Here’s a multitrack using only the software synth Arturia Jupiter 8V, the recreation of the classic Roland synth. Only the drums and vocals are not Jupiter 8V.
The song is a cover of an old Alphaville song “The Elevator” or “The Nelson Highrise (Sector One: The Elevator). It’s the b-side of “Sounds Like A Melody” from 1984.
Some sounds taken from Arturia´s new baby – the MicroBrute. A very tiny 100% analog synthesizer with the same sound like his big brother MiniBrute. There are several new features like the Stepsequenzer and the Patchfield with CV for some Modulations. The very good sounding Steiner-Parker-Filter with HP, BP and LP is also present. The MicroBrute is the perfect complement to his Big Brother or a Modular-System. More info at:
- Monophonic synthesizer
- 100% Analog Audio Signal Path
- Steiner-Parker Multimode Filter (LP, BP, HP)
- Voltage Controlled Oscillator with new Overtone Sub-Osc
- Oscillator Mixer (Sub, Sawtooth, Square, Triangle)
- LFO with 3 waveforms and destination attenuator
- Brute Factor™ delivering saturation and rich harmonics
- Ultrasaw generating shimmering sawtooth waveforms
- Metalizer bringing extreme triangle harmonics
- Fast Envelope Generator
- 25 note mini Keyboard
- External Analog Audio Input (level pot on rear)
- CV Inputs: Pitch, Filter, Sub-mod, Pulse, Saw animator, metalizer, gate in.
- CV outputs: Pitch, Gate, Env, LFO
- MIDI Inwith 5-Pin DIN connector
- USB MIDI In/Out
- 1/4” Audio Output and 1/8” Headphone Output
- Free Editor Software
- Step Sequencer :
- 8 sequences stored on power down
- Rate control
- Sync to MIDI clock
- Multiple modes (via software editor)
- Tap tempo/rest insert
Of course our personal favorite is the last one featuring Matsutake from Logic System
Arturia’s new baby – is 100% analogue with a lot of features for the money – see what we make of it.
+ a little Japanese bonus:
“Mogul, pine Takeshi analog synth love playing down analog synths Arturia, the MiniBrute.
I would connect you to their own “closet” to the (Moog Modular).” Googlish
ARTURIA MICROBRUTE ANALOGUE SYNTHESIZER
Every synth sound in this video was made on a MicroBrute.
Soundtrack by Pierce Warnecke based on “Song For A Junky” by the RocKandys.
Special thanks goes to Rike and the RocKandys for their appearance in this video.
After yesterday’s news with the new blurred out Arturia web site speaking of a new hardware synth – this image leaked on the net as well – it it the right things, most likely yes we believe. It appears this is also a one-oscillator synth, with an uncommonly complex oscillator section.
Anyone knows more – post your comments
Arturia has put a page on their site, teasing a new hardware synthesizer. Arturia doesn’t offer any details on the new synth, other than to say that it ”Looks tiny, Sounds massive” and that it offers ”Vintage sound, modern connectivity”.
Check them out, and let us know what you think Arturia’s ‘sonic monster’ is going to be!
- “I really love the sound of the original , and IT’s got that character and can be even wilder. You can get all kinds of crazy and musical interactions going on with other analog gear and drum machines. Combine the two together and you’re rocking?” Adrian Utley (Portishead)
- “IT takes me back to the joy I felt when I pushed that first key and a saw wave spoke back to me. IT allows for more than 100% values of such things as keyboard tracking. IT melds the best in a compact little powerhouse.” Terry Lawless (U2 and P!NK)
- “Once again Arturia has given me the best of both worlds with IT. It’s blowing minds at both my recordings session and in concert. The perfect compliment to my already diverse rig.” Roger Joseph Manning Jr (The Moog CookBook, Jellyfish, Imperial Drag, Beck)
- “So Just when you think Arturia can’t be any more practical than the Mini Brute. They bust you in the head with THIS.” Keith Shocklee (Public Enemy)
- “For me, a Synthesizer that has no presets is an adventure every time. IT is a recipe for audio joy. IT soon becomes a real electronic instrument, that develops with your knowledge and expertise.”Chris Cross (Ultravox)
- “The small form factor is disproportionate to the massive sound you can get out of IT. Having used many Arturia soft synths, this is a great piece to transition from a laptop. Turn the switch and go.” Sandra Vu (Dum Dum Girls, SISU)
- “Big, ballsy sound! Arturia has another sonic monster on its hands!” André Bowman (Will.I.Am)
- “It’s SMALL GIANT! I love it!!” Hideki Matsutake
Arturia has announced availability of iSEM, its second subtractive synthesizer recreation for Apple’s iPad. Here’s the story in their own words…
Like Arturia’s Oberheim SEM V desktop (or laptop) software solution before it, iSEM uses proprietary TAE (True Analog Emulation) technology to faithfully reproduce the analogue warmth and ingenious interface of the vintage Oberheim Synthesizer Expander Module (SEM) to which it also owes its inspiration and name, but brings it all kicking and screaming to this day and age in the most musical and ingeniously interactive ways possible by making the most of the latest developments available to its iPad host. Helpfully, Arturia has seen fit to take advantage of iOS 7′s inbuilt Inter-App Audio, allowing iSEM users to send MIDI commands and stream audio between apps on the same device. And that’s just for starters!
But first, a little history: hatched by legendary synth designer Tom Oberheim back in 1974, the dual-oscillator SEM was originally conceived as a way of beefing up weaker-sounding compatible analogue monosynths of the time before becoming a sought-after sound in its own right — so much so that its American creator came up with a series of successive SEM-based instruments, first pairing up two SEMs with a 37-note keyboard and a simple analogue step sequencer to form the Two Voice, Oberheim’s first self-contained compact, duophonic synthesizer in 1975, thereby beating rivals to the polyphonic punch. Programmability came courtesy of Oberheim’s breakthrough Polyphonic Synthesizer Programmer which — when hardwired into the fair-sized Four Voice (featuring four SEMs and a 49-note keyboard) in 1976 and enormous Eight Voice (eight SEMs set across two tiers) in 1977 — enabled the control voltages of many parameters for up to eight SEMs to be memorised for the first time. Though these instruments were undeniably groundbreaking, quickly finding favour with the likes of popular prog-rockers Rush and electronic music trailblazers Tangerine Dream, polyphony was, after all, achieved with multiple SEMs so each voice/module had to be programmed independently, which was quite a daunting task — even by somewhat shaky Seventies standards!
Fast forward, then, to 2013 and the truly 21st Century musical landscape has changed considerably, as has music technology itself. Today, of course, we take polyphony and programmability for granted, though not necessarily that still-sought-after Oberheim sound. Ingeniously, iSEM quite literally taps into all of this and then some, putting more musicality at anyone’s fingertips than its analogue namesake designer dared dream possible back in Oberheim’s Seventies salad days!
On the surface, anyone in any way familiar with the original Oberheim Synthesizer Expander Module® will immediately feel right at home when launching iSEM since the majority of its MAIN screen graphically mirrors the VCO 1, VCO 2, VCF, ENV 1, ENV 2, and LFO 1 layout and all associated controls to a tee — right down to the old Oberheim logo within the VCF section! Speaking of recognition, recreating that still- sought-after Oberheim sound is a challenge that iSEM readily rises to meet from deeper within thanks to that TAE® technology. This allows accurate modelling of analogue circuitry behaviour — in this case, an original Oberheim Synthesizer Expander Module®. Meaty, Seventies- sounding sounds stream forth from iSEM with over 600 highly-usable presets always accessible from its eye-catching browser — a quantum leap forward from Oberheim’s Polyphonic Synthesizer Programmer of way back when, surely?
Of course, communicating with the outside world in the pre-MIDI age was always a testing time back in the Oberheim SEM-launching Seventies. Not so today with iSEM… simply tap CONNECT and the iPad world is your musical oyster, thanks to Core MIDI, WISTTM, and Audiobus support — not forgetting the aforementioned Inter-App Audio.
But that’s not all iSEM has to offer. Far from it, in fact! Pressing the VOICE PROG button brings into play a voice programmer that makes simulating a huge polyphonic sound similar to Oberheim’s original Eight Voice hardware heavyweight a breeze — albeit without having to wrestle with eight monosynth modules hardwired together to create complex tones. Tellingly, MOD MATRIX makes creating complex modulation routings equally easy while the FX page brings built-in chorus, delay, and overdrive effects into the musical mix. Meanwhile, multiple performance parameters are accessible from the PERF page boasting ARPEGGIATOR controls, assignable sliders, and effects mix controls.
Amazingly, all of this is available in iSEM as an ear-opening iPad app for a tiny fraction of what its notable namesake analogue ancestor cost almost 40 years ago. The times they are a-changin’ here for sure! And admit it. Will you miss having to haul heavyweight hardware around? That’s progress. Portability pluses apart, iSEM is a supreme software recreation of a supreme subtractive synthesizer, pure and simple. So surely Apple’s App Store should be your next port of call? Get iSEM today and get back to the future of that still-sought-after Oberheim sound with Arturia!
Appropriate iPad owners can purchase and directly download iSEM from Apple’s App Store for $9.99 USD/€8.99 EURO/£6.99 GBP
Background video description:
Finally checking out the awesome little analog synthesizer from Arturia called the MiniBrute. This is a fully analog synthesizer with a Steiner-Parker filter, CV in/out, MIDI, and USB, all in a nice 25 key aluminium case.
full review: http://soundsandgear.com/arturia-mini…
product page: http://www.arturia.com/evolution/en/p…
BRUNO ENDER LEE – “Galactic Moog 2″ – performed live August 24. 2013
MiniMoog Voyager Old School (bass), Moog Little Phatty Stage II (arpeggios), Moog Etherwave Theremin, Arturia MoogModular V (fx-sequence)
composed, arranged & produced by Bruno Ender Lee; 2013 Velvet Voyage Productions
Arturia MiniBrute (not shown in the video) is running its arpeggiator and sending its notes as gate pulses to Korg Monotribe (Sync in). Monotribe plays the drum sequence and also the bass notes with some Sample & Hold modulation on the filter. The lead is a custom preset for the Novation MiniNova.