M-Audio’s Trigger Finger was one of the first MPC pad style controller only devices. Its been a while since M-Audio revisited that particular model. At the NAMM 2014 show, they are introducing the Trigger Finger Pro.
Its a nice looking machine with a large, three line LCD monitor, 16 pads and MIDI and USN connections while still being bus-powered.
Available in the Spring 2014 at $399
M-Audio unexpectedly brings out something that looks like NI Maschine but with 16-Step Sequencer Line – this is basically Drum Pads and a jam-type of sequencer like the Akai MAX49 has, so – this is still a controller not a groovebox or host or even a drummachine. that sequencer can not be reprogrammed but could be a cool tool if one could access it – it has built in midi as well to send the sequences somewhere. since M-Audio belongs to the Akai/Numark/Alesis Group (inMusic) this might be the same concept as the MAX Keyboards but as a pad controller. 4 memory banks – so really just for jamming.
Acoustica has released AeroMIDI 3D MIDI controller software for Mac & WIndows.
AeroMIDI uses 3D input devices, like the Leap Motion, to track your hand in space, allowing you to control any MIDI software or MIDI hardware. AeroMIDI lets you use your hands in 3D space to trigger notes and MIDI continuous controller messages.
AeroMIDI works with any MIDI software or hardware, and lets you control synthesizers, lighting rigs, DAWs, effects, virtual instruments, and any other MIDI-capable hardware or software.
We’ve added gestures and the new action cards that allow you much more flexibility. Control your music in 3D style today. Move or rotate your hands in 3D space to control parameters. Downloads are limited so download while you can. Download a copy at http://www.aeromidi.net/ . Note that this currently requires a Leap Motion Controller. (Other 3D controllers will be supported soon.)
James Bernard introduces the Alias8 CV Controller Rack Extension, a virtual control surface for the Reason rack. https://shop.propellerheads.se/produc…
The Rack Extension features 16 knobs, 9 faders, 8 toggle buttons, and 8 momentary buttons, each with dedicated CV output sockets that allow you to directly modulate other devices populated in your Reason Rack. For complex rack systems that require dynamic real-time changes, the Alias8 CV controller provides a central performance hub controlling the synthesizers, samplers, and effects modules.
The Alias8 Rack Extension is modeled after the Livid Instruments Alias8 control surface, and is designed to integrate seamlessly when the controller is mapped to Reason. We have gone to great lengths to simplify the user experience in an intelligent manner that integrates control when used in conjunction with the Livid Instruments hardware.
Inevitable Crafts shared this design for a Minimoog-style iPad MIDI controller.
It’s in the proof-of-concept stage, and the plan is to base it on inexpensive, readily available components, including an Akai LPK8, a Behringer 202 sounccard and various plugs and connectors and birch wood from Home Depot.
complete IO for the ipad
__symmetric audio IN/OUT
__MS20 filter, patchable IN or OUT
as this is a proof of concept, i will take the cheapest parts available
__birch instead of mahagoni at homedepot for around
__akai lpk8 instead of anything decent, so no wheels, but the only alternative would be the line6 and thats too big
__behringer 202 soundcard, unsymmetric and generally crappy and RCA …. but small and cheap
__cheap usb hub
__female MIDI plugs and around 12 mono plugs (thats expensive ^^)
__korg monotron for the filter
the controls left and right the ipad are mounted on dedicated panels to make it easier to expand and change layout.
Just a quick rundown of some MIDI controllers ‘otemrellik’ has built recently for ios music making fun.
Here are some helpful links:
I use the 2.0 Teensy board for all my projects:
umidi – a new MIDI controller that’s completely customizable.
Using a web-based interface, you can change the types of knobs, lights, switches and sliders on the controller, customize the colors and add designs. The components are high-end, and the case is CNC’d from a solid block of aluminum, which is then bead blasted and anodized. You can even customize the shapes and colors of the lighting around your controls.
Our goal is not to compete with mass produced products, We designed the umidi with no compromises on quality, structure of materials and components. That’s why each controller is made from a single block of aluminum, less than 1 inch thick and uses only the best components. Each controller is unique, and hand built/tested by us.
Each umidi can have the up to 36 components, which include:
- Jog Wheels
- Aluminum Push Buttons
- Drum Pads
- Silicon Buttons
At the heart of umidi are 288 RGB LED’s, which can be controlled to do whatever you want. This allows for music-driven lighting, button effects, visualizing mixing, millions of colors and other lighting effects.
When you’ve created your ideal layout, you can get your custom controller built to order.
Reviewer, EDM producer, and DJ Francis Preve takes a look at Novation’s latest pad/clip controller for Ableton Live and Image-Line FL Studio. Read the full review in our February 2014 issue.
Reviewer, EDM producer, and DJ Francis Preve takes a look at Novation’s latest keys-meet-pads MIDI controllers for Ableton Live and Image-Line FL Studio. Read the full review in our February 2014 issue.
Kits and enclosures are available at http://groovesizer.com
An introduction of the Foxtrot firmware for the Groovesizer platform. The Foxtrot firmware is a (mute) MIDI controller, specifically intended as a clip and scene for Ableton Live. The firmware is now available for download at the Groovesizer website.
BACK US ON KICKSTARTER: http://kck.st/17O9WOP
This is Palette. Palette is a freeform hardware interface. It offers hands-on control of your favorite software. Connect sliders, dials and buttons to create a controller that is made to fit you. Unlike a point and click interface or a glass touchscreen, these physical inputs give you precision and control that you can feel with your fingertips. Simply interact with Palette to adjust any feature within your software ranging from basic games to professional creative suites. Existing interfaces, assume that you work exactly the same as everyone else, but you design Palette to fit your unique workflow.
Setting up is as easy as plugging Palette into your laptop. It recognizes the software you’re running and becomes a controller that will grow with your needs (–which means) matching your unique style no matter what gear you’re using. Building Palette begins with the power module. Connect as many sliders, dials and buttons as you like and easily assign functions to them using the Palette Desktop App. You can load preset profiles or set them individually. This integration of hardware and software makes the platform easy for anyone to use. Palette connects you to your best work, in a way thats personal, and hands-on.
A new project, AUUG Motion Synth, explores the possibilities the iPhone and iPod touch, converting the devices into wearable motion-controlled instruments. Using it, you can control iOS synths, desktop music apps and even hardware.
The platform is made up of three components:
The AUUG grip positions the screen of an iPhone or iPod touch to be played by the fingers and secures the device to the user’s hand during motion: The AUUG app converts your iOS device’s motion sensor data into signals for shaping sound, and transfers these signals to other iOS sound apps or external devices. The AUUG app does not produce its own sounds, but instead acts to control other iOS audio apps running on the same device (as well as external devices). The AUUG app can be installed on iPhones (4S and up) and iPod touch devices (5th generation and up). The AUUG cloud is online service at that allows AUUG app presets to be shared with other users, via your iPhone or iPod touch (no laptop or desktop needed).
Background video information:
VISIT OUR KICKSTARTER CAMPAIGN: kck.st/1efP3Rf (ending Dec 19, 2013)
VIDEO MUSICIANS AND CONTENT:
Introduction soundtrack: The second half of the video (2.12 to 4.17 mins) includes looped sections of ‘Silver Wheel’ (from the ‘Solar Driftwood’ album) by Australian band Cracked Actor crackedactor.com.au.
Samuel David Graeme [holyeucharistline.com]: (0.16 to 0.21 mins) ‘Animoog’ synth app running on same device.
Sonia Vaikyl: (0.22 to 0.33 mins) ‘Magellan Jnr’ synth app running on same device.
Video sample: The ‘video scrub’ demonstration (0.34 to 1.01 mins) by Joshua Young uses a 2 second clip of Evalena Marie [evalenamarie.com] from the independent feature film ‘Visionary’ [facebook.com/visionarymovie] directed by Ben Proulx.
Eesha Hunjon [youtube.com/channel/UCzatgvFHc7_coVeH2Tq1Klw]: (1.02 to 1.15 mins) ‘Audiobus’ app (hosting Harmony Voice and Garageband apps) running on same device, with mic input via iRig Pre.
Becki Whitton [facebook.com/aphirism]: (1.16 to 1.31 mins) ‘Audiobus’ app (hosting Magellan Jnr app) running on same device, with mic input via iRig Pre.
Adam Cook [adamjamescook.com]: (1.46 to 2.03 mins) Nord Stage 2 keyboard, with MIDI input via iRig MIDI.
Joshua Young [auug.com]: (0.00 to 0.15 mins) ‘Animoog’ synth app running on same device; (0.34 to 1.01 mins) AUUG ‘video scrub’ software running on laptop; (1.32 to 1.45 mins) Voice Live Touch 2, with MIDI input via iRig MIDI. The backing track (0.00 to 2.03 mins) each musician composed and performed their parts to and the motion-reactive visuals were also created by Joshua Young.
Process: The video musicians used the backing track as a basis to compose their own parts and performed them live during filming, while simultaneously controlling the motion-reactive visuals behind them (via Wi-Fi MIDI messages sent from the AUUG Motion Synth to laptop software and back-projected onto the screen behind them). Their estimated practice times can be found at auug.com/musician-composition-and-practice-time.