JP80 + JP8 + JP6 + Ion “3 Jupiters”
Here we have a Jupiter 80, Jupiter 8, Jupiter 6 and Alesis Ion. The Ion is being used for the Arpeggiator. The patch on the Ion is called “Infrastructure”. The patch on the Jupiter 80 is called “Big Mouth Pad” which is the first patch of the new 2.0 version.
Closer looka at the “Roland Jupiter 6″ – Fat Analog Synth
The Jupiter 6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.
Synthcom Systems, Inc. offers the Europa firmware upgrade for the Jupiter 6 which gives it an up-to-date and comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6′s original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter 6 is a thoroughly modern synth with a classic sound.
Hands-On: Roland JUPITER-50 (JP-50) synth
Keyboard editor Stephen Fortner get an exclusive first-hand look at the new Roland Jupiter-50 synth. See a further look into the JP-50 at… http://www.keyboardmag.com/article/roland-jupiter-50-hands-on/148040
Features
With its unprecedented fusion of synthesis and acoustic instruments, the new-generation Roland JUPITER has changed the way we play, react to, and feel a keyboard. By combining the supreme expression of the JUPITER-80 with the travel friendliness of the JUNO series, the new JUPITER-50 brings SuperNATURAL sound and pro performance to every stage and studio.
- Stunning SuperNATURAL sounds powered by our most advanced sound engine
- Travel-friendly design; 76-note weighted keyboard
- Fast, friendly user interface with intuitive color-coded buttons and sliders
- Registration function for saving and selecting sounds instantly
- Pro-quality multi-effects and reverb
- Expressive performance controllers, including D BEAM, pitch/mod lever, and control input jacks
- USB Song Player/Recorder
- USB audio/MIDI functionality; bundled with SONAR LE and JUPITER-50 Control Surface plug-in for SONAR
MusikMesse 2012 – Closer look at the new Roland Jupiter 50 and 80
Roland Jupiter-50 official information
With its unprecedented fusion of synthesis and acoustic instruments, the new-generation Roland JUPITER has changed the way we play, react to, andfeela keyboard. By combining the supreme expression of the JUPITER-80 with the portability of the JUNO series, the new JUPITER-50 brings SuperNATURAL sound and pro performance to every stage and studio.
- Stunning SuperNATURAL sounds powered by Roland’s most advanced sound engine
- Portable design, 76-note weighted keyboard
- Fast, friendly user interface with intuitive colour-coded buttons and sliders
- Registration function for saving and selecting sounds instantly
- Pro-quality multi-effects and high-quality reverb
- Expressive performance controllers, including D-Beam, pitch/mod lever, and control input jacks
- USB Song Player/Recorder
- USB audio/MIDI functionality; bundled with SONAR LE and JUPITER-50 Control Surface plug-in for SONAR
Musikmesse 2012: Roland Jupiter 50 Synthesizer
Roland demonstrate their new Jupiter 50 Synthesizer at Musikmesse 2012.
As was announced yesterday – here’s a video of the Jupiter 50 in action
Musikmesse 2012: Roland Jupiter-50 synth announced
A year has passed since the Jupiter-80 was announced, now its little brother Jupiter-50 makes its entrance: Designed to combine “the supreme expression of the Jupiter-80 with the portability of the Juno series,” this 76-note keyboard promises all the SuperNatural acoustic sounds from the Jupiter-80, 1,500 SuperNatural synthesizer tones, a fast user-interface, performance controllers and lots more besides
Read on for all the details…
Roland Jupiter-50 official information
With its unprecedented fusion of synthesis and acoustic instruments, the new-generation Roland JUPITER has changed the way we play, react to, andfeela keyboard. By combining the supreme expression of the JUPITER-80 with the portability of the JUNO series, the new JUPITER-50 brings SuperNATURAL sound and pro performance to every stage and studio.
- Stunning SuperNATURAL sounds powered by Roland’s most advanced sound engine
- Portable design, 76-note weighted keyboard
- Fast, friendly user interface with intuitive colour-coded buttons and sliders
- Registration function for saving and selecting sounds instantly
- Pro-quality multi-effects and high-quality reverb
- Expressive performance controllers, including D-Beam, pitch/mod lever, and control input jacks
- USB Song Player/Recorder
- USB audio/MIDI functionality; bundled with SONAR LE and JUPITER-50 Control Surface plug-in for SONAR
SuperNATURAL Power
The JUPITER-50 houses all of the SuperNATURAL acoustic sounds found in the flagship JUPITER-80 (with Behaviour Modelling) as well as many of the JUPITER-80′s SuperNATURAL synthesizer tones and Live Sets. You can conveniently import the JUPITER-80′s Live Sets and Synth Tones into the JUPITER-50 via USB memory key. To achieve the same supreme quality as the JUPITER-80, the JUPITER-50 employs the identical analogue components as its big brother, including the D/A converter.
Essential Sounds Onboard
The JUPITER-50 is packed with over 1,500 SuperNATURAL synthesizer tones, plus over 70 SuperNATURAL acoustic instruments, each with its own dedicated sound engine. Chose, stack, and edit any combination of four Tones to create custom Live Sets.
• For stage performers — A treasure trove of essential stage sounds is packed into the JUPITER-50, anchored by Roland’s famous SuperNATURAL piano and electric pianos. Authentic organs are included as well, derived from the acclaimed VK organ sound engine. A dedicated button provides instant access to rotary effects.
• For synth lovers — Choose from over 1,500 SuperNATURALsynthesizer tones and stack four of them to create a powerful Live Set. Classic synthesizer tones are onboard the JUPITER-50, including analoguefavourites such as the Roland SH and JUPITER brass, plus digital sounds from the D-50, JD-800, and the Fantom. Combine these synthesizer tones with the SuperNATURAL acoustic instruments to create your own expressive, modern sounds.
• For film composers — Expressive classical and ethnic instruments are at your immediate access including erhu, sitar, flamenco guitar, timpani and oboe. Thanks to the BehaviourModelling technology, the JUPITER-50 translates your keyboard performance into the unique musical nuances of each modelled instrument.
Easy Sound Creation
Complex sounds don’t have to be complicated to program. The JUPITER-50 simplifies the sound-design process with its colour-coded front panel, fast-access buttons and sliders, and Registration/Live Set architecture (128 Registrations, 2,560 Live Sets) logically categorised and instantly available.
Travel Friendly
Tipping the scales at just 11 kg (24 lbs 5 oz), the JUPITER-50 is one of the lightest professional instruments in its class while still offering a top-quality 76-note weighted keyboard. With its powerhouse features and sounds, and its travel-friendly design, the JUPITER-50 is a dream for gigging musicians on the go.
USB Functionality
The JUPITER-50′s built-in audio recorder lets you capture your phrase sketches or performances instantly to USB memory. Conversely, you can pre-load a USB stick with WAV, AIFF, and MP3 files and control them from the JUPITER-50 as live backing tracks onstage. You can even record your performances on the JUPITER-50 simultaneously with audio-file playback from USB.
High-Performance Effects
The JUPITER-50 boasts an advanced effects engine that will take your sounds into another dimension. There are five types of pro-grade reverb algorithms onboard, plus dozens of other special effects (MFX). And we’re only scratching the surface, as many other expressive performance tools are built into this powerful synth. You can select MFX structures that let you place up to four effects in parallel and/or serial paths. By using these five MFX structures, you can take full advantage of the JUPITER-50′s powerful collection of effects to create intense electro synth sounds, intricate ambient synth textures, and beyond.
System 46 – pure vintage synth jam
Background details:
An epic, cinematic, melancholic electronic song based on my life experience and a few composers / bands who have influenced me in my youth years – Ennio Morricone, Joy Division, Propaganda / Trevor Horn (with a dash of Goldfrapp thrown in for good measure).
Instruments used:
Prophet-5 ver.3 through Electro-Harmonix Clone Theory (original ’70s model)
Jupiter-8 through Roland M-10DX reverb
Oberheim DMX drum machine
Korg Triton trumpet through Eventide H3000-D/SE reverb
Roland Jupiter-6 Signature Sounds
The Jupiter 6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.
http://gstormelectronica.blogspot.com/
A quick demonstration of the Roland Jupiter-6 vintage analog synthesizer. Showing some of the signature sounds that are its claim to fame, and some sounds that may be not so familiar.
Not since 1983 has Roland produced anything quite like it. What sorts of things set the Jupiter-6 apart from its peers?
- Its wild multimode filter capable of Lowpass, Highpass, and Bandpass
- Like a handful of other synths, compound waveform selections are possible for each of the oscillators.
- A feature called Cross Mod: it’s like a third ‘virtual oscillator’ which is a frequency modulator for affecting OSC1. The beauty is that you still have OSC2 to do as you wish.
- Very stable oscillators, and the autotune routine takes about a second to execute! Memorymoog takes around 8 seconds.
- Envelopes: the attack transients are most unique. They aren’t extremely fast, nor syrupy, but I haven’t been able to get any other synth attack to sound the same.
What are these signature sounds the Jupiter-6 does well?
- Buzzy things
- Creamy Sawtooth, silky pad sounds
- Ambient Drones
- Gritty, Dirty, Raw, Nasty, Edgy sounds
- Blippy arpeggios
- Aggressive stabs/leads
- and very rude filter sweeps
Arturia Jupiter 8V review
The original Jupiter 8 was an 8 voice polyphonic analog subtractive synthesizer released by Roland in 1981 responsible many classic 80′s tracks. Arturia have had a crack at recreating this iconic synth in plugin format. I was going to playing some samples but wanted to get you a bit closer so we are going to quickly walk through the original interface and the extras goodies Arturia have added. Sorry there aren’t more audio examples but this episode is already way too long!
Disclaimer: This is no way a complete walk through, please dont get upset because I missed out X function. I know I missed out X function.
Interested to hear what you guys prefer in a review a walk through like this, or more audio examples & over view approach?
Source:
thedspproject.com/arturia-jupiter-8v-review
“The Unknown” by TSF
“This new composition is about the unknown, and having no idea where things are going but knowing that you’ll get there somehow and enjoying the journey along the way.
The piano lead (Yamaha Motif-6/A-90) played by Danielle is improvised over the accompaniment of the Jupiter-8 res/bass patch and the D-50 synth strings patch played by Crystal.
TR-808 drum machine is also used for an analog percussion track.
Please enjoy the randomness.
and thanks for joining us on the journey. 
”
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