A pure modular synthesizer album, tracking one monophonic line at a time.

November 10, 2010 · Posted in Uncategorized · Comments Off on A pure modular synthesizer album, tracking one monophonic line at a time. 

The composer Stretta writes: “While modular synths are undergoing something of a renaissance these days with dozens of manufacturers producing interesting new modules, there aren’t a lot of examples of pure modular synth music made today that transcend the banal.

‘A Funneled Stone’ is a pure modular synth release, tracked in the old-shool, 1970’s way: one monophonic line at a time. Every sound you hear was created, patched and recorded for that moment in time. When a new sound is needed, the patch is torn down and a new one is built. Polyphony is achieved by tracking each voice individually.

A modular album is, by definition, unapologetically synthetic. I also tried to take a more minimalist approach to orchestration, so the individual sounds can be more fully isolated and appreciated. I spent much of the final month of production taking elements out, and editing for length. Sometimes this results in the remaining elements merely hinting at the underlying harmonic movement.

As you can imagine, this process is very time-consuming, but fun. I hope you enjoy the results as much as I enjoyed creating it.”
a funneled stone by stretta

Asteroids modulation music video

November 1, 2010 · Posted in Uncategorized · Comments Off on Asteroids modulation music video 

Fredric has made this video called Asteroids Modulation, featuring e.g. the Plogue Bidule

“Hello ! My name is Frederic Gerchambeau. I have made this movie. The music has been made in one take with Plogue Bidule (sequencer, mixer and various delay effects), an Analogue Solutions Semblance, and a Doepfer Dark Energy driving a Moog FreqBox. Enjoy !
http://www.myspace.com/fredericgercha…

Doepfer dark energy

October 28, 2010 · Posted in Uncategorized · Comments Off on Doepfer dark energy 

Hello ! My name is Frederic Gerchambeau. I have made this movie. The music has been made in one take with Plogue Bidule (sequencer, mixer and various delay effects), a Doepfer Dark Energy, an Analogue Solutions Semblance and a Moog FreqBox. Enjoy !
http://www.myspace.com/fredericgercha…

Experimenting with a voltage control joystick

October 26, 2010 · Posted in Uncategorized · Comments Off on Experimenting with a voltage control joystick 

Modular synthesizer that is being controlled by a voltage control joystick. Top half is the beginnings of my Ems VCS3/Synthi clone. Bottom rack is a Doepfer A-100 system. Beauty case houses the joy stick and exp. mixer/output.

The ultimate synth project…

October 20, 2010 · Posted in Uncategorized · Comments Off on The ultimate synth project… 

…at least they claim. The Doepfer DIY Synthone

A short impression of a selfmade synthesizer. The synthesizer include 2 DIY synth Kits and a CV/Gate keyboard from Doepfer.
This synthesizer is a semi-Modular synthesizer. You can use it with or without patch chords.

More Info´s on:

http://www.synth-project.de

Feast your eyes on the new Doepfer

October 16, 2010 · Posted in Uncategorized · Comments Off on Feast your eyes on the new Doepfer 

Deopfer has released updated pictures and information on its Dark Time sequencer – a companion to the Dark Energy analog synthesizer.

Dark Time is an 2 x 18 / 1 x 16 step analog sequencer that is planned as an add-on for the Dark Energy. But it may be also used in combination with other MIDI, USB or CV/Gate equipment.

The Dark Time sequencer will be available as a stand alone model – or combined with the Dark Energy to make a killer Dark combo.

Pricing on the Dark Time is expected to be Euro 450.00 – 500.00 (about $700), and availability to be end of 2010.

Note: As the unit is still in the development state (as of October 2010) all specifications, prices and release dates are still are subject to change.

Features:

  • two rows with 8 controls each
  • for each step:
    • – rotary control (same knob type as Dark Energy)
    • – red LED
    • – three-position switch On/Off/Skip
      • On = trigger signal is active for this step
      • Off = no trigger for this step
      • Skip = step is skipped
    • – three-position switch Stop/Continue/Jump
      • Stop = sequence stops here
      • Continue = sequence continues
      • Jump (as yet Reset):
        • If only one of the 16 toggle switches is in the Jump position a Reset is carried out (i.e. sequence jumps to stage 1)
        • If two or more of the switches are in the Jump position the sequence jumps to the next step with the switch in the Jump position and then continues from this position (until another step with the switch in the Jump position is reached and then the same procedure is carried out again)
  • several operating modes:
    • 1×16 (i.e. the two rows are daisy-chained)
    • 2×8 (i.e. both rows run in parallel)
    • custom mode (e.g. three times row 1 and the once row 2, probably not yet available in the first firmware version)
  • several running directions:
    • forward
    • backward
    • random
  • several voltage / tuning ranges: 1V, 2V, 5V (corresponding to 1/2/5 octaves)
  • quantization on/off/custom scale  (custom scale probably not yet available in the first firmware version)
  • transpose via switch (-1/0/+1 octave), Midi/USB or external CV input
  • timing control, selected by a three position switch:
    • internal via built-in clock oscillator with frequency and pulsewidth controls
    • external via Midi/USB
    • external via analog clock/start/stop
  • analog interface for CV/gate/clock/Start-Stop (inputs and outputs, 3.5 mm miniature jack sockets)
  • Midi interface
  • USB interface (power supply via USB is not possible)
  • basic parameters are set in the configuration mode (e.g. Midi channel for row 1, Midi channel for row 2, Midi clock dividing factor, custom scale, custom running mode)
  • optically adapted to Dark Energy (same knobs, same depth and height, same wooden side plates and so on)
  • Powered via external power supply (12 AC/min. 400mA) for 230V
  • powering the device via USB is not possible, because the analog circuits require a dual voltage (+/-12V).

Running the cool Z8000 matrix sequencer

October 4, 2010 · Posted in Uncategorized · Comments Off on Running the cool Z8000 matrix sequencer 

This patch makes heavy use of AND, OR, XOR, and Flip Flop gates to run the awesome Tip Top Z8000 matrix sequencer. Everything else going on is too complicated to easily explain. Some other prominent modules used are The Harvestman Zorlon Cannon, the Metasonix R-54, the Doepfer A-106-1 Xtreme Filter (ms20), Intellijel Spock and Flip Flop, and the Malekko Wiard Oscillator.

http://www.youtube.com/watch?v=6QoW-xksTto&feature=player_embedded

Doepfer goes minimalistic

September 30, 2010 · Posted in Uncategorized · Comments Off on Doepfer goes minimalistic 

A simple beat, two oscillators, a ring modulator and a Moog filter and you’ve got a complete minimalistic setup.

Doepfer goes alternative – nice EBM sequence

September 15, 2010 · Posted in Uncategorized · Comments Off on Doepfer goes alternative – nice EBM sequence 

More on the dreams of Doepfer

August 29, 2010 · Posted in Uncategorized · Comments Off on More on the dreams of Doepfer 

A frequent synth in this blog . the Doepfer :-)

This is a patch which I always dreamed of a sound at the Tangerine Dream, and, or Klaus Schulze.

A single oscillator,
the Livewire Audio Frequency Generator,
a strong personality and the quality is at the rendezvous.

The A-149-1 and 2 Doepfer which incorporates some features of the “Source of Uncertainty” Don ‘Buchla.
Are essential elements of this patch.

This patch runs in a loop without any evidence and external effects …

It Is The Patch Which Always Dreamed made for me, a sound in the Tangerine Dream, and, or in the Klaus Schulze.

A single oscillator: the Audio Frequency Generatot of Livewire.
with a strong personality and the quality Is There.

The A-149 1 and 2 of Doepfer Who summaries Some functions of the “Source of Uncertaity” of Don, are the essential elements Buchla cette patch.

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