Background video description:
In this video I am using the Arturia Spark Vintage drum machine along with the Sonic Projects OP-X PRO-II. This is part of one of my original compositions that is still in the making. Thanks for taking the time to check it out!
Roger dropped by the office to give us a sneak peek of his great LinnStrument prototype. The LinnStrument is triggering our Prophet 12 Module prototype as the sound source. This is not the final design or form factor of the LinnStrument, but it was fun to see it in action and play around with it. It is extremely intuitive and expressive. Can’t wait for the production model!
More info here: http://www.rogerlinndesign.com/previe…
The heart of LinnStrument is a pressure-sensitive multi-touch surface scanned at high speed and resolution. Each touch is sensed in three dimensions with loudness controlled by pressure, pitch controlled by left-right movement and timbre controlled by forward-backward movement. We call this 3D Note Expression. It’s also polyphonic, with these three dimensions captured independently and simultaneously for all fingers. With this level of subtle control, you’ll find little use for envelope generators or LFOs because your finger movements do a better job of controlling a note’s envelope, vibrato, pitch slides, tremolo, bends and other musical gestures, just like on acoustic instruments. And because these three dimensions are sensed for each finger simultaneously, you can do things like performing a string quartet with four fingers.
A live “dreamy” improvisation on Minimoog, Memorymoog, and LinnDrum.
Minimoog: synth bass
LinnDrum: drum machine
“Another, more “hypnotic” and laidback live jam on Minimoog, Memorymoog and Linndrum. My silly camera decided to stop recording the video after 10 seconds, so I placed a photo of the gear. Listen to this one in low lights ”
An ’80s-style ditty showcasing a few classic sounds of three of the most iconic instruments of that era: Emulator II, DX7, and LinnDrum.
Emulator II: Marcato Strings, Choir, Strings Plus
DX7: Bass, Tubular Bells, Marimba
LinnDrum: drum & percussion patterns
“UNFORTUNATELY I inadvertently left an aux open on the mixer and the LinnDrum spilled on the tracks, causing the flanging effect but it’s still listenable. I will re-upload a better version when I have a chance.”
Vintage gear demo by RetroSound
LinnDrum drummachine from the year 1982
12 sampled 8bit sounds: bass, snare, rimshot, hihat, 3 toms, crash, ride, cabasa, tambourine, high and low congas, cowbell, claps
15 individual outs
trigger out; tape sync and clock
the 80s hit drummachine
more info: http://www.retrosound.de
Ean Golden sat down with electronic music technology pioneers Dave Smith and Roger Linn for a special in depth interview focused on analog hardware and its uses for making compelling electronic music.
This interview was shot in January – Dave Smith has since been awarded with a Grammy, and MIDI turned thirty! Read more here: http://www.djtechtools.com/2013/01/09…
The LinnDrum was the second machine from Linn Electronics. It’s basically an upgraded version of the original LM-1 with added crash and ride cymbals to the kit. The LinnDrum uses samples of acoustic drum sounds. At the time, they sounded great and much more realistic and they were a fresh alternative to the analog drum sounds of the ’80′s drum machines. The LinnDrum also had a handy upgrade option, a well designed layout and interface, and live drum trigger inputs.
The LinnDrum had beefed up the sampled sounds from 28 to a 35kHz sample rate. It features 15 sounds including bass, snare, rimshot, hihat, crash, ride, three toms, cabasa, tambourine, high and low congas, cowbell, and clap. Up to 12 sounds are available simultaneously. Individual controls are available to tune, pan, and mix each drum sound via dedicated knobs and sliders. An Accent is available for the kick, snare and hats. The handy upgrade options involve inserting new chips containing new sets of sampled drum sounds created by many session drummers of the time.
The sequencer had some innovative features (for the time) such as swing, quantizing and memory storage! Two-bar patterns can be recorded in real or step time, with or without quantizing. There are 56 user patterns for storing your drum patterns. There are also 42 preset drum patterns. Patterns can be arranged into Songs for which there are 49 memory locations. Old songs and patterns can be off-loaded to cassette tape for storage. Designed for the studio, there are 15 individual outputs for each sound around the back as well as external sync and trigger but no MIDI (unless modified by a 3rd party). The LinnDrum’s features made it the most professional drum machine of its time.
More info: http://bit.ly/TIfQZj
During Dubspot’s recent trip to Seattle’s Decibel Festival, our video team caught up with Roger Linn, the godfather of the modern drum machine, Carl Craig, one of Detroit’s most talented producers, for a lecture/discussion about the history and evolution of the rhythm machines that have shaped our musical world.
One of the most inspiring elements of Seattle’s annual Decibel Festival is the conversations that transpire between some of the world’s most talented musical thinkers. Decibel acts as a catalyst for these moments, with lectures and demonstrations taking place throughout the festival. We were especially excited to catch a workshop where drum machine creator and pioneer Roger Linn joined Detroit techno innovator Carl Craig for a talk on the evolution of drum machines and the future of electronic rhythm.
In this video, Linn explains that our assumption of drum machines appearing in the early 80s is incorrect, and he takes us on a tour of early electronic rhythm devices such as Leon Thermin’s Rhythmicon (1930), the Chamberlin Rhythmate (1957), Raymond Scott’s Bandito the Bongo Artist (1963), Seeburg’s Select-A-Rhythm (1964), the PAiA Programmable Drum Set (1975) and the CompuRhythm CR-78 (1978). Craig probes with questions regarding interface design for musicians vs. engineers, discusses the development of drum interfaces, and talks about how the Akai MPC changed his production and composition techniques.
“A fellow VSE’r was needing helping syncing his Pro One to his LinnDrum, so I thought I make a quick tutorial video. Remember to enter the LAST note of your sequence into the ProOne’s sequencer FIRST (thanks Howard Jones for that tip).”
Here’s a new video noodle session from SynthMania:
“A quick noodling session with Minimoog, Emulator, LinnDrum. Again, my audio interface is being exchanged and I’m using the computer’s internal card, so apologies for the noise floor. The Emulator going out of tune in a couple of parts is because I inadvertently moved the pitch bend wheel with my elbow ”