for VCO-1, and both VCOs have an expanded range for even more sound shaping potential.
Develop Your Ideas with a 16-Step Sequencer
The onboard 16-step sequencer is a sonic scratchpad that lets you try out new ideas without bringing lots of gear – it can even be used without a keyboard. And if there’s no keyboard connected, the ribbon controller lets you preview the sound, making it an ideal way to program patches quickly and easily.
Optional K-25m Keyboard Unit
The JP-08 works especially well with the K-25m, an optional 25-key velocity sensitive keyboard that takes your music making to the next level. Once docked in the keyboard, the module’s front panel adjusts to three positions for convenient access to the knobs and sliders.
One of the killer features of the original Jupiter-8 was its ability to create huge pads, splits and layers using its 8 voices of polyphony. The JP-08 features a chain mode that allows you to connect two JP-08 modules using the MIDI ports and create one, 8-voice synthesizer, just like the original. Adding additional modules adds another 4 voices of polyphony with each module. This is especially great when controlling the JP-08 from a larger external keyboard. You can even edit the sound from the master module and control both units. Great for real-time filter sweeps and LFO effects.
Battery or USB Bus Power
Some of the best music is made away from the studio, so the Roland Boutique series runs on 4 x AA batteries, ready for when inspiration strikes. Alternatively, you can power the JP-08 via USB bus power.
USB Audio Interface for Direct Recording Into Your DAW
The built-in USB port also functions as a high-quality 24bit, 44.1 kHz audio interface, for a fast, simple and reliable way of recording directly to your DAW application. You can keep your favorite patches and sequencer patterns safe too, via the USB data backup function.
– Ultra-compact recreation of the iconic Jupiter-8 synthesizer
– Retains the feel, sound, character and user interface of the original
– 36 of the original synth parameters controllable from the front panel
– Adds several additions not found on the original Jupiter-8, including extra waveforms, expanded VCO range
– Chain mode allows two JP-08 to function as one 8-voice module
– Highly portable for mobile music making
– High-quality construction with metal front panel
– Dual ribbon controllers for pitch bend, modulation, and sound preview
– Battery-operated (4xAA) or USB powered
– 24 bit/ 44.1 kHz stereo IN/OUT USB audio interface
– Built-in 0.5W mini-speaker for instant enjoyment
– Compatible with optional K-25m keyboard unit
NOTE: Showed with optional K-25m keyboard.
Loopmasters has launched Synth Explorer – Jupiter-6, the first title in a new series of royalty free loops and one shot samples that pay tribute to legendary synthesizers and drum machines.
First up for the Synth Explorer collection is the classic Roland Jupiter 6. First introduced to the world in 1983 the Jupiter 6 was one of the first analogue synthesisers to adopt MIDI and is considered to be a solid 12 oscillator analogue workhorse with a distinctive but fully capable palette of sounds ranging from Ambient Drones, Smooth Pads, Analog Leads to Techy Blips and Noises.
Synth Explorer – Jupiter 6 has been produced using a mint condition Roland Jupiter 6 owned by one careful, well known producer, recorded live through a TL Audio C-1 dual valve compressor and a Neve 8801 channel strip to capture the pure sonic delight of this vintage synth beauty.
This edition of Vintage Explorer sees a wealth of Loop and one shot samples aimed towards the soulful spectrums of electronic music production with a slight angle towards Italo Disco, Funk, Nu Disco and Deep House as well as more experimental down tempo genres.
Synth Explorer Jupiter-6 features
- 356 MB content, 24-bit quality.
- Includes 41 arp loops, 24 music loops, 25 bass loops, 16 bass multi samples, 37 sfx hits, 41 chord hits, 34 synth stabs.
- 90 REX2 files.
- 114 soft sampler patches for Kontakt, HALion, EXS24, NN-XT and sfz formats.
The sample pack is available for purchase for £14.95 GBP.
The Jupiter-8 was Roland’s first truly professional analog synthesizer. The Jupiter-8 features 16 rich analog oscillators at 2 per voice, eight voice polyphony and easy programming! At eight voices you can get some pretty thick analog sounds. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs. The legacy of the Jupiter synthesizers is due to their unique voice architecture and design, creating sounds that were so unreal and amazing that they have to be heard! No other synths in the world can create analog sounds as cool and authentic as these.
The Jupiter-8 was the biggest and fattest of them all (Jupiters and Junos)! It was one of the first synths to allow its keyboard to be split and layered – it’s eight voices of trance heaven! Cross-mod, oscillator sync, a great LFO and a classic arpeggiator are also on-board. There’s also a killer resonant analog low pass filter, same as the Juno-6 / 60, with the added option of choosing 2-pole (12 dB/oct) or 4-pole (24 dB/oct) modes as well as a separate high-pass filter. Unfortunately for the earlier models, tuning was very unstable but that seemed to be resolved in later models. Unlike its smaller counterpart, the Jupiter-6, the Jup 8 does not feature MIDI, only Roland’s DCB sync can be found on some models. However, MIDI retro-kit’s are available from various companies. Patch presets can store keyboard splits, arpeggiator settings, voice assign mode, hold, portamento and modulation settings.
Background video description:
Hey guys! Here is my 2nd attempt to make a better video of the Arturia Jupiter 8V. I finally figured out a better way to capture the video! This is a split patch that I created on the Jupiter 8V using an arpeggio saw wave patch on the lower half and a brass patch on the upper half. I added a touch of delay as well. I really like this software!
Tap into the power of 3 analog super-synths—the JX-10, MKS-70 and JX-8P. UVX-10P recalls the last true analog synthesizers from the famed masterminds behind the Juno and Jupiter series, delivering a lush and extravagant analog sound. A fully-programmable interface lets you dive in and craft your own patches—utilize our high-quality amp and multimode filter designs, multiple effects, LFO, step modulator and much more.
In 1985 the world was introduced to the JX-10, a 12-voice, 24-oscillator analog synthesizer par excellence and the last true analog synth of its lineage. Following in the footsteps of the JX-8P and JX-3P, the Super JX was fashioned with a sparse aesthetic. A lack of knobs made the system a bit of a chore to program but an external controller (the PG800) could be attached, cheerfully reuniting synthesists with the immediacy and rapid programming speed of the ever-popular Jupiter and Juno lines. The JX-10 is known for an immense and capable analog sound, even some digital textures; it’s simply a magnificent synth. Programming capabilities were equally rich with independent control of 2 DCOs per voice, 2 EGs, 2 VCFs, onboard chorus and even a sequencer (albeit a limited one).
UVX-10P was designed to deliver on all of the strengths of the JX series with none of the weaknesses. We started with a pristine JX-10, MKS-70, and JX-8P and set off, tirelessly programming and sampling these beauties in high-resolution through a world-class signal chain. As with the UVX-3P we made every sample twice, with and without the built-in chorus, providing an authentic and versatile foundation. This sonic backbone paired with the UVI Engine results in a lush and extravagant analog sound; faithful to the hardware with a modern studio bite. UVX-10P delivers a fully-featured and fully-programmable interface sporting ADSR control of our high-quality amp and multimode filter designs, multiple effects, LFO and step modulator, a tediously crafted library of 150+ patches and even original wave samples for you to create your own programs with.
A perfect complement to UVX-3P, UVX-10P delivers a tremendous analog sound at an outstanding price. Add a piece of vintage synth history to your collection today!
With version 4 of Analog Signature a new member is added to the family: the ROLAND Jupiter 6!
Moog Source, Korg MS20, the Waldorf Microwave 1, the Waldorf Pulse 1, and – from version 4 onwards – the Roland Jupiter 6 have been accurately sampled in such a way that their charming inaccuracies are still there in this perfect Reason environment in which Soundcells took their chance to add polyphony and velocity. A good balance of retro 1970′ s and 80′ s analog / digital sounds with modern programming makes this ReFill versatile for current styles of music as well as retro …
Analog Signature v4 Contents:
• 540 combinator patches.
• 276 NNXT patches containing the basic patches which were used to build the combinators.
• 1792 samples, 44 khz / 24bit.
• Samples coming from five classic synthesizer.
• 10 demo tracks in Reason format included.
The baby brother of the Jupiter-8. Still a pretty great machine, with an awesome arpeggiator and the cool Jupiter sound.
Italo-Disco style live improvisation with JP-6, TR-707, SH-101. Leveraging the power of the JP-6’s sweet sounding multi-mode filter
Roland Jupiter-6 = BPF pad, portamento brass
Roland TR-707 = rhythm
Roland SH-101 = sequenced synth bass
The Roland Jupiter-6 (JP-6) is a synthesizer manufactured by the Roland Corporation introduced in January 1983 as a less expensive alternative to the Roland Jupiter-8. The Jupiter-6 is widely considered a workhorse among polyphonic analog synthesizers, capable of producing a wide variety of sounds, such as ambient drones, pads, lead synthesizer lines, and techy blips and buzzes. It is renowned for its reliability and easy, but sophisticated programmability.
The JP-6 has 12 analog oscillators (2 per voice), and is bitimbral, allowing its keyboard to be “split” into two sounds – one with 4 voices, and one with the remaining 2 voices (either “Split 4/2” or “Split 2/4” mode). “Whole Mode” is also available, dedicating all 6 voices to single (monotimbral) sound across the entire keyboard.
The JP-6 was among the first electronic instruments (alongside the Roland JX-3P and the Sequential Circuits Prophet-600) to feature MIDI, then a brand new technology. Sequential CEO Dave Smith demonstrated MIDI by connecting the Prophet to a Jupiter-6 during the January, 1983 Winter NAMM Show.
Europa, a popular firmware replacement available from ‘Synthcom Systems’ adds modern enhancements to the instrument’s MIDI implementation, user interface and arpeggiator, turning the Jupiter 6 into a contemporaneously adaptable machine
Here’s a multitrack using only the software synth Arturia Jupiter 8V, the recreation of the classic Roland synth. Only the drums and vocals are not Jupiter 8V.
The song is a cover of an old Alphaville song “The Elevator” or “The Nelson Highrise (Sector One: The Elevator). It’s the b-side of “Sounds Like A Melody” from 1984.